I've used a Thomann own brand case (Thon) for about 4 years with mine. It's great! Not sure if it has shock mounts etc but it rarely moves off the top of my cab flightcase, either at gigs or in transit, so this isn't really a requirement.
I obsess over note length and attack in most genres of music, this definitely comes from my love of synth and keyboard bass. I don't think I'll ever be perfect but I love trying
What are the Sunbeams like in comparison to Nickel Lo Riders? Has anyone had experience of both? Liking the sound of the Sunbeams, may go for a set next.
I use Lo Riders on a passive Jazz Bass - love the nickel variant but I ordered steel by mistake for my current set and don't like them as much. There's a significant difference in tone to my ears - will be going back to nickel as soon as these are done.
Is there any logic in placing the subs on the floor (audience level) as opposed to on the stage (band level)? I've always thought the bass response to be better on solid ground.
The footprint of a DB/SL112 cab is pretty large compared to most 1x12 cabinets, particularly the new breed lightweight options. I found them somewhat unwieldy at times actually.
Exactly what happens in the band I manage. It's the fairest way and we take into account distance to travel when pricing the gigs, so as to ensure no shortfall.
He definitely goes on a bit and I don't particularly like his playing, but I would have loved a resource like SBL to learn from when I started playing.
Much too basic and rudimentary to be interesting. 8th note pentanonics with the odd blue note WOW! Zero melody or structure really. Also he fluffs his fingering which fails to sound the odd note properly, I think he is possibly drunk. Much prefer his Bullfrog Blues solo.
Had a Big Baby 2 for a while and just couldn't get a sound I liked out of it. Tried numerous heads, both lightweight and full fat (Aguilar, Hartke, Ashdown, Bugera) and no joy. Ended up moving it on. I now play Aguilar cabs and they are so sweet.
I like the simplicity of only having one control knob, but does anyone actually play with volume below max? We aren't guitarists trying to drive a preamp for solos. I think volume is the only control on my bass that I never touch.
I think the whole P Bass tone ideal is a bit of art imitating life. It was the only recorded bass sound throughout the 50s and 60s on 1000s of records which subconsciously dictated how electric bass should sound. Ergo, engineers know how to mix it 'properly' due to years of having that exact tone thrust upon them.
My point is that any bass can sound good given the right context, and the P Bass just got a bit lucky.