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If you ever want a vintage sound rather than buying a boutique instrument, these are available 😉

Big Red hits the nail on the head above. What can you offer a band in return for lifts everywhere? As you acknowledge, owning and running a vehicle is not cheap. If you need the continued favour of being collected, driven to gig/rehearsals and home again, you have to contribute in other ways to make it worth their while to choose you over people who don't require transport.

I still do not surf. I am a bassist. From ergonomics point of view our situation is far better than what violin players have to suffer. And I am very happy I have had the chance to choose from many shapes and scale lengths. I should reveal a thing that I made for years, but now I need to run to buy some food.

It would appear they have. Because .... (drum roll) >1MOhm input resistance. 👍 Hooray!!! Piezo friendly! None other than Mr Gollihur recommends this: https://gollihurmusic.com/wireless-instrument-system-c-5rc-5-8-ghz-with-included-charging-case/?srsltid=AfmBOorwoZ6ZSI_LC1NllFLzc3RyC_waUxujIQJjw4zeAR4v1GHXL_IO Nice article ... says exactly what I've been rabbiting on about. Right, this might be going on the xmas present list. But it is £120 vs £30-£40 for the cheapo low impedance ones.

Indian Reservation - Paul Revere and the Raiders

Human morphology has not evolved much since 1950.

Haha, I suspect the reality may not live up to the hype! I will share the story about the origins at some point but at the moment it's too early and there are certain confidences I have to respect until order volume hits a certain level of consistency. Nothing dodgy, it's just that when business partners see volume, it can help provide them with some certainty that I'm not going to waste their time. Then I can formalise some key business and logistic arrangements. Once I have samples of the 5 initial neck types (JB4, PB4, SR4N, SR5N and headless 4/5) then I'll get a website set up. Once that goal is realised, I can start working on promotion in earnest. For now, the PB4 and SR4N moulds will be next after the SR5N and I'll need to test fit all the models to check measurements are within acceptable tolerances (and this could involve further development if not quite on point despite best efforts). The neck I'm looking forward to the most is the SR5N. The Musicman Cutlass basses I owned more or less set the bar for tone and a five string version of one of those, with an adjustable neck, would be something exciting for me.

If you're amp-less, how are you planning to hear your own bass..? From the rehearsal/gig stage monitors (if existant and capable...)..? With ear-phones, fed from the pedal..? Wired, or wireless..? How will the other players and (if relevant...) the FOH for the audience, hear the bass..? Standard practice for FOH is a feed from a DI box, which the bass plugs into. Is that all that you require, even for rehearsal..? The question needs fleshing out a little, I think.

@Paddy MorrisIf they'd made it in 5.8GHz back in the day I'd have bought it for sure But even so, no I've never had any issues with drop out or interference, even playing busy venues. I do notice a latency delay if I stray too far from the stage, which I have a habit of doing. Well more correctly my band mates do 😆. I've never regretted buying two of these ... very sad that one of the transmitters has become unreliable after all these years. And yep, input impedance is 1.4MOhms. Boom.

Some of mine are with white plumbers tape - they've been stable for at least 10 years. No headstock cracks or anything. The secret with that is to put slightly more on than you think as it compresses a little when pushed into the hole.

The left hand does it when tapping. 😉

So Gigged mine again Saturday night , Straight into PA using the GP-5 as my Amp and Cab sim , Setup was a cheap Yamaha Stage 300 PA ,supported by my Markbass cmd121P acting as a subwoofer out of the monitor send daisyed on to an 80's era powered peavy wedge for some foldback. Both guitarists were using sims ( one fancy and expensive the other cheap ) My only downside was that I couldn't easily tweak my EQ , my active 2 band couldn't cut any more out , if i'd had my phone connected i could have easily done so but i'd turned it off and shoved it in my gig bag to avoid that " Da da da " lesson is now airplane mode with bluetooth connected within reach. For anyone carrying a backup amp this device is a no brainer ... I have found that im struggling to find good quality combined Sim and Cab files even ones of tone3000 seem a bit " crap" compared to the out of the box option so im just using the fingerstyle or pick preset with my own tweaks , anyone got any that work well ?

I have this ! This’ll do the job ! If plugging into mixer etc , there is the option of using effects or going direct by the touch of a button at the back.

For bass: IE Nimbus has HPF and LPF for the effect, and they work really well. But it is quite hard to find and may cost a lot. Because the reasonable amount of the effect is small, any reverb is most likely good, but use it sparingly. That Behringer is worth trying. For vocals: Start from t c helicon. If the mixer supports stereo, consider a stereo unit, or mono for the vocals only.

Caline make a copy of the V1 BDDI as well. To my old ears I think the Caline is slightly less scooped. I still have both though!

I could make a board look and feel very professional, but those continuous changes... and I have three of them in use: for lo-Z, hi-Z, and fretless bass. I am happy with compressors and... wait a minute...

Having owned multiple tone shaping di`s over the years, I actually prefer the Behringer to the Sansamp. Cheap as chips and sounds good for what I want it to do.

I re-listened to the SY1 a few weeks ago. Jeezo that’s a bad sounding pedal 😅 (IMO). Si