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What bass you got?

I've spoken to ACS about their Ambient series, and while they do acknowledge there'll be some loss in bass response, their approach has been to design the inears to minimise this. It's a trade-off, I guess, and the results will be acceptable to some and not others. Sadly I don't have the cash to try them out, and like all custom inears it's a leap of faith. Talking to other band members, though, I think the ACS 'squidgy' casts are more comfortable than the harder shells of some other vendors...I can wear mine for hours, where the other guys (on a long day's session) were getting uncomfortable.

Don't worry about the mixing app, it's essentially agnostic about how it connects over the network. Connect the tablet using the inbuilt settings app. Mixing station should still be set on wireless. Not that this matters if you can't connect to your home router and browse the web though, it seems as though the adapter itself either doesn't work or isn't configured properly.

The thing that puzzles me about this one is that I don't think the fingerboard is ebonol - it's not jet black, I can see grain in it (and in the light), pretty sure it's a wood of some sort, if not rosewood then some other dark wood. And the grain on the back of the neck looks a lot like wenge to me. I have no idea what the "AL" in "CURBOW 4 AL" on the back of the headstock means, but maybe it's a clue?

Here's my cover of Sonny & Cher's "The Beat Goes On" written by Sonny Bono before he formed U2. B3 Organ, drums, & FX are all native to Logic Pro. Bass is my Rickenbacker 4003 recorded using ric-o-sound to make the treble pickup a bit hairy. Clean guitar is my CIJ Fender '72 Tele thinline, and fuzz guitar is my Fender Ben Gibbard Mustang.

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Doing a search @Sean, your name appears to pop up often. Could you offer some more insight?

In that case either the main input or more likely effects send is a switching jack. So plugging a patch cable into one or the other should make it work. EDIT - it looks like the effects loop can be turned on or off by the footswitch, so make sure it is on as well!

And so it is with the law of diminishing returns! Back in about 2002 when I decided to upgrade my old Linn Axis I did some extensive testing - I even took my Ditton 66 speakers and EAR 834deluxe phonostage to various hifi shops... We tried everything from the Kuzma Stabi S (this was the cheapest, and excellent though lacking that final bit of detail) through Wilson Benesch (darker, not much excitement), Michell Orbe (similar), SME 30 (expensive, bit clinical, still not enough musicality), Clearaudio Revolution (excellent) and Petite Verdier (very best of all, though expensive and my Mrs didn't like the looks of it). While by no means a scientific test as all were in different rooms with different amplification (though we chose something everytime with similar capabilities to my then-current Lumley 120W valve monoblocks), we found differences between all in terms of sheer enjoyment - basically how musical they felt, and the Verdier with Moerch arm and Dynavector cart was the best I'd ever heard, closely followed by the Clearaudio. And while we could have got 95% of the performance of the Clearaudio from say, a Project at a lot less than 1/2 the money, we decided we had to look at it too...

Bugera BV1001 M the front end models an ampeg. Light loud and reliable. Make sure you get the M (MOSFET) rather than the T (tube)

Are you connecting directly to the mixer or through an external router? I do the latter with Ethernet and don’t have to select direct connection in MS.

It has to be this, the bass was bought on the rebound, Missed a Lakland i wanted. I wasn't looking for one of these but the spec's pulled me in. Light with the deepest bottom end passive.

There is another dimension to this in that some people might want to buy a US made bass like a G&L or say a Hofner bass because they live in the USA or Germany and want to support local producers. Perhaps if more people bought one bass from a company in their country rather than 3 from the far east these companies would not be facing bankruptcy and disappearing from the market.

Doesn't work this way on the TE-1200. Before reading the manual, I tried plugging the BassRig into the Effects return and there was no sound.

White Punks On Rope - The Tubes

I understand that is what it was originally designed for - holding open wounds closed.

If you mean me, I just mean “paying for the name”, “it’s us-made”, “it’s vintage” etc kind of vanity where as @Lozz196 (I think) suggested in the past, the giveback for the premium price is tapered at best

It's Mixing Station. I've tried the Behringer app too. You select direct connect or wireless in the app.

Tie Your Mother Down - Queen

Had the 5 string version in the gold leaf finish, always had a bit of a soft spot for them. Really nice design, mine looked like this:

It’s more that I simply don’t need it 😀 I have a cab m with loads of great IR’s (really like the Mesa cabs pack) which really sound great for FOH/IEM mixes! Ultimately there’s just the fear of pedal board ego death. If one pedal can do what I need then everything else is redundant which I’ve loving and painstakingly curated over a few years. But yeah I’ll likely just buy one in jan when my Monzo 1p saving challenge finishes. I might even nab the matching compressor too.

Can't go wrong with a Mark Bass Little Mark.

Nice to hear a story about mods that actually improve the bass for you, Neephid. I always liked the look of these, but only played one briefly in a shop many years ago. Those Glockenklang (always loved their name!) preamps are fantastic - I had one in the prototype Enfield Lionheart I had for a few years. Lovely job!