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It's hard to shift them but on the other hand, the sale of one CD generates about the same profit as having 1,377,339 people listen to the album on Spotify.

A very 1970s Mustang Bass on EBay. Poo brown and insensitively modified with a Carvin pickup up at the neck. The inevitable clicky phase/coil split switch is there too. No need to worry about fakery here! https://www.ebay.co.uk/itm/116563598473?mkcid=16&mkevt=1&mkrid=711-127632-2357-0&ssspo=kKGvwWPtR3C&sssrc=4429486&ssuid=74jSvcDiTL6&var=&widget_ver=artemis&media=COPY

I was coming here to suggest Dan too, this is right in his wheelhouse and I'd like have the utmost confidence in his work, both in the design and the standard of construction. He'd the real deal.

The guys I play with are not selling CD's like they used to. They still make CD's but in smaller numbers, but it's downloads and streaming that has taken over.

a) The drummer should be able to vary his volume. b) These guys have been playing since the 60's and don't know how loud they are? c) If you are all facing each other then the person opposite is getting full blast and the player isn't. That's not ideal. d) Again, after playing since the 60's no one should be guessing about anything.

I am SO proud of this one. I got this album when it came out and have always loved this track particularly but there was no way I was ever going to be able to get it down on paper (I couldn't read then, anyway). Moises has allowed my to get right in there and I was able to listen to the details almost forensically and I think I have got almost every ghost note. There are a couple of bars that sound linked he has flubbed a couple of notes but that can only be heard in a remixed version slowed down ay 50% (I had never noticed them before and it may be that I am not hearing it properly. If that is the case then I apologise to Mr. Willis unreservedly). I think I have got it pretty much. This is the complete Gary Willis bass performance of the tune 'Caribbean' from the first Tribal Tech album, #Spears' (1985 - that's 40 years ago - unbelievable). https://bilbosbassbites.co.uk/caribbean-tribal-tech/

You absolute Monster!

You don't have to explain, Chris. Sometimes, you just have to do it because it is there ......

Lovely sounding bass, but the only thing I could think about is how much of a nightmare that paint job is and how hard it will be to keep clean and not gloss up 😅 Nice review though man!

The top left pedal is a Dark Father preamp from VVCo. They sadly seem to be in the process of closing down owing to a death in the team. It’s a weird one but sounds quite good once it’s dialled in. The chain is: T-65 (Octave) > Grand Tarkin (Fuzz) > Resurrector (HM-2 Hybrid) > Han Taun (OD) > Dual Knightfall (Distortion) > Tarkinfall (Distortion/Fuzz Hybrid) > Destroyer (Fuzz) > No Moon (Dirt Galore) > Royal Jelly (OD/Preamp) > Hyperspace (Chorus) > Darth Fazer (Phaser > Rebel Rebel (Delay) > Blue Harvest (Reverb) > Dark Father (Preamp) T-65 effects loop: Boba Fuzz (Fuzz) The big pedal at the front is their Darth Jelly from last year. I have a similarly themed Harmochorus from the previous year too which isn’t on this board.

DEI toten hosen

A rugby club up in the valleys on Sunday early evening. Modest attendance but enthusiastic reception for Bendricks Rock. I'd driven to London at 1:30 am, got four hours of non-sleep from 5-9 then drove back for 1pm. About 20 minutes of fitful nap, eat, shower lots of tea, then picked up by vocalist for 50 minute drive. I was amazed that not only did I not eff-up, I had a good gig. Nearly dropped off in the car back. Now I'm going to sleep early, goodnight.

As well as the output of two volumes too and the opposite lug must not be grounded.