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My Mike Lull PJ5 and Sadowsky Jazz make a great sound, but through the same amp and cab my Cort Jazz makes a much thinner sound. I got around this by using a Sadowsky pre amp. The sound of the Cort is now 90% there. Barefaced 12" cabs put the rest of your gear under a microscope. Any inconsistencies or shortcomings are magnified. But with the right bass and amp and they will make you sound great.

Nice! A bit off topic, but just for my education - why drop A? Do you use the low A or is it more for helping with certain chord/open string stuff across all strings?

Iron Man - Sabbath

I went from BF 10's to 12's It does take some tweaking! but you will get there and be better for it. As the super compacts are "honest" with no baked in tone, you really just need to give it one, the great thing then is what comes out your DI into the PA will be more or less the same as the cab. Keep going, if its brand new the speaker does need running in a bit too!

metal dog - paul gilbert

I'll Be Your Dog - The Stooges

My back hurts just from looking at the pictures in this thread!

Be My Baby - The Ronettes

What's your name/ handle/ address on there, please?

Banned Heat Sweep The Why Rolling Stanes Sink Floyd

Any updates on this? I’ve never met Phil, but have had some contact with him on the interweb. Always been impressed with the PJB line and his concept for how audio can be. Hope all goes well for him.

That looks like a very nice find indeed. From here it looks like it hasn't been gigged much if at all. That or a very careful owner had it. May I ask how much you paid for the amp and the new valve? I am assuming you had the cab already. I hope you have a LOT of fun with it (preferably well away from your neighbours).

I'll Be Anything You Want - Melissa Auf Der Maur

I bought this from them a month ago and returned it. The truss rod is broken. I got a very expensive quote to have it repaired but decided to return it. They did offer to let me keep it for a nominal sum but I really don't need an unplayable bass lying about the house. Shame as it was in otherwise great condition.

Cheers. There is already a piece of paper in the slot. I was getting buzz from behind the nut a while ago and that cured it, but now i get a bit of buzz on the open E string and can see the string is sitting really low. Fretting at the 3rd fret pushes the string on to the 1st fret.

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I found when I needed to raise the nut a little a slip of paper did the job enough - might be worth a go before you start hitting it with the glue?

Normal inspection as per any stringed instrument. The state of the fingerboard (surface condition, radius etc), neck (truss rod) and nut would be my number 1 comment. This is especially important if the neck has been de-fretted. Look for any ridges on the fret-lines and/or excessive gouging along under where the strings lie. The nut height is important if you want the lower action typical of a fretless bass. When trying the bass, first play it without amplification. This will help you discern if the notes sustain well, which helps a fretless bass sparkle. Personally, rolled edges to the fingerboard are a “nice to have”. Remember that a lot of the fretless sound comes from player skill and articulation. Good luck in your search.

A good, level fingerboard is important, you can't compensate for a small high spot by scraping down a fret. If it has side dots, be sure they are where you want them. On some (mostly defretted) basses they are between fret positions. I learned on a bass with dots at the fret positions and trying to play with the other style is tough as they 'draw' my fingers away from proper intonation.

Benedict bought a short scale StingRay bass from me. It was a pleasure to deal with him, quick payment and excellent communication throughout. Basschat happiness all round!