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Actually, $6K isn't too bad for a US custom shop bass. I'll stick with my original 1976/1977 SB-1 (signed by Stuart Spector) though...... keep my wallet closed!
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The Short Scale Bass Appreciation Society!
Stub Mandrel replied to Baloney Balderdash's topic in Bass Guitars
I would assume so. -
Distant Early Warning - Rush
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What are your irrational prejudices? I have some bonkers ones...
bnt replied to kwmlondon's topic in General Discussion
I was at a work party in a pub last night, and one of the barmen did something that annoys me: he was pouring someone else's order, while asking me what I want at the same time. So he's not paying attention to the pint he's pouring, and while I tell him my order then, I have to repeat it when he's actually ready to pour it. So taking my order when he wasn't ready to pour it was totally pointless. It annoys me when people try to multitask for no good reason: multitasking is overrated. -
I know this isn't probably news to anyone, but for people in a similar position to me (i.e. can read music and play to roughly grade 3 but pretty much self taught) I'd highly recommend getting some lessons with a decent tutor. I've learnt more in the last 2x 30min lessons than in the last 5 years! It isn't so much just playing the grade pieces, it's stuff like: How to sit, wrist position, finger positions (not using my thumb on black keys!), how to use the sustain pedal properly (and how to properly use the middle pedal), proper scale technique, how to spot scale structures and what other scales work with them, some useful rhythm stuff (tapping out the notes for each hand on each leg), and some reading things - I'd been misreading ties as slurs. etc. I guess all that stuff could possibly be found in online videos and books, but having it tailored to you is so much more efficient and effective. (I'm actually finding perfecting the grade pieces a bit tedious - playing The Muppet Theme for the 100th time it starts gets a bit annoying!)
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Several reasons, I like to try make stuff, abelit badly in some cases π I don't have a midi cable, but i do have some vintage DIN/midi plugs in a box, a barrel jack socket and a bit shielded pair ... [ in a previous life, and with no previous knowledge, tools or internet, I reclaimed and rewired 120pin EDAC cables into interlinks for my mobile studio, from that I learned that one does not pick up a soldering iron and simply walk into mordor] Sauron's Multiplug Yeah, I could just buy the things pre-made from ebay, but where is the fun in that? And when I have f**ked it all up, and failed, but learned a few things then I will go to fleabay π
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DigbyLLovatt started following Gallien Krueger Neo410/4 GK Amp Cab 4ohm
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RAY AGAINST THE MACHINE started following Been away for about 15 years...Who did i miss?
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Been away for about 15 years...Who did i miss?
RAY AGAINST THE MACHINE replied to Gizmo's topic in General Discussion
There is a modest , underrated and highly talented bass maestro who is revered and lauded on Basschat ..Danny Sapko. Worth checking out . Davie 504 is better entertainment though imho ..β check mate ! β Lots of headless basses with varying designs and quality control issues ( cort space 5 , Ibanez EHB etc ) -
Where to start with this Join My Band adβ¦
JapanAxe replied to JapanAxe's topic in General Discussion
Reclusiarch Aurelius on SoundCloud seems to be based in Krasnodar in Russia though, not Gloucestershire! No, I am not interested in joining this band, I was scrolling through JMB looking for dep opportunities (I am such a tart). Consequently it doesnβt matter directly to me, but there is a BC tradition of highlighting (for entertainment purposes) delusional or wildly unrealistic band ads. It will matter to someone though, when they sign up to goodness-knows-what in the hope of a shortcut to fame and fortune. I do hope the site rules allow us to discuss things that donβt even matter, otherwise pages of discussion on fret position markers would have to be deleted. -
Aidan63 started following Feedback for MungoBass
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David put up for sale a set of flat wound guitar strings, which my co-jammer friend quite fancied so I bought them and a couple of days picked them up at my local InPost collection point at my local shop. Nice and easy and pleasant buy. Thank you.
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DTB started following Do you have a signature sound?
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My sound , whilst not really MY signature sound but the sound I love to play with, I stole from Christian McBride. He often runs a Marshall 100watt guitar amp along side his bass rig (something the guitarist in my last band asked me to do and I thought he was nuts, little did I know back then!!!). It adds just a bit of grit to the tone and gives it more of that bridge pickup bite, but with a lot of neck pickup added so you have more bass without having to turn the bass up on the amp or on your active bass. I get it by running a valve preamp into my bass power amp and have recently started using a cab at home again rather than going into my mixer and monitors, sounds so much better using a real cab. Good example is live version of Itβs On by George Duke available on facetube. Edit; Also see Reggie McBride on When Love Comes To Town, kind of similar tone on the bridge bit. I stole my guitar tone too but thats another story.
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Where to start with this Join My Band adβ¦
BigRedX replied to JapanAxe's topic in General Discussion
To the OP. Are you interested in joining this band? If not why does it even matter? - Today
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much later.... I discovered that the output stage of my Orange OB1-500 has a problem. If anyone thinks they can fix that then it's available to collect for a nominal beer token.
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SWMBO has decreed that I have enough basses... Problem is she can't tell the difference between a MIM Fender Jazz and an American Professional II Precision... as long as they're both in Sunburst. So, this one is being quietly sold to make way... It's a 2014 Standard Jazz (Mexico), has a couple of dings - one on the head and the other just next to the bridge - both fairly small. Otherwise in good shape - usual scuffs on pickguard and pickup covers. Hard case included in sale. Cash on collection from Effingham (near Leatherhead/Guildford) in Surrey. You're most welcome to try before you buy.
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I've owned both a Lakland Skyline 55-60 and a Sadowsky Metroexpress (the first generation) and would generally describe the Sadowsky as "slimmer". The neck is slimmer, the body is a bit smaller and I think the string spacing is a bit tighter but I never really pay attention to that. I was really impressed with the sustain on the Sadowsky. The preamp is fine, not great but workable.
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jsixties started following Origin Effects BassRig Ampeg B15 Fliptop recreation
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Lozz196 started following Where to start with this Join My Band adβ¦
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Where to start with this Join My Band adβ¦
Lozz196 replied to JapanAxe's topic in General Discussion
βThe main challenge will be learning choreography.β Iβd say a real challenge for the drummer. -
AlexDelores started following Been away for about 15 years...Who did i miss?
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Been away for about 15 years...Who did i miss?
AlexDelores replied to Gizmo's topic in General Discussion
I dread to think how many marketing emails from ScottsBassLessons youβve missed out on in the last 15 years π -
Where is my 1983 Sting reissue?
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Iβd be interested in that lol
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Basically my situation too. Bae money for any of the shiny new stuff, still nice to look π
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Weird that the basses didn't get the redesign that the guitar range got. New colours look great. Although they've done that annoying thing of having the colour on a 4 string model I'd want on the 5 string π
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IanA started following Markbass CMB 121 combo
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Markbass Blackline CMB121 combo for sale. A great little combo that packs a serious punch for its size. Fully featured with DI out and effects loop. It is in pretty much immaculate condition and full working order. Collection from Leicester or I can meet up somewhere within an hours travel. I have pated in the do from the manufacturers website below Thanks for looking Ian CMB 121 Black Line Product code: MBC105105Z Markbass has entered the entry level market segment for the first time, without sacrificing quality.We understand how important it is for students and beginners to have good sound for their daily practice, helping to better express themselves while developing their talent and passion for Music! The CMB121 Black Line is an amazing entry level 150W combo, the perfect choice for those who want to start with the right sound and have enough power for both rehearsals and gigs. It delivers a sound superior to any other practice amp at this price, thanks to Markbass tone and quality. It features a headphone output, and an aux input for connecting your favourite media players to mix with your bass sound, letting you practice anywhere, anytime. KEY POINTS > START WITH A GREAT SOUND TO DEVELOP YOUR TALENT Buying the right amp when starting out in Music is one of the most important decisions both students and novices can make. Key to success is developing technique, along with refining sound preferences β including a responsive dynamic to their playing during practice. The CMB121 Black Line combo satisfies all these requirements, providing our famous Markbass tone and response. > INEXPENSIVE, NOT CHEAP This is the first time Markbass has focused on the lower end of the market. When we began, our main goal was to ensure you can buy something you enjoy the sound of. Almost all of our competitors build cheap equipment without considering that young and talented players who are going to use it every day may become frustrated and lose their passion due to a poor sound. At Markbass we have always had a deep respect for all artists, beginners to professionals, and above all for young talent that strive to become the next generation of great artists. They need, and deserve a superb amp with superior sound β and our combo is the best choice! > 4-BAND EQ, SCOOPED and BOOST SWITCHES The simple and effective controls section includes 4-band EQ with 2 mid controls, a SCOOPED switch for enhancing treble and BOOST switch to add nice saturation to your sound. > HEADPHONE OUT / AUX IN The amp section includes a headphone output and an aux input for media players, letting you practice anywhere and anytime you like, always with a professional sound. > BALANCED XLR OUT / SEND-RETURN The balanced XLR line out allows you to run your CMB 121 Black Line amp through the PA, ideal for larger gigs. In addition this combo also features a send/return FX loop to connect stompboxes and multi-effect units. - Product specifications are subject to change without notice Product specifications are subject to change without notice SPECIFICATIONS: speaker size 1Γ12β output power 150w dimensions 17.32β/ 44 cm (w); 17.32β/ 44 cm (h); 14.17β/ 36 cm (d) weight 35.27 lbs / 16 kg series cmb black line
