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  2. I think any sturdy tripod type stand with a bar would work if you are prepared to do some drilling etc. I will look at the Tonetech filler as well.
  3. This was on my board for a few years, never let me down but just fancied a change so I’ve got a boss chorus on the board now. The toneprint options make it a pretty versatile pedal, found myself mostly using the Duff McKagan toneprint. No original box for this unfortunately but will be packaged securely. Price includes postage in the UK, cheers
  4. Got this in a trade on here recently but it’s just not got much use. Between the green Russian and the grey stache that I own I have my fuzz needs covered. This one is two big muffs running in parallel, one of them has a standard tone control, the other has a mid boost/cut. Certainly a lot to play with and a lot of sounds to be gotten out of it! No original box with this but will be packaged securely. Price will include postage in the UK
  5. Both excellent pedals. Highly recommend for fans of the Boss OC-2 and Mutron envelope filter.
  6. I have some old Fender screws in the workshop. If Brian can tell us the dimensions, I can see if I have anything.
  7. Probably THE best wireless on the market imo. This one was my main until the + came out and it’s just been my spare which tbh I don’t need. Amazing bit of kit, fully working and comes with new charger cable. No box but will be securely packaged up. U.K. postage included or I’ll be down at Brighton Guitar Show on Sat so can bring it with me.
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  8. Listening to equivalent music through those same 'cans' should give your ears/brain the references needed for your own stuff. Put some favourite reference tracks of similar genre into Garageband and compare with your mix. Adjust to get yours to sound as good as your reference tracks to your ears. This technique works whatever one is monitoring with, even if one's own hearing is less than top-notch.
  9. Ah thank you, so you happen to know the size? The pin looks the same as the other two. I think I have one somewhere.
  10. They sounded really thick and creamy but the tension was a bit too high (for me) on my Precision. Did a full setup when I stuck them on (was going from Dunlop Superbrights so very different) but they highlighted some fret unevenness that wasn’t an issue before and I couldn’t get rid of it. On another bass they’d be great.
  11. Here you go Chris, just a bit bigger than a guard screw
  12. Latest step is a much smaller job. I just got some 12 mm and 6 mm dowel, and cut short plugs for each of the unwanted holes. The 12 mm section was for the back, where a bigger wider set of holes had been drilled part-way through, presumably to allow for the fitting of some switches with short bushings. The 6 mm went in the front. Both pieces were fairly tightly fitted so I didn't need to clamp them, though I did put some tape over the lowest one to hold things in place. I trimmed off the excess material with a chisel and sanded it all down. I'll need to put a few dabs of lacquer on there and sand it some more before I spray the body, because otherwise that end-grain is going to show through.
  13. I guess that’s why some have security on the door now.
  14. No worries that's what I thought, worth a try though. If someone else wants to take the C4 off your hands let me know and take the controller. Cheers
  15. I have one of these and it’s very good. I don’t fiddle with the controls much, tending to leave it in passive mode in the usual 60:40 jazz pup mix but I do like the string spacing
  16. Here’s a little of what I was alluding to in my previous post: https://www.vice.com/en/article/people-booking-pirate-recording-studios-for-parties/
  17. Hi pete, I like a bit of Ampeg myself, that looks great and don’t think they are particularly prone to any faults really, just play it and enjoy it whenever you can, good luck to you
  18. ^^^ I've owned both amps and would definitely agree with this... The V4BH is easier to use and in a gigging situation, that's so useful...
  19. I’m now part of the club, a Sandberg California TT Superlight now in the house.
  20. Job lot of Lava Tightrope Solderless cables. 28 cables of varying in length from approx 2 inches to 2 feet, plus 1 long (2ft ish) George L's cable that I found in a drawer that i'll throw in. Most worked fine the last time I had them on a board, some probably need to re-assembled (haven't got the time to test them all at the moment). A couple scraps of used cable that can be trimmed/reassembled into new cables, and one purple bit of cable that has never been used. These are super simple to put together, there's plenty of videos on YouTube of the process. Will include one of the cable stripping tools as well. £200 + postage for the lot. The current Lava cable sets are £60 for 10 jacks/5 cables, so this is a pretty good deal.
  21. Hey Simon What is it that didnt work for you? What sort of vibe do they produce?
  22. After years of playing Fender P basses, I've recently started getting an issue with the forefinger of my fretting hand after playing, especially if it's a 2 gig weekend, possibly the early signs of arthritis. Having Sandberg's in the past I took the plunge on this lefty TT4, as I've always loved the necks. Three gigs later & no issues with my fretting hand. Added bonus it only weighs 3.5kg 😊
  23. Here’s a question for you experts. My hootenanny button is missing. Should it be the same as the other strap buttons, and what sort of screw holds it in? It can’t be a normal screw as it’ll be too long, but a pickguard sized screw surely is too small to hold any weight (not that I’d actually use it?)
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