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Good stuff seals a cut or burst blister, without the bulk of a plaster, and skin going soggy underneath. micro pore... always worth having a roll - sticks to itself more than sticking to things.

Indeed. Have you changed the setting in your measurement software yet?

Phil's right about crossover modelling software. It can get close most of the time, but not always, and only an idiot would rely on it entirely. The main benefit is that it saves time, and allows you to experiment more easily with complex circuits. As with any other modelling software, you need to understand the subject area and the assumptions that the software is making. But you still need to build, test and fine-tune your crossover(s) the old-fashioned way. Otherwise, it's like making a recipe for a cake without baking and tasting it.

Oh yes, XS. Which sounds more like a Jag to me! What was wrong with PS - they have a PS-5 and 6, could this not be the 7?

I've adjusted the truss rod but not sure what you mean by 012m ?

He just used rods... thankfully he has a great touch.

Before folk start wondering, the XE sounds like an old Jag model to me? Time for a bit of Xmas XS? 😅

I could never get on with taped fingers, so superglue was always the one for me. There is also something out there called Liquid skin, but I don't think it was as concentrated/thick as Superglue, so wouldn't last as long for me. I remember doing a DB gig where the new skin from a burst blister was still tender, so would paint superglue over it between every 2 or 3 songs - making sure I had blown it dry enough while the singer was waffling to not stick to the strings! It certainly got me through that gig..... This is all IME of course!

Is the stage big enough for me to take a headed bass if I want to? Do I really need frets?

I've put the original bridge back on just to see the difference. I actually prefer it - somehow the D and G strings in particular are warmer and fuller, whereas the Albridge is more treble and more even. Whilst this might be more desirable on fretted bass, for fretless I think the original sounds better - there's more 'cross talk' between strings and overall the whole bass feels more alive, less clinical. Trills, for example, are much more pronounced and there's a thicker more midrangey 'mwah' to the notes, despite the bridge not going as low in terms of action as the Albridge. I really was quite surprised by the difference, it was really clear from the first note. As a result, I might sell the Albridge if anyone in the UK is after one (I'll list it later) There's something about the shonkiness of the original that I like, too. Whilst the D and Gi intonate very well (more by luck than judgement) the E and A are fairly close up to the 9th, close enough for fretless... The Osmo oil finish on the fretboard is holding up perfectly, I am pleased to report. Amazing stuff!

The question is what do YOU think is expensive. Not what does someone else consider expensive. So most of the variables disappear. All your points of reference are fixed and different to everyone else's.

"That's an expensive bass" "Why, how much is it?" "£1000. That one over there, that's a cheap bass" "How much is that then?" "£2500"

Putting it that way, £200 is expensive to me. However, both of my current basses are more expensive than that, because they are special, or rare, or hard to get hold of in the UK. So, I paid more for them, because I knew that that was the going rate for such instruments.

Oh its more like a wammy effect, in fact it is only available on the footpedal, but it is too electronic to use as a clean bass sound. There is a song I do that is downtuned which is just bass and vocals for the verse, this wouldn't work for that, its not an 'in the mix' song, it is effecgtively a solo bass sound, which the XE-1 can do.

Have You Adjusted the truss rod to Approx 012m at the 7th Fret , string gauge and tension will also affect adjustment if youve changed them?

I’ve got something postable now , not great , but I’m hoping to get lurksalittle to salvage the vocal a bit . the tune was her idea, so I’m blaming her anyway 😂

They definitely have the same dna in the their tone but of course the TE1200 is just an absolute beast

Before my hands toughened up , I used to put surgical spirit on the blisters. I have Presto Lights on now, which seem to be a lot kinder than the Lycon I started off with.

New Bass Day! Just got delivery of this beautiful looking M2000 Trib GTS edition which looks the biz with trans black flame top and white binding. It sounds great too however after trying to set up the action to match my L2000 Trib which I've been playing for 10 years now I've concluded the upper half of the neck has a slight ski jump slope. I've read a few posts about this same problem with these later Tribs. Seems the QC isn't the same as some of the earlier ones. I like the action nice and low. So my question is, has anyone successfully flatted the upper frets with a file or stone to rectify the problem? Any advice on set up, other than 'take it to a sprofessional'?

What were you expecting? Why did you buy it? It could well be you don’t need it. I got mine because i wanted an Ampeg vibe through the combo’s i use at rehearsals, and wanted a bit of OD and modulation all in one small box. The GP-5 and now 50 provide exactly what i need. I don’t bother using either at home as i use other things. They aren the best ive ever had, and are quite limited compared to the Zoom's and Helix etc, but as an all in one package it fits my needs perfectly.

Thanks. Now maybe we won't have to see any of those ridiculous "Paul McCartney should buy Hofner!" posts.