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This ⬆️ If you look at all the clever, expensive tech that Yamaha have had to employ to get even a vaguely acoustic sound from the SLB300 then it points to it being a very tricky task. I would just embrace the sound you are achieving from it with your current setup.

I prefer to think of it as oxtail soup. My second favourite colour, after 3T sunburst.

Yes the bass won't leave my house !

From a nice, sedate build up to our annual Christmas performance at the local Crown Court Xmas party, I suddenly find myself with two additional dep gigs to prepare for within the same week. Both are with bands I've depped for in the past, and both involve different versions (key and arrangement) of the same song which is also in the set for the Christmas party. It's hard work going between all three and trying to keep a track of which one is for which gig. 😀

The bassrig stuff is modelling the preamp, poweramp, reactive load and cab sim that’s been tuned to match the original cab - it’s going to do one thing but it’s going to do it really really well. the VTDI is a preamp with a simple cab sim at the end, I don’t know how complex it it is shape wise. Where I’ve seen an electrical examination of the VTDI the character knob is a variable eq curve that can dial in a more driven sound, or dial it out (b15 a like) It’s a great pedal big “I want a B15 sound in a pedal” investigations don’t often mention the VTDI as an option. I think they sit in different categories, an Ampeg sgt would be a closer alternative- or if you really were after two bass amps on a budget the tonex one would probably do it digitally. Origin aren’t doing it in digital, are U.K. made and are aiming at a level of “let’s engineer this thing well” where price point and value for money aren’t their primary driver of what they are doing.

£7 to 8k sounds about right. 1. Put it up on here. 2. Try musicalchairs.info Minimal advertising fees ...but selling can be slow. Dealers will ALWAYS rip 15 to 20% from you for a commission sale and usually find "some work" that needs doing before it can go in their showroom....however, they will also put a top price on it and are more likely to find a buyer. Use a specialist: Turners in Nottingham Thwaites in Watford Tim Toft in Stone T&G Martin in Oxfordshire, maybe. Etc My mum sold my late dad's cello last year. It was worth up to £90k (!!) sold for £85k by a dealer who took 15% and also charged £5k for "renovation". Mum got £73k. Last seen being played at the proms! Anyway, that's how it is with dealers and restorers.

Eton Rifles - The Jam

There’s 3 versions of the 15 in that link, with different coil diameters, so that should help identify it for sure! Get your tape measure out @tonewheelkev!

Gunfight - Sick Puppies

Would detuning the B string to say A and seeing if the dead spot moves with it help isolate if it's a setup issue or not?

If you love both sounds, the answer is obviously to get both, otherwise you’d miss one. Much more deep bass available in the SV. They are different beasts.

Reason for my original enquiry, latest bitsa project to land….

But it was way better than the finishes that followed - that partially see-through white that looked as though they'd run out of rattle can and couldn't be bothered to get another one to complete the job, or sh!t brown.

Hey all - I would be really interested to hear how the Bassrig Fifteen compares to the Super Vintage. Does anyone here have experience with both? I use the Super Vintage all the time and love it, but as a huge B15 fan I'm considering switching.

Same. It’s truly horrendous. My friends know really dislike bare wood finishes but I’d have the most crazy figured wood style over Antigua any day. I’ve tried to be charitable about it but it just looks like congealed fat that’s got mould round the edges. Or an ashtray that’s been spat in. Or the look of someone’s skin after they’ve gotten severe frostbite and their fingers are going black. It’s that visceral for me!!

The break angle over the nut needs to be sufficient to hold the string in place whilst not reducing the compliance of the string. If you look at the first photo in the OP you'll see that the G and D strings pass under a string retainer and therefore their break angle is fixed by the position of the string retainer. Since this is obviously a sufficient angle, it follows that ideally the E and A strings should have the same break angle. That means the A string should probably have one more turn around the post and the E one less.

Does anybody have any experience of Granotone speaker paint? I'm looking at options for finishing the cab. So far I could paint it in a similar way to @Pea Turgh or I could use a more traditional textured speaker paint or I could do something off the wall like Rustins textured step paint in red. I rather fancied red speakers and did look at Tuff Cab but they have none in stock of any colour. I've been told Tuff Cab is really Aldcrofts in Bolton but a number of people elsewhere have stated that Aldcrofts are very difficult to deal with. I'll drop them an email and see what they say. I can drive to Bolton quite easily if I choose to work in Manchester for the day. Most of the black speaker paint appears to be expensive and come in quarts or fathoms or gallons or something. The Warnex stuff appears to be in German and even though I lived in Hamburg for a while my German is crap. There's doesn't appear to be a lot of choice here so wondered if anybody had tried Granotone or have other suggestions for a tough finish. It looks like there are more open mics and other sessions comjng up so I think I need a tough finish on these cabs. Thoughts welcomed. Rob

Got some Stray headline gigs coming up before The British Lion tour. This Sunday we’re at The Hot Box in Chelmsford for a late afternoon gig - but it’s sold out! The following Thursday we’re in Ramsgate at The Red Arrows club then on to Hastings on Friday at The Carlisle supported by Gypsies Kiss.

Maple Road Saturday 11/22/25 7:00-9:00 "Join us in the newly revamped Eden Ave. event venue located inside Game Over, downtown West Bend! Full bar, killer food menu including smash burgers and a Saturday night of live rockin' blues tunes!" I don't know about this one. I have one main concern. This is downtown West Bend (30k). We're not a 3 hour Saturday night party band. We're a better fit for the larger Summertime afternoon multi-band festivals and fairs, playing for 1.5 hours. This could be a real dud. I've been wrong before. And here's another issue. Dep drummer. Daryl