miles'tone

Are the dekos usually posted at night then, or could it be at any time? I'm keen but always too late!

For the record, Nick Oliveri made up his own string sets. Heavy GHS Bass Boomers .115 & .95 for his C & F strings, and Ernie Ball Power Slinky .75 & .55 for his Bb & Eb strings (C natural tuning) There's a vid on YouTube knocking around where he says this but can't find it again. The trick is to get just enough tension while still being a bit flubby to get that dark crunch if that makes sense! \m/

[quote name='Bassassin' timestamp='1435230469' post='2806700'] Hmm - that Emperor model might raise the blood pressure of certain jumped-up, litigious Californian CEOs... Love the fact David tries to do something different with his basses - I really wish the Super P came with the maple Vantage neck, preferably in a J width. On second thoughts, I don't, I'd be ordering one if it did. Jon. [/quote] Equally, I'm actually pleased there aren't fretted and fretless Super P 5-strings available. I would be over half a grand poorer today otherwise!! Well done Retrovibe. Great looking basses at the right price. Nice light weights too. No boat anchors by the looks of it.

[quote name='scalpy' timestamp='1435130601' post='2805654'] http://m.youtube.com/watch?v=gAacdHxJW6s Just discovered this morning, (man I love it when that happens) Eska- Shades of Blue. Never heard of her, tiny number of views and clueless to who's on fat strings duties but this must be one of the grooviest 17/8 tunes you'll ever hear! [/quote] Nice! Although I can't help being the geek sorry - it's in 15/8. Good find! 👍

Yes, yes and indeed, yes! Congrats man, I think the Infinity is my favourite Warwick of them all.

Manifest Destiny - Jamiroquai Haven't heard it for a long time until just now, and it's the first one that came to mind.. http://youtu.be/opVG11bBsHk

[quote name='kev b' timestamp='1434918435' post='2803882'] My first proper band in the 70's had Hammond, a new fangled polyphonic synth with "strings" and a real brass section. We did loads of TV and Film Themes as they went down really well with the audiences. Shaft, Hawaii 5-0, Six Million Dollar Man, Charlies Angels, Summer of 42 Biddu arr., Muppet Show Theme, Monty Python Theme, Exodus, The Avengers, The Good The Bad and the Ugly, Shadow of your Smile etc. Really enjoyable tunes to play especially as the composition/arrangements were by people such as John Barry, Michel LeGrand, and Lalo Schifrin and recorded by top session players. I miss those days, playing 5 nights a week plus Sunday lunchtimes, how times have changed! [/quote] Now that's a band that I would have loved to see! 👍

Yeeeehaaaaahhh!! \m/ http://youtu.be/u28gI4Xr44w

Dirty Harry theme song: http://youtu.be/ZDKRD2q3bYo

Fantastic job sir! I love it. 👏

Thank you both, that was brilliant!

[quote name='HowieBass' timestamp='1434252912' post='2798023'] I now like to think of a bass as a structure that supports a vibrating string where the vibration leaks out at each end - in effect leaking out at the nut and bridge, and also at the point where you stop/fret the string (fingerboard/fret), these points, where the ends of a vibrating string are fixed, behave as imperfect mirrors. Since these end points are imperfect mirrors, they're unable to contain all of the vibrational energy of the string, so some vibration leaks out beyond the nut, beyond the bridge, and beyond the fingerboard/fret, into the rest of the instrument - into the neck, the headstock and the body; which act as heat sinks. These heat sinks will have characteristic resonance modes, not unlike the wooden blocks of a xylophone. I see the body and neck of a bass acting as absorbers of energy, they take it from the string, but only at specific frequencies, frequencies that correlate to the resonance modes of the instrument - this is why and how dead spots occur where the major contribution is from flexure of the neck and headstock. I imagine dead spots are less of a problem with necks made of very stiff materials that resonate at high frequencies outside of the range covered by the bass note fundamental and low order overtones - such as graphite and aluminium?. So if construction method (single piece or laminate neck, inclusion of graphite reinforcing bars, types of wood, bolt on or neck through) makes a difference, and it seems it does, I think it's likely because there's a process of some of the vibration energy being sucked out of the string, resulting in the colouration of a note in terms of the balance between the fundamental and its overtones. Maybe the wood tap test is looking for notes that don't interfere destructively with the range of frequencies you want to 'sing' with a bass guitar. All in my humble opinion obviously. [/quote] Great post and I absolutely agree!

"How can you have your pudding, if you don't eat your meat?!!" I use this daily on my kids at teatime. But seriously, his lyrics do seem to get better the older I get. Very mature songwriting for such a young lad.

[quote name='Colonel36' timestamp='1434100247' post='2796617'] Saw this today with a very unusual Shell Pink front door and thought of this thread. [URL=http://s16.photobucket.com/user/Susannah1/media/shell%20pink.jpg.html][IMG]http://i16.photobucket.com/albums/b14/Susannah1/shell%20pink.jpg[/IMG][/URL] [/quote] I ain't knocking that at all, nice pink! Coat got, taxi's here..

[quote name='Marc S' timestamp='1434102783' post='2796669'] But ultimately, it's up to you You don't have to justify your choices to anyone, least of all yourself (stolen from another BC'er!) PS. Let us know what you opt for PPS. Whatever that is, it will be "right" [/quote] Wise words! I'll say it loud..,"I LIKE PINK AND I'M PROUD!!" There. It's out. Yes of course I'll keep you updated and show the finished article when I'm done. (by the end of the summer spraying season that is )

[quote name='Vinny' timestamp='1434020165' post='2795959'] This seems like a good time to calm the nerves of the multitudes rendered insensible at the sight of a gentleman [s]playing with his pink wood in [/s][s]public[/s] owning a bass in very pale red, by posting a picture of the legendary Shrinking Violet being used in anger. Any excuse! [IMG]http://i920.photobucket.com/albums/ad50/vinnybassist/soundcheck_zps94d87c5e.jpg[/IMG] [/quote] Vinny, you just kicked the door right off it's hinges there mate! 👍

[quote name='seashell' timestamp='1434010979' post='2795832'] I know that was tongue in cheek, but I kind of agree. I think they look great, but I wouldn't want one myself. I'd feel it would be too much of a girly cliché somehow. [/quote] You know, I never thought of it that way seashell. Good call.

[quote name='peety' timestamp='1432734297' post='2784386'] Limelight in shell pink with tort and rosewood [attachment=192947:LIMELIGHT.JPG] [/quote] Yep. 👌

[quote name='kevin_lindsay' timestamp='1432731580' post='2784350'] My Shell Pink P-Bass [URL=http://s7.photobucket.com/user/kevin_lindsay/media/FB_IMG_1426059007309.jpg.html][IMG]http://i7.photobucket.com/albums/y289/kevin_lindsay/FB_IMG_1426059007309.jpg[/IMG][/URL] [/quote] Very cool looking P mate. Is it a custom shop? Or did you put it together yourself? The tug bar sets it off really nicely. It IS all in the details. I think I'm going to go for it with either a mint green or 1-ply black pickguard (1-ply because I'll have to spray the parchment one that's on there already! ) Thanks for the inspiration all!!

[quote name='obbm' timestamp='1432729214' post='2784318'] Pink is fine. I have an MIJ '96 Anniversary Jazz which I acquired many years ago through this Forum. It has all the signs of being heavily used both by the original owner and myself. I found that the original white scratch plate was a bit too in-your-face so I changed it to a Tort. This was taken before I changed back to a VVT control plate. [/quote] Sorry for the late replys here.. I love the look of tort with the pink on your bass . I've come around to agreeing that it's got to be with a rosewood fingerboard though. Cool bass!

[quote name='Conan' timestamp='1433747409' post='2793474'] Nice to see that the hostilities have gone into a bit of a Lull... [/quote] Yes, it was getting a bit Sad.. ✌

[quote name='goonieman' timestamp='1433703086' post='2793258'] ... why would you keep the $$ ? [/quote] I'd keep it because I've had a 2eq Stingray as an only bass myself, and while it was amazing it was not versatile enough for me. If it had been a HH 'ray it might have been a different story. I've played a $$ Warwick and was very impressed. Very user friendly and comfy to play with loads of tone options. I reckon you'd get more for the Stingray too which is handier if things are tight. When you're flush again later on, get another!

I'd keep the $$.

Worth every penny! Loved my 415 but it proved too heavy for me even though it only weighed 9lbs.

Zoom lolly.