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Initial cutting and routing done on this beauty, just need to shape in the front and back.

We’ve gone with a couple of ambient mics, with a gate side chained off my bass channel, as I am probably the only band member playing every note on every song. Only tried it once and it works well. I do need to raise the gain on the ambients a little but these coupled with the general pick up from the vocal mics works for us.

+1 for Surgical Spirit. I slather it on before playing, it really helps. Or there's this http://doublebassfingertape.com/ I bought some but have yet to use it!

Very nice, , looks good in the faded green

Same here Greg. Take care and keep let us know how you're doing thru the recovery process. Dave

That’s a beautiful colour scheme

Behind the Wall of Sleep - Black Sabbath

Rubber doorstops, they come in a variety of sizes (Google tells me 20mm to 76mm height). Screw the grille into the frame as per @Phil Starr then some door stops near the middle, black washers and bolts and T nut them in. The advantage of these is that you can position them to kill any unwanted vibrations in addition to improving the kick resistance. Strangely in 55+ years of gigging this has never happened, I must be playing the wrong gigs. Plenty of impacts with doors, furniture, car parts and other kit though.

My old band did a proggy version of carol of the bells a while back. I hope this is ok to post. It’s the 1st song here: https://heightsuk.bandcamp.com/album/rarities

Good to hear the Yamaha bass was positive feedback. I've never had a Yamaha bass but i love the tone from them especially the older BB2000 or 3000 versions if i remember right. Dave

Excellent deal with Luke with a Bassrig 64. Great comms, bomb proof packaging. Deal with confidence. Thanks Luke 👍

Agree with all the comments above; sad news, especially at Christmas time. RIP 😞 And condolences to his family. IMO, he was very much one of the people, if that's not too trite a thing to say. We used to do this one in our set, which I always enjoyed...

Well it would seem I've answered my own question... I ordered a Precision today - the American Professional Classic in faded Sherwood Green Metallic. There's been one in the Gallery in Camden that I've looked at several times, and today I pulled the trigger, so it'll be here in a few days - probably after Xmas. I went for the new model, as [from what I've heard] the new 'Coastline' pickup (apparently derived from the 'Pure Vintage' series pickups) sounds very warm at the bottom, but has clear highs without the nasty nasal honk. Basically quite similar sounding to my previous Am.Professional I. We'll see how it plays after I've set it up...

My stack-knob Jazz is definitely bright compared to my Precisions, but I enjoy the contrast.

Yes, these later models have a quad coil pickup, but they don't have individual wires for each coil, you can only operate them in pairs. The stock switch does this: And the middle setting (parallel) blows IMO, hence the impending mod.

Some clips from our weekend gigs. Fri night Cambusnethan Club. http://www.facebook.com/photo?fbid=25683119331329350&set=pcb.2256881974820337 http://www.facebook.com/100001739064740/videos/pcb.2256881974820337/736660958963532 http://www.facebook.com/100001739064740/videos/pcb.2256881974820337/1372059424701274 Sat night at the Dreadnought. http://www.facebook.com/100000315642844/videos/pcb.2257398474768687/1614815816554452 http://www.facebook.com/100000315642844/videos/pcb.2257398474768687/4324524834499098 http://www.facebook.com/100000315642844/videos/pcb.2257398474768687/3830380380600210 Dave

As I went down the road to the SE Bass Bash in November I stopped off en route to purchase a bass for the hell of it, a Cort Curbow. I had always been really intrigued about them, what with their use of man made materials and I always thought they looked pretty neat in some finishes. I spied one for sale, a sunburst one and figured "what the hell?" So, I like how it looks, and I like how it feels to play. Unfortunately, whilst sounding fine in headphones, it was utter garbage live with the band. Where are my mids? This thing is so scooped by default that they're barely noticeable. I had to crank the mids on the preamp AND crank them on the amp just to be audible, seriously, it just disappeared. Well, I picked it up for a tasty low price so I figured it was worth modding. I procured a Bartolini Classic Bass soapbar of the appropriate size and shape (MK4CBC) (thanks @Bass Direct) and someone on here sold me a Glockenklang 3 band preamp for a decent price (cheers @Fettsman) and got to work on the mods. Fitting the pickup was a piece of cake, the only thing of note I had to do was accomodate 2 screws on one side instead of one. Then I replaced the stupid "slap switch" (which scoops an already inherently scooped bass some more - WHY?) with a much more useful parallel/single/series switch and fed the pickup into that. However, fiting the preamp was another matter. This body is thin, and to compound the issue, the knobs are sunk into the top. There was no effing way that Glock was going to fit in there as supplied. I mean, I was modding it anyway - don't need a blend control on a single pickup bass after all. First problem - the body of the push pull volume control was just too tall, even if the shakeproof washer was eschewed. So out with the drill and the forstner bit to remove some material from the cavity to sink it down enough so the lid will go down... Just made it! Not a lot of material left, but this luthite stuff seems sturdy so I think it'll be OK. Then onto the main board, which was way too tall. So, to scheming. Thankfully, while the control cavity in the Curbow may be shallow, it is thankfully quite wide. Lots of dead space above where the bass pot would go... So to cut a long story short, I turned it through 90 degrees. The pot legs wouldn't bend enough while it was mounted, so I had to desolder the pot, bend little 90 degree nubs on the ends of the terminals then resolder it thus: >>>>> Did a test fit (the small board attached to the mid pot was able to be bent sufficiently with the pot in situ)... Yas, the lid closed. So I soldered up the rest of the wires... Cheeky little single connector block thing for the myriad ground wires I had to connect together... Great success! It now has mids when the preamp is flat! I took it to a subsequent band rehearsal and praise be, I was able to hear myself with the preamp set flat. MIssion accomplished! I hope you enjoyed this shaggy dog story and if you only take away one thing from this, is that it's usually true what they say - where there's a will, there's a way...

Whichever is the most convenient, I've found that there is a difference in sound between V/V/T and V/Blend/T, so I always leave mine as V/V/T. I really liked the passive tone on the John East J-Tone system, which can be had either way. Never really got on with the concentric Vol/Tone stacks. There's something missing from the sound there and they always sound too bright to me.

I came here to say exactly this! Always felt he rarely (never?) got the recognition he deserved as a slide guitarist.

Yep, I had the GV bass, super nice to play!

Sleeping On The Job — Gillan