jonno1981

I like this. That metal control plate/ scratch plate combo is very Yamaha bb. Did he used to play one?

Great result! Julian is one of the most trustworthy gents in the biz. This looks amazing.

Ok that made sense in my head. 🤪

This is a brilliant review! I’m glad it worked out for you. It sounds like they’ve made a creative tool that means you can forget about what you’re physically playing and concentrate on what you’re playing.

Killer looking rig. Take 1 or 2 cabs depending on the gig. Awesome stuff.

This is really cool. Glad you all got the bass you wanted and the quality looks great.

Reading between the lines, I think you’re spot on!

How do they compare?

Thanks. Ah that explains the lower price. Still lots of high end hardware here. I had a streamer jazzman many moons ago with this pup combination and it was decent. I wonder how much one of those would cost these days. £3k+ I’d imagine.

I thought the pnut was neck through? Maybe memory failed me. Interesting to scroll through and see the price of a thumb nt4 these days. £6k!!!!

A very worn, annotated and well thumbed book about bass improvisation that I picked up from Reading’s oxfam music store. Every-time I leaf through the shelves I find a load of bass titles.

I’m a bit torn over this as a former guitar store manager. Before they did this, there were retailers who priced everything up to be £25-50 a box profit. That’s all the way to US models. e.g customer pays £1050, store makes £25. They’d rather sell you any other brand to try and make the rent and pay their staff a wage. Basically they were destroying any realistic margin for any retailer for the brand, which isn’t sustainable. Dealers were going under, were dropping the brand etc as there was literally no point in selling Fender guitars. I honestly prefer keeping pricing level, meaning people shop for the best service and experience and not just on price.

2x12 shifts a lot of air. I’d sell everything and get a new, modern 2x12 that’s lightweight, louder & better than the ampeg and you can use for everything.

Super jazz seems right to me. Emergence of new active electronics and popular use of more exotic woods. Thinking sei, good fellow, moon, east, Bartolini, Sadowsky etc. Memories of bass magazine with glowing reviews of these sort of instruments.

Andertons bought 5 of them! Blimey!

They sound great! Can’t see them shifting at that price though. Look out for them in the next Black Friday sale.

https://www.julienslive.com/lot-details/index/catalog/443/lot/196287?url=%2Fauctions%2Fcatalog%2Fid%2F443%3Fpage%3D1%26catm%3Dany%26order%3Dorder_num%26xclosed%3Dno%26featured%3Dno%26key%3Dbass Advertised as a rack with some orange terror amps in it. Also has 2 x svt2s inside it!

Headstock distribution. I’d be disappointed with this on a premium model.

Carvin something?

My only experience is trying 3 different pino signature basses over the years, all of which were top drawer amazing. Sounds like I had a better experience than most with the CS.

That bit shouldn’t be there! Ouch! Hope you’re healing up ok!

I enjoyed this top notch bit of editing:

I love seeing a signature instrument that’s truly original and unlike anything else. It suits the player down to the ground, might not suit everyone but that’s ok!

I think body wear generally looks great on any classic shaped instrument. Where I get put off is too much wear on the neck beyond discolouration and light finish wear. Anytime I pick up a bass with proper chips in the back of the neck/ side of fingerboard I just want to put it back.