Lozz196

Incredibly so!

Making sure you’re fully up with the material is the main thing imo.

Having recently bought a Sandberg I’d happily recommend them, very good instruments, only thing is their necks are 39.5mm so slightly bigger than Jazz width.

I’m sure you’ll be more than happy with it Trevor, good score methinks

It’s amazing isn’t it, the weight of the gear that we used to have to cart about.

Although I use a preamp pedal - Sansamp or Behringer BDI21 - in one of my bands, I prefer the sound of my bass just into an amp which is what I do with the others. It just seems more, for want of a better word, natural.

Keep hold unless you need the money.

Can’t remember exactly, quite proud of myself that I’m sure it wasn’t the day after I said I was in though.

I can`t remember details but if I recall correctly I think after a specified period (determined at time of registering or something) music can be used irrespective of the artist? I may have this wrong though.

Def, packed 100 Club gigs are great, really good atmosphere in there.

Ideal gig for me is: A 45 minute set, as main support to a bigger band Guaranteed parking at the venue Some form of backstage/dressing room (not so I can be a pop-star, but just somewhere I can sit down, due to back issues) Provided back-line (again, not so I can be a star, just so that I have as little to carry as possible cos of said back issues) Venue has at least a 3 feet high stage (so moshers don`t end up on-stage/knocking me over when they get over- excited) Two monitors for each band member Proper sound-check Bottled water for on stage

I’m out I’m afraid

No matter whether someone who knows how to set up a compressor or I (who doesn’t) put one in my signal chain to me it never sounds as good as when it isn’t there. But that’s live, in the studio it always makes it sound better in the mix.

Loving my Sandberg TT Superlight, have now used it in both my classic rock band and my street punk band, radically different sounds for each and it delivers for both really well. And being a Superlight it’s so easy on my back & shoulders too.

Just got in from a Knock Off rehearsal. Used my the Sandberg as back really playing up at the moment. And very well it did too, no matter what I’m playing this bass just adapts so well.

Just got in from a Knock Off rehearsal. Used my new (to me) Sandberg TT Superlight as back really playing up at the moment. And very well it did too, no matter what I’m playing this bass just adapts so well. Only problem is as it’s still quite warm, and we play quite hard I am now very smelly. Yuck!

A mate of mine still curses said Seattle band to this day for stopping him becoming famous. They didn’t btw.

Yeah the time I left a band through "not feeling it" was more due to the drive to their rehearsal rooms. In summer it was 45 mins through country lanes, a very nice drive in fact, but I knew once it was winter I`d get the hump with it in the rain and the dark with no lighting, so better to walk now. They understood, I stayed on til they got a replacement and played the first gig the band did, which was a great laugh.

Praise indeed, thanks very much, not sure I`d be up to it now mind...................

Ah, in my one and only foray into the World Of Five I had a US Precision, did this and it did seems to tighten the B up a bit - did it cos I always use them on the A to stop pesky rattle and that always seems a tad tighter afterwards too.

Yep great basses made in that period.

If getting a US Fender 5 string then a Fender Stealth String Retainer on the B tightens it up a bit. Easy to fit, requires no permanent changes, just undo the nut on the tuning peg, take off the washer, put on the retainer, put the nut back on.

I had to do this a few years back, I did agree to stay around til they found a replacement which I thought was the decent thing to do.

Very nice

Ah, that`s the EVO-1 version, apologies for leading you up the path so to speak, mines the EVO-2, thought they all has the headphone switch.