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  2. Title says it all really. I think all the features of the amp make it a good practice amp. You can try out loads of effects and it has a lot of versatility in different use cases. But I just don't really like the way it sounds a lot of the time. I find it super hard to dial in a nice tone that doesn't sound farty or overly buzzy. I've saved patches but never been truly convinced by any of them as a plug and play tone. Am I doing something wrong? Are there any killer patches out there that I'm missing? Or do I just need to admit that it's not quite for me and move on. As ever, advice and expertise is very much appreciated.
  3. If you're playing with 'em again say hi from Big from BarfRoco!
  4. And in a 'Weightwatchers' special billing: Lards of the New Church supporting Fat Bot Slim
  5. Just saw your message. I've put the bass down to £1300 to match the ebay price.
  6. In FM mode, the DX7 patch basically takes the place of the VCOs, with all other controls remaining intact. So no. If they make a new hardware version with sufficiently increased memory and processing power, then it would be possible I suppose.
  7. Lovely bass just brought a scavenger bass recently, if this is still for sale next month I could be interested 😀
  8. I'm assuming not, but is the FM synth voice stackable with the virtual analogue one, if not is this something that is technically feasible in future?
  9. Dizzee Pascal Brunt Mars Sleaford Sods Drape Teddy Swigs Rake
  10. I am no fan of much modern music and was surprised to see the angst in the thread on the insolvency of Native Instruments. I must also add that the practice in the “covers” circuit of pubs and social clubs calling professional Karaoke singers “Solo Artists”. I am also thinking back to my realisation that some of the best singers are now “Solo”. This has, in my opinion, really badly affected the quality of singers in bands. From the financial point of view, it makes sense, A “Solo” singer can make £150 in a night whereas a band charging £250 means each member gets £50. Of course we have to avoid the filter of nostalgia, a quick listen to any retro radio of TV station will prove that a high percentage of 60/70s music was awful, despite being probably the most innovative period in my lifetime. Changes in music seem to come in strange ways, witness the way that white people from here, (re)introduced the Blues to America. It is probably one reason why we should all consider the History of Music to give ourselves a real understanding of why we do what we do. As a creator of electronic music, you need the basics that training coming from a long apprenticeship. The alternative is some soulless, brain crunching morass that sounds akin to my own early experiments on electric guitar, bloody awful. So as someone from a guitar based band, struggling to get gigs in a world where the “empty orchestra” is Emperor and the only real live music is the clinking of glasses at closing time, I don’t understand the chagrin over the feared demise of Native Instruments but I can empathise with it. On reflection may be I should be more accepting of Valve Amp purists. They worship the failings on the technology for what it adds to the music and as music is our religion, perhaps I/we should all be more tolerant of the different denominations. Of course the devil AI music must be rooted out at all costs. The old ways are the best of course so initially I suggest ducking the servers in water. If they fail and die, they are innocent, should they still work, they are evil and must be burnt at the stake. In the words of the great Ozzy Ai, AI,AI,AI all aboard the Crazy Train.
  11. Doobie Experience (Doobie Bros tribute) rehearsal yesterday (just the core members - no brass/percussion). Sounded great, but man that stuff needs concentration. Intricate arrangements at times and so many different styles (rock, rnb, blue eyed soul, country,soul etc). Raised on Journey (Journey tribute) rehearsal this afternoon. More straight ahead but still needs to sound tight and lush. Debut gigs for both bands coming within the next month....!
  12. Teen Town - Weather Report
  13. Heh, Les is so lovely and mild mannered in person. I'd never heard of Carter USM but after I met the guy I looked them up and what a wild ride! Tackling schofield on Smash Hits 😂
  14. Today
  15. Mark is a great, helpful, friendly Basschatter. I bought a couple of cheap pedals from him, unfortunately the parcel was delivered while I was out and some bar steward made off with it (my money is on another delivery driver - never usually happens round my way). He was kind enough to send me a refund! Top bloke, deal with confidence.
  16. Okay - did some pondering. Going to give this a wee price drop as I defo fancy the mini. £1050.
  17. I think it's a tone / voicing switch, kinda gives it a flat or vintage thump sound depending on position
  18. My comment was less about the musicians who use the stuff and more about the perceived value of the outcome. The software is great, of course. The fact that it’s either freely available or it provides you with a level of convenience that even my mum could knock out a 175bpm d&b roller (or whatever), and the fact that AI can essentially just do it all for you - that pretty much means that nobody listening values the music any more.
  19. Looks amazing and very heavy !
  20. Every time i hear Pimlico i automatically go back to the Ealing movie Passport to Pimlico. Dave
  21. IK MULTIMEDIA X SPACE REVERB UNIT AND POWER ADAPTER. £160 Breakthrough software and hardware integration for guitarists State-of-the-art DSP in a road-worthy anodized aluminum chassis 16 different algorithms, 50 factory presets (300 storable presets) Iconic sounds to pristine, modern reverbs + Spillover/Trails function Includes exclusive virtual X-SPACE version for use in AmpliTube 5 USB port for preset management and use as a recording interface Full MIDI implementation including control over AmpliTube 5 Designed and made in Italy for a lifetime of playing and gigging Ultra-low noise, 24-bit/192kHz converters for class-leading sound quality 5 Hz–24 kHz frequency response to capture the full scope of your guitar’s sound 112 dB dynamic range provides whisper-quiet operation at any gain setting A pure analog dry path and selectable true or soft bypass for maximum control 5Hz to 24kHz frequency response to record the full range of your guitar or bass Versatile routing options let you send the wet or dry signal to your DAW Stereo out for monitoring sound between the X-SPACE pedal and your computer Full MIDI implementation to map control of AmpliTube and/or any compatible DAW Fast, intuitive interface and control knobs to tweak your sound on the fly High-contrast LED display keeps you informed on everything, indoors and out Expression pedal input adds additional control over any parameter you choose True stereo inputs and outputs on all algorithms for incredible signal chains Full MIDI implementation is built-in for even the most complex setups 5 cabinet impulse responses let you connect directly to a powered cab or PA MY FEEDBACK.
  22. Security! He used the P-word!
  23. Not at rehearsal stage yet but new Celtic Rock/Folk band now has Bass, Drums, Guitar and Vocals all brought together in last week so its starting to shape up. Still few others to find to get a truly authentic Celtic sound of course. No idea who the guys are or their ability but we'll soon find out once we get a few songs learned and get to rehearsal stage. Drummer is the one putting it all together. Fingers crossed. They are aware i'm in the Glam band but seem ok with it. Dave
  24. I remember Les (Fruitbat) breaking his arm at our party in our insalubrious Georgian housing co-op house on extremely salubrious Vincent Square, Pimlico. I don't think the other residents liked having a row of what looked like punk squatters overlooking their cricket pitch-centred square - they called the police!
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