Roger2611

There has been an add in Guitar and Bass mag for a while that makes me want to be mischievous....it is pretty much "Bass player wanted for rock band must be over 22 years old and HAVE LONG BROWN HAIR" I mean WTF I am so tempted to find a photo of a beautiful naked blonde lady playing bass and send it to them saying....really wanted to apply but hair is wrong colour..sorry goodbye...sadly as yet I have been unable to find said photo to allow me to carry out my evil plan

At best a Squier neck...."presumably American made" err no

I am confused by the argument, had the buyer of the amp then immediately put it back out for sale for £2.000.000 you would just have thought he was plain crazy but because he is trying to sell it for a bit more than he gave you for it then he is devious? I would hate to think how many times I have part exchanged gear to music shops that I have done loads of business with over the years knowing full well they are asking more than they paid for the item I want and are offering me a lot less then they are going to sell the item I am trading in...if that makes sense! If I am happy with the deal offered then all well and good if I am not then I don't do the deal. I traded a Patrick Eggle Milan bass some years back, I got a £500 Telecaster Custom in the deal, for the following 3 years that bass hung on the wall of the shop with a £1200 price tag against it....I was never annoyed at the price they were asking I was quite pleased that no one was unfortunate enough to be the new owner of what was a truly lousy bass!

Midnight to six man, for the first time from Jamaica

Excellent, my colleague managed a more expensive "drunken" purchase, she spent £1300 on a pair of hand made Italian shoes that were too high to walk in and two sizes too big for her!

Excellent for heavy metal I guess

I thought you were indicating a change in the weather for a moment....we could do with a bit of sunshine if the rainy season ever finishes

[quote name='Oopsdabassist' timestamp='1442943535' post='2870851'] I'd second Dakota, dead easy, and the crowds love it, which always makes you feel good! [/quote] Dakota was the first thing that sprang to my mind as well

[quote name='Bassassin' timestamp='1442832950' post='2869758'] Three, according to Wikipedia: Did you know those old Avons & Shaftesburys were actually hand-made in a shed in Clapham, by a prodigiously talented 13-year old called Rosie Morris? True that. J. [/quote] This needs to go in the alternative rock and roll facts thread, information as good as this must be shared!

At least they are being realistic about not needing a quick sale, I imagine if they hang on to it for say....I don't know 200 years or so or until all the wood has run out and all guitars are made of plastic then maybe it will be worth their asking price

That's the problem when you get your 6 year old daughter to proof read your ad!

I love my Fenders, I have recently decided to cull all the non Fender Precision basses after finally realising that the Precision basically just works, I decided to give the Warwick a rare outing the other week, it is a 2010 German dealer only LTD edition Corvette $$, so all in all a pretty decent bass, I used it for the first half of a gig in a room with awful acoustics, it was horrendous, every time I played a G the whole room shook like a Chilean earthquake yet all other notes you could hardy hear! At the interval I switched to my 1986 Jap Precision (the Precision version of the Jazz Bass Special) the whole second set I could hear every note, the sound was far better balanced, I don't know why but the Precision bass just does the job where a bass with far more tonal options seemed to struggle...explain that if you will! After the gig a random punter wandered over and asked why the "good looking" bass sounded horrible in the first half....what more can I say other than Leo Fender really did get it right first time

[quote name='TrevorR' timestamp='1442506452' post='2867449'] My rig is a Little Mark II with a compact 2x10 and compact 1x15 as in the avatar <-. I like the flexibility it gives. The 2x10 for rehearsals, coffee bar gigs etc (which it give more than enough vol and bass for) and the two cabs for bigger gigs or vocal/acoustic only PA covers gigs (pubs, weddings, functions etc). The LMII is light and in a rucksack case. The LMII and the 2x10 seems more back friendly to me than the equivalent Markbass combo. I love the Markbass stuff but you could get a similar result with lots of other lightweight brands. [/quote] I have exactly the same rig and completely agree with the above

[quote name='taunton-hobbit' timestamp='1442482535' post='2867232'] At the risk of getting told off : [center] [font=Verdana, Arial, Helvetica, sans-serif][size=2][/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=2][font=Verdana, Arial, Helvetica, sans-serif][size=2][size=1][b][/b][/size][/size][/font][/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=3]Nordost Valhalla 2 Interconnects [size=2]RCA & XLR[/size][/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=3][font=Verdana, Arial, Helvetica, sans-serif][size=1]HOLO:PLUG™[/size][/font][/size][/font][font=Verdana, Arial, Helvetica, sans-serif][size=1] Gold Plated RCA/XLR[/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=2][b][size=3]Valhalla 2 RCA or XLR interconnects[/size][/b][/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=2]0.6m pair = £5,199.99 1m pair = £5,999.99 2m pair = £7,599.99 3m pair = £9,199.99 extra per 0.5m = £800.00[/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=1]Free P&P. Free 4 day Burn in. More info [url="http://www.highendcable.co.uk/Nordost%20VIDAR%20Burn%20in%20service.htm"]click here[/url][/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=1]HOLO:PLUG[/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=2][color=#000000][b]Valhalla 2 Analog Interconnects[/b][/color][/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=1][color=#000000]The Valhalla 2 Interconnect consists of 10 conductors made from solid, optimized diameter 99.999999% oxygen free copper, each plated with 85 microns of silver. Its surface is highly polished and treated before a precision Dual Mono-Filament wrap is applied. A precision FEP tube is then extruded over each conductor. The ten FEP tubes are then bonded with a proprietary technique to create a tubular interconnect cable, enclosed in two layers of silver shielding. The V2 interconnect is offered with an RCA or XLR HOLO:PLUG™. [/color][/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=1][color=#000000]V2 is extremely fast, at over 87% the speed of light. It transmits wide bandwidth signals with incredible speed and minimum phase shift. The V2 cable is state of the art, bettered only by the mighty Odin. It delivers incredible transient response and dynamic resolution so that no musical detail is lost. Each Valhalla 2 interconnect cable is hand built in the USA with HOLO:PLUG™ RCA phono plugs or gold HOLO:PLUG™ XLR connectors.[/color][/size][/font] [font=Verdana, Arial, Helvetica, sans-serif][size=1]SPECIFICATIONS INSULATION: High purity class 1.1 extruded FEP CONSTRUCTION: Dual Mono-Filament with two layers od silver plated sheilding CONDUCTORS: 10 x 24 AWG solid core MATERIAL: 85 microns of extruded silver over 99.999999% OFC solid-core. CAPACITANCE: 17.0pF/ft DIELECTRIC CONSTANT: 1.38 PROPAGATION DELAY: 87% speed of light CONNECTORS: [/size][/font][font=Verdana, Arial, Helvetica, sans-serif][size=3][font=Verdana, Arial, Helvetica, sans-serif][size=1]HOLO:PLUG™[/size][/font][/size][/font][font=Verdana, Arial, Helvetica, sans-serif][size=1] Gold Plated RCA/XLR[/size][/font] [url="http://www.highendcable.co.uk/Nordost%20Reference%20Upgrade%20path.htm"][/url] [b][font=Verdana, Arial, Helvetica, sans-serif][size=2][url="http://www.highendcable.co.uk/Panda%20feet%20at%20High%20End%20Cable.htm"][/url][/size][/font][/b] [url="http://www.highendcable.co.uk/Nordost%20VIDAR%20Burn%20in%20service.htm"][/url] [/center] Makes Epifani look very cheap - how can you refuse? [/quote] Ohhh I so want.........my head examining before I parted with my cash for these..... Do we agree that decent cables do make a difference to those normally supplied with guitars, hifi, TV etc? If so I wonder what the cut off point is where the cable is no longer an improvement over the standard but just becomes a status symbol purchase?

Well you can buy Flea's autograph for £69.95 so I am assuming the bass is made of solid gold

It's simple, someone broke the end bit off.....sandpapered it down to sawdust then glued the sawdust to the neck in a random pattern .....simples

RIP Bryn.....Thanks for the Night!

Is this possibly the best possible use for a Digitech Bass Synth Wah pedal ?

With a description like that I'm going to have to start the bidding at £500.00..............not!

Most of the Jam stuff

Nelly The Elephant is my fave Just though of another: TV Stars by the Skids, B side to Into The Valley from memory, pays homage to Ena Sharples and Albert Tatlock

Brilliant

Do you really need such volume from the bass bins on stage? we are a Rock/ pop covers band and use a single powered bass bin with the crossover set to pick up the bass drum more than anything else and I don't even hear the sub onstage

Having owned both I would go with the Mexican 50's bass but, every bass is different the Greco may be the best one they ever made the 50's could be a dodgy one that you don't take to, if you can try both before you decide that will give you best guidance

I like Vintage TV, I think it is the best of the dedicated music channels available at the moment but I can't help thinking that one day there will be a really good music channel, I am imagining a channel concentrating on the "rockumentries" shown on BBC4 and Sky Arts mixed with interviews, tour news, live bands ala Whistle Test etc