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Love the colour, looks awesome! Enjoy 😊

Ergonomics... Ibanez SR

Hello. This is my first post here in the forum. Earlier today, I purchased a 1982 Precision Bass Special in walnut, from an online dealer. I will receive the bass sometime next week. I did research and have found that these are fairly rare basses. This bass appears to be in all original very good/excellent condition. However what has me curious is this very large half/moon shaped hi-mass brass bridge. Its engraved "Fender pat. pending" and appears to be original to this bass. Does anyone have any info on this bridge? I searched up and down the web for info on it but came up empty. The only other one that Ive found is on a current listing from Japan on ebay for a 1982 in Alpine white, which has this bridge, although that one is pretty beaten up. Any insight on this? Was this a prototype bridge only in limited production? Thanks in advance. Photo of the body of the bass I bought in walnut, and the alpine white one in Japan below.

Thanks for that video. Really clear explanations. I hadn't realised some of those rhythms had specific names but should make them easier to remember. I've been paying a lot more attention to rhythm lately, and found some great resources and exercises on Open Studio Jazz. Some examples... This one isn't delivered on bass but I got a lot out of it.

Sure! Bright Giants was another post-Covid project, has ebbed and flowed with arrival of kids etc but great people to work with and IMO strong songwriting with the playing focus on supporting that. Based around Bristol and Somerset, currently a 4 piece (vox, guitar, bass, drums) but exploring the possibility of expanding to allow our guitarist, who is also an excellent classically-trained pianist, a little more freedom. Also working on adding more 3-part harmony live where it'll support the melody. Aim for this year is being a bit more regular and ideally building on that to take what we think is a solid set of originals to festivals. Be nice to connect with other bands who might crossover potential audience-wise, sometimes feel we're probably a bit poppy for the punk/metalheads and a bit guitar-y for the pop kids! Cheers!

My experience is that when it comes to basses, at whatever price point, Yamaha don't make rubbish. They're always well-designed and as good or better than anything else for that money, be it a budget bass or a high-end one. I remember those RBX basses as fairly decent budget PJ basses. What I also remember is that they were nice and light, which is never a bad thing.

Depending on the body proportions and the strap length, the first one is much more universal. Here I would say, more carve is better, but I have had issues with my hands. If the player sets the bass very low, the carve is nearly useless.

Put away 10 quid a week and before you know it you will have choices in quality 112 cabs that can fully drown out your current one.

I use 13A twin core mains cable.

Went to see GNOME last Friday. That. Was. Awesome.

I only get involved in stage management side of it but not what the SE does FOH. I do listen to what he has FOH during my line check and that it matches my on stage tone. SE's have often told me that the bass channel is almost flat EQ and that the tone from my Mesa amps is good enough on its own. Dave

By the way, welcome to the forum. David

https://www.amazon.co.uk/Studio-2x2-5mm-Speakon-Passive-Speaker/dp/B01MQY0B5Y/

The red jack socket below the DI is the speaker output. As Bill says, you will need a jack to speakon lead to connect your amp to that speaker. David

You need a cable with 1/4" on one end and Speakon on the other. What's labeled as Direct Output goes to a mixing console, not a speaker. Read the manuals. If you don't have them do a search to find them. BTW, you're in the wrong forum. This is the PA section. 😒

Everyone except for the drummer is set up before me. They're all in their early 40s and move a lot faster than me. In my older age I'm overall a lot more practical about my gigs. And anything I can take off my plate to make the gig go smooth for me , I'll do it. But not at anyone else's expense. I might do a little tweaking for my sound on stage. Not much, as soon as I hear something I like and my chorus pedal is set I'm good. Dave, I completely delegate the sound in the house to the sound guys. That's not my area of expertise. Hopefully they'll get me a good sound and place me properly in the mix. I'm not getting involved with that part of a show. Keep in mind, 10 years ago I'd definitely be on the other side of the fence. Daryl

Well I ordered a Nano in the end, but then have returned it. it arrived just after the launch of the new V2 captures, and it did sound great, but ultimately I found only being able to have 1 capture per preset quite limiting. Also I found it annoying not being able to turn an effect on and off, and having to have two different presets, one with the effect and one without it. I was very impressed with the sound quality of the captures, especially the Tech 21 GED 2112. Aside from a Boss Katana Go, this was my first foray into digital effects, and I liked them a lot. I also found the app quite easy to use, and set up presets etc. Its a shame that Neural dont have a device that sits between the Nano and the full size QC, but I guess this is where the Anagram fills the gap. When I used the Nano powered by a USB battery pack, there was quite a lot of interference, which is something to watch out for. It was fine through headphones with the battery pack, and fine with the power supply through the amp, just not the battery pack.