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Not familiar with that style of music at all, but chromatics add a lot of movement to a bass part without necessarily impacting the harmony too much.

Good Day to Have a Great Dane - Russell Dickerson

Difficult to say without hearing what's on offer... But I find runs and widdles involving diminished second and diminished fifth work well in many situations ( see Phrygian and Locrian modes). And octaves work in everything from disco to punk, perhaps with fifth to make a chord. Talking of which, a chord higher up with root, major third and diminished seventh works well in many situations as a sort of jagged punctuation... Also recommend the Jonas Hellborg chord book - I found I couldn't reach half of them but the notes contained in 'em inspired lots of bass lines.

I've never had anyone question me playing a Jazz bass. It'd be tough if they did because I'll play what I feel comfortable playing. I can get a tone that works but also, as I get older my hands don't stretch as much as they used to. One finger per fret is very difficult and I find the extra nut width on a Precision harder work. As others have said, you have to tweak a Jazz more, but that also gives more options, especially with the bridge pick up. As for live sound, that's a real bug bear. Not so much for me, but as an audience member. Sound engineers seem to think the optimal mix is to sound like a car fitted with a huge sub in the boot, with windows wound up, parked 100m away.

I've been sent some tracks by a new band, I'm writing bass parts for them and it's quite different to my previous, riff heavy, Sabbath influenced bands. I know what Im doing with that style and it just comes to me with a couple listens through a track. With this music, It seems I'm following the chord root quite a lot and I'm wanting to add some interest but it's not going well. The odd octave and fifth is going in here and there and some rhythmic variations but everything else I try just seems to sound worse than following the chord roots. The music is metal, but a very different style to my usual. It's post hardcore, borderline metalcore with rhythm and lead guitars (heavily overdriven) plus synth, drums and vocals. Can anyone give me some tips? Here's an example of something similar And a bit of this

Chihuahua - Bow Wow Wow

If you want any more UAD plugins... 10 for $99.00. 😬 https://vi-control.net/community/threads/99-uad-summer-mixtape-bundle-ends-jun-30.163788/#post-5732600

As I provide a decent PA I now say we all arrive at an agreed time to set up and no one goes home till everyone is packed……unless they’d like to provide the PA of course.

Hi Guys, This was our second outside gig and the weather was great. Bad news, before we played I tripped walking down two flights of stairs and I fell. All I remember after that was people trying to help me up. I twisted my ankle really bad. I played the gig sitting down. I'm hoping it's not serious. My goal is to be able to leave the house by this Wednesday. I don't want to have to go to the clinic. We played well but I was disappointed in the turn out. For all you seniors and pensioners, don't fall. Daryl

I'd wondered about re-finishing the cab also. It is made of acrylonitrile butadiene styrene or ABS. This is a really tough plastic which can be made with various formulations but all designed to be hard wearing. Lego bricks are made of ABS Anyway it can be sprayed with enamel paint or acrylic paints. Tough Cab is the brand most commonly used for painting cabs in this country and is an acrylic paint. You can also get acrylic paints in rattle cans from artists supplies and most of the 'kitchen' and 'bathroom' paints and low VOC gloss paints are acrylic. My Cabs are also ABS and I've been looking at them gradually accumulating little bumps and scrapes and wondering if I could touch them up. At the moment under stage lighting they look fine so I've left well enough alone and bought some covers to stop them getting worse. Anyway here's probably more than anyone needs to know about spraying ABS paintexplained.com/how-to-spray-paint-abs-plastic/

A Gen 1 Sire M2 and one of the new Squier Sonic Broncos.

Of course it failed, babies don't have the strength to cope with Thunderbird neck dive. If you'd used a Jazz bass back then, at the end of this month you'd be stood at the side of the stage watching them headline Glastonbury.

New Yorkie New Yorkie - Frank Sinatra

I have a rehearsal in a couple of days and a gig next weekend. Needed to move quickly. I did see a few bits of Trace gear nearby (the one you linked is about 3.5hrs away so could be in China for all it's worth), but a lot of it I think wouldn't meet the "can be shifted by me alone" criteria. That said, I'll keep an eye out in the future.

This operaation is very doable with a pillar drill, yes. You need to attach the neck solidly, and then it is a straightforward action. To attach the inserts, it is also easy with that pillar drill, because you can keep the inserts straight. Here it is done by hand, but you get the idea.