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On Repeat - Robin Schulz & David Guetta

Thanks Bill So vertically stacked is better in addition to speakers being nearer to ears but any other reasons ?

15mm spacing jig?

When you tried at home did you turn the wifi on your phone off? Exactly the kind of thing that I would do would be to plug in a (useless and non working) cable, connect to the internet over wifi and tell myself that the cable works.

Hi all, I'm buying my old Junior Jet back after a 6-year loan to a fellow local bass player. What strings are you all using on yours? As I recall they are difficult to find and you often end up with a mix of actual string and silk around the tuning pegs which isn't ideal. I understand that short scales Chromes (ECB81S) fit really well, but I can't stand Chromes! I would probably prefer flats over rounds but I will gladly put well-fitting rounds on over badly-fitting flats. Average tension preferred, leaning towards higher if I have to pick a side. Thanks in advance.

Well I thought I was done for the year as I have spent far too much this year. Then BD had a rather nice Jap Ray and even though I have had a couple before and wasn`t wowed by them this natural/maple combo was just too tempting. I really need to give the 3 band more time and get a sound that suits. Well that`s my excuse anyway! Hopefully it will arrive before Xmas.

Do It Again - Steely Dan

Trying to source a truss rod key for my Mustang Does anyone know what size they are or where i could get one Are they the same as the USA one

It sits around the truss rod adjustment to prevent the tool damaging the surrounding woodwork? Caveat I don’t know where that is on that bass, it just looks ideal for the job on my basses. Merry Christmas.

Last nights gig with BLOCKBUSTARZ Glam covers band in Cambusnethan Miners Club. Was sold out with 200+ tickets sold. Not an empty seat in the hall. It was crammed full. Mostly women in the audience and a mixed age group too. Looked like a few Xmas party groups in. Dancing from the first song all thru the full show. One pair of dancers dressed for the occasion were literally dancing every song of a 2.5hr show. They were on their feet more than us. 🤩 The atmosphere was literally electric and it makes you feel better and put more into the show. The singer was on top form with his audience participation. Not bad considering he drove there straight from work. We had so many people chapping our dressing room door to have a chat and thank us for a fantastic night. Was quite over-whelming but still nice to hear. Sound was incredible from our Sound Engineer And PA guy who is now our new permanent 6th band member. People that saw us there 2 yrs ago said the sound was much more full this time around and you could hear the difference between backline and full PA use. Feed back was sensational with many requests for contact details with the venue wanting to book for next Xmas too. Another woman that asked if we would play the club she manages as she was so impressed by the band and the show. This was a club i played back in early 80's. Similar sized Club too. She's adamant she'll have us booked for 2026 and was so complimentary. And she made a point of telling me she was teetotal and sober so that sounds promising. Will see what else comes out of it all. Tonight at The Dreadnought so hopefully will see the same reaction from the audience tonight. We're already booked in for next Xmas so no worries there. Think this is 4yrs in a row so far we've played the Sat before Xmas. My usual gear Sandberg MarloweDK - Shure GLXD wireless - Bassist Comp - Handbox WB-100 - BF 212 cab. Dave

Slight digression. Is it common practice to have position marker dots on a DB?

I'm going to say bridge height.

You place it over the bridge of your nose to give the impression a solid piece has embedded itself in you. You will also require tomato sauce.

Its been a while since I posted here do im due an update. StingRay. My main bass. Fender Squier. My practice & back up. Aria Pro2 SB600 fretless. Sterling by Music Man Sub Series. Peavey Milestone 3. Ashbory.

A quick bit of background info, in one of my bands I solely play doublebass bass. At rehearsals I sometimes just bring a standard electric bass just for ease. Turns out some stuff we do works better with an electric bass and I'm considering doubling on gigs. It'll be a bit of a pain on small stages so I want short scale and light to ease grabbing quickly. I've got some shortscale I can use but this 23" Ashdown has grabbed my eye. Nice looking, I briefly had a Saint bass which was fine, standard pickups to swap if needed, a green one which is our band colour, and only £200. But I really like heavy strings, I just don't get on with low tension strings, especially not for the style of stuff I will be playing in this band, lots of percussive stuff. My question is, can a 23" scale bass have higher tension strings or will that short a scale and the low frequency always mean floppy strings? https://ashdownmusic.com/products/roasted-capri-23

A test piece to check that your Stanley knife can still cut cardboard..?

I've been looking through the lists of Hofner players people have shared on here, and there's something that I think is worth saying. I'm not sure if I know how to say it though. TLDR: I think it's entirely possible for lots of popular people to have played a company's instruments over the years without the company itself ever having been popular. To elaborate, like all human-made things, basses are imbued with a certain aesthetic and cultural value by the context in which they're made, the market they're made for and the times they are made in. The Hofners of the 1960s were the work of a company playing catch-up. Hofner were a maker of traditional musical instruments trying to respond to public demand for modern electric basses and guitars. They knew the old world far better than the new one, and so their designs were a curious compromise between traditional instrument aesthetics and the Cadillac gloss of contemporary Fenders. To the aspiring rock stars of the time, therefore, Hofner – and other similarly positioned makers like Framus and Harmony – were always a bit lame and old fashioned. My dad, I think, is pretty typical for the era – he started playing around 1970 on a Framus Star Bass that he couldn't stand. He hated the way it looked, the way it sounded, the crappy bridge he could never get to intonate correctly, the sky-high action and the cramped broomstick of a neck. As soon as he'd saved up enough money, he went out and bought a second-hand Gibson EB-3 (sadly passing over a late 1960s Jazz in the process ...sigh). Thing is, instruments don't spoil like milk. They stick around, and as they age and the cultural context around them changes, they start to acquire different connotations, to be imbued with diffent values by the people who play them. An instrument like a Hofner Club Bass would have been far from cool when it was new, but by the late 1970s, when Tina Weymouth picked one up, it's very uncoolth had made it into something quirky and interesting – an outsider's instrument for an oddball band. I believe the vast majority of Hofner players (Sir Paul excepted) that have been mentioned in this thread didn't start playing those instruments until they were already old and discontinued (or at least the designs were old and unfashionable). Playing a Hofner has often been a kind of contrarian statement, a way to look different and to imply a degree of nonchalance about one's craft – playing an old, cheap instrument as a way to suggest a degree of arty unprofessionalism (putting yourself far distant from Stanley Clarke and his Alembic). If Hofner tried ramping up production in response to one of these high profile players, the cool factor would vanish. Those instruments were only cool so long as they were uncommon and forgotten. The moment someone starts actively marketing them to the cool kids, they would immediately become uncool again. Hofners were popular, but I don't think Hofner themselves ever really were.