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If the Kids are United - Sham 69
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Gigged this yesterday and another bass player came up afterwards, took it off the stand and examined it! Perhaps I should post all the specs, but I think you all know what a Flea Jazz is. Someone enquired about the neck. I bought from Bass Direct as I had heard some necks were warped, but clearly didn’t have to send it back. All was well. I will, though, photograph the flaming, which is exceptional - the neck is not reliced like the body.
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Do they sound much different? I’d expect a bit more warmth from the wood neck. Totally agree they look right though now, especially with the clear/ no PG.
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This is a great illustration of flooding the stage with static colours and adding in some illumination of the instruments. Adding in a little up light/ flood of the drums would have solved the distance problem. I love the intense blue shots. No flashing lights means you concentrate on the band.
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bass_dinger started following 2 basschatters, 1 single…
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I rather like that. Wistful, but positive.
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Hi Sean I'm assuming that you mean the lights? I haven't really filmed the lightshow as such, I've got a couple of short clips of the 6 led bars I was talking about which I thought was on this thread. I'll look them out later. I've had LED lighting for around 12 years now but I've only recently started to think about how to do it properly and this thread is about starting a conversation with people going the same route. £3-500 is probably a decent stab at how much a gigging pub band would need to spend to get something decent which would improve their 'look' and hopefully their marketability, ie bring in more/better gigs. Having spent at least £500 and still not happy I'd say don't do what I did, have a plan based upon what is out there and what you want to achieve instead. I'm not too bothered, spare lights give me flexibility and I'll sell off all the lights I won't use once I'm happy. The good news is that a lot of the really cheap Chinese stuff is actually really effective and pretty reliable in use. I've only had one item dead on arrival and the UK supplier actually replaced the bulbs! I've got two laser lights that cost me £12 ea and fill the ceilings of venues with dancing green and red dots. So, before spending a penny think about what you are trying to achieve: Lighting to make the band look good Lighting to allow the band to see what they are doing Lighting to improve the audience experience You can probably achieve all of these with £500 but could spend thousands to do everythig well. You also need to think about convenience and set up times and this is my current issue with what I have. Lighting to make the band look good Any lighting will make the band look better, I even know one band who deliberately shine a light out of the windows to advertise that there is something going on inside the pub You need these lights to be in the band area/stage and at least some of them pointing at the band. These can dazzle you if they are too powerful, some activity is useful too but would have to suit the band, A punk band is going to want more active lights than a Jazz trio. Most of the cheap lights are designed for disco's so that the chases are often too busy to be useful. Slow fades are rare. Just bathing the band in red/blue/straw or even white light can be effective here but think about what you want to do before you spend. Lighting to allow the band to see what they are doing Steady lighting is good here. You don't want the fretboard plunbged into darkness or a powerful strobe at the beginning of a difficult solo. You probably want diffuse light too I've had a lot of complaints from band members about being spotlighted (which is what I think) or dazzled (their interpretation ) Most LED lights are pretty focussed so diffuse lighting is rare. Uplighting is usually effective but a trip hazard. Lighting to improve the audience experience Dynamism and sound to light is the thing here. Some of the automatic chases and sound to light is fantastic. Some of my lights really follow the bass line and/or kick drum so keep the lights in tempo. Otheres have multiple led's and seem to rotate. You can also now buy lights that scan automatically for under £50 and some project moving patterns (gobos) through mirror systems. Last warning, I always end up complicating things. All I'm saying is that if you have a picture in your head of what you are trying to achieve you'll spend more wisely. I started with a single bar with four PAR's like the Stairville one @Al Krow linked to. A couple of those ones would be brilliant if you wanted to keep it as simple as possible Two of the lamps can be set to white to illuminate the band and the rest will fill the dancefloor with light. The 40deg angle is ideall for a floodlight. Just putting two lights up controlled by a simple remote is about as easy and straightforward as you can get. I've had a beady eye on those for a while for the band where I do all the sound as well as the lights. My duo partner does the lights while I do sound so the lighting for the duo can be more complex. Gloucester is a bit of a drive but if you ever came over this way you'd be welcome to play with LED lighting over a coffee
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Grahambythesea started following NBD: Fretless Telething
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I think that’s not so much relicing but wrecking. Otherwise a nice bass.
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November voting Challenge , can you ? ...composition content
Chiliwailer replied to lurksalot's topic in General Discussion
Close one that, not surprised, all great tracks 👌 Just wanted to say a quick thanks and farewell, I’m going on a BC hiatus from next week, would have been from today but I’m giving some bits for sale in the classifieds one more week. Cheers fellas, it’s been fun and inspiring 💙 -
What are your irrational prejudices? I have some bonkers ones...
SteveXFR replied to kwmlondon's topic in General Discussion
Ukuleles just sound like those toy guitars your annoying sister in law would buy your young child for Christmas. I guess thats because they are just toy guitars for kids. There's a ukulele orchestra at my kids school. It sounds even worse than their string quartet made up of three violins and two cellos (quartet means four doesn't it?) all with terrible intonation. -
Do people mask off the area for handles or simply roller [Tuffcab|Armacab|Wernex] over them? I've drilled holes for the speaker, the port and the rear panel. I've also put M3 or M4 pronged t-nuts behind the holes so that's all done. Should I mask the area off or not? Not yet done holes for the handle or amp mount so checking now. I think I should mask off but not sure. Thanks Rob
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The review says it all: comprehensive, US published and hard to find. Price is UK posted, unread condition. Now £16. EVEN LOWER! £14 posted. Times And Seasons - The Rise and Fall and Rise of the Zombies Robin Platts HoZac Books, $31.99 356 pages Classic British pop, expertly chronicled Few books on the Zombies exist, but theirs is a story worth telling. And it's predictable that, given their Stateside star status, this quintessentially English quintet of She's Not There and Tell He No fame should be chronicled on an American imprint. The band only hung up its touring shoes last year after leader/keyboardist Rod Argent's stroke, but the work he and singer Colin Blunstone created after their reunion in 2001 - the years since 1968 being silent, in a Zombies sense - are also covered in detail by author Platts. The band always had a youthful camaraderie, having come together at high school, and that comes over faithfully in this account of their heyday - plus a long tail that details their subsequent musical careers. While Blunstone went solo and Argent created an eponymous prog band (of God Gave Rock And Roll To You fame), guitarist Paul Atkinson went behind the scenes and signed Abba to CBS - a feather in anyone's cap. Detail is forensic without being stifling. If the layout is a trifle fanzine-y, the integration of illustrative material like press cuttings and photos with the text helps make this an easy read. And the urge to play the music, always the sign of a good book, is irresistible.
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I’m so sorry to hear this for you Greg, not much help i know but i can only offer you my sincerest best wishes for the future mate. Hope treatments go as best as possible for you. Bless you mate x
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Little children - Billy J Kramer & the Dakotas
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That's some serious mileage. I've even seen it pop up when discussing pickguard colours.
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Took The Children Away - Archie Roach
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November voting Challenge , can you ? ...composition content
lurksalot replied to lurksalot's topic in General Discussion
Well done guys, 3 great tracks for a joint win , we can sort out a photo in due course, but it will be for the January challenge . As is tradition, December challenge is a cover challenge, if you have recorded a cover version this year you can use that, or get busy recording one 😁 I shall set the thread up as soon as I can , hopefully this evening -
AndyTravis started following 2 basschatters, 1 single…
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So @Dankologyand I are in a band together. this is our new single. I wrote this after my old band exploded following a gig. The Drummer and Singer decided they wanted to carry on with me and I asked if @Dankology would be interested in sharing guitar and bass duties. The Video was done by us (it’s my Daughter in the video) All recording done by us. this is “Running Home” https://www.facebook.com/share/17SqnCzL55/?mibextid=wwXIfr https://www.instagram.com/lettersheleft? igsh=MXZwY2diNXNja3l4cg%3D%3D&utm_source=qr Music is available to buy/stream on all platforms enjoy!
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I built an explorer type guitar from pitbull in Australia during covid, electronics were a bit cheap but overall the quality was surprisingly good.
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I have contacted Hypex and they confirmed that they no longer make the plate amp and are going to see if they have a service agent that I can take the plate/cab to for repair. Though it would be cool if Barefaced had one lurking in a corner cupboard in their workshop that they could sell or give me. 🙂Wishful thinking though.
