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  2. Lovely analogue chorus, dead simple interface. In outstanding condition. With all original packaging. Stock photo as placeholder. Pictures of my unit to follow. Actual postage costs to be added.
  3. Pleasure is mine! For the record, should be presets not presents ... Damn autocorrect
  4. If this is the one Ian brought to my house when he bought my Sterling, it’s absolutely lovely and Ian is great to deal with.
  5. Bought these recently for my Sterling Ray but they are not for me, only had about 30 mins play. £20 posted UK
  6. This thread has me a little confused. I think the mods have been reasonable, fair and open with this issue. But the reaction from some other peeps seems a bit odd. hope it all works out for everyone though jonny
  7. I'm tempted to pop out and get one tomorrow. If only they weren't so heavy. And didn't sound like 70s Fenders. 🤣
  8. Today
  9. Enviable gig, definitely, but that’s exactly what a lot of players don’t factor in - being away from home for a good part of the year really can ruin things between you and your other half, unless you’re super tight as a couple. Mind you, I used to come home after being away for a month and it’d be, “Can you unblock the toilet?” or “The washing machine’s packed in, can you fix it?” or “I bought a load of stuff at IKEA, can you put it all together by tomorrow, I’ve invited family to stay” - aaaarrrgh! I swear my wife just used to store things up for when I got home. 😂
  10. It's not just sound engineers, it's band leaders as well. You can sense the palpable relief when you pull a Fender out of the gigbag when you first play with someone new, not to mention everyone seems fascinated with any 70s Fender that you take out on a gig! Let's face it, it is an industry reference sound that most people are comfortable with (be they sound engineers or BLs) and image wise, a 70s Fender is cool on the vast majority of gigs!
  11. Debatable. Strads are pretty well all accounted for and range in value from £4m for a regular one to "name your price" for one of the more highly-regarded examples. Even a very prominent player would have difficulty in parking those sums at the kerb of a fiddle and insuring it would be a nightmare.
  12. I think a lot of the time, sound engineers are not interested in making the bass sound interesting and different or stand out in the mix. Obviously there are obvious exceptions. But it's easier for them to set the desk how they usually do and concentrate on vocals etc. Hence 'Just use the P bass mate.'
  13. Just found this vid I took of the night in question
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