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  2. My relationship to the Trace pre-shape (granted on the GP11/12s) has been to turn it on, play a few notes, say "cool", then turn it off for the gig. The compressor is fine if you don't have anything better on your pedalboard, albeit I normally use compressors for peak limiting rather than anything more drastic.
  3. Gather here, ye converted, and weep! Even though we've never met I kind of assumed that you might enjoy a little oikishness, so yes, of course. It's an inevitability. It's obviously not 'ard enough.
  4. If only...glwts.
  5. I have the same combo and they are great. Loud and a great tone the horn makes a lot of difference to the sound
  6. Relisting this as, try as I might, I am not A Jazz Bass Guy. Original thread below, the only thing that’s changed since May is the bass is now wearing a nicely worn in set of La Bella IMA Super Polished strings. I’m in the market for a JMJ Mustang so would be interested in a trade involving one of those (plus cash adjustment on my end). Collection from Haywards Heath preferred, or I’d be happy to meet within 30 miles or so.
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  7. I'm down to just 2 basses (shocking, I know) One is a bitsa P Bass with a Harley Benton neck on it. Whilst it's fine, it's not exactly a looker. Has anyone bought a reasonably priced roasted maple neck, ideally with a rosewood or equivalent board. I appreciate I could go to AliExpress but that seems very much like a lottery in terms of fit and finish.
  8. Here we have my Spector NS Pulse 5 string bass, just arrived back from Jacks in Manchester where its had a full service and set up, fret dress, new nut, and a transplant of an Aguillar system OBP 2 pre amp and pick ups, for a more rounded sound. Only selling as a Eurobolt 5 arrived to take its place, great sounding and great condition. Grab yourself a bargain. The NS Pulse represents the core of Spector's iconic design. The three-dimensionally carved body is a trademark of the Spector brand and provides a uniquely comfortable playing experience for all bassists. This NS Pulse model features a solid Swamp Ash body paired with a three-piece Roasted Maple bolt-on neck, complete with a Macassar Ebony fingerboard. The roasting process results in a neck that provides enhanced stability & resonance, while the Macassar Ebony fingerboard ensures clear note definition and projection. Perhaps the most striking feature of this bass is the sandblasted finish which highlights the unique grain pattern of each instrument. When paired with our Cinder Red or Charcoal Grey stain, the result is nothing short of stunning. Solid Swamp Ash Body Three-piece Roasted Maple Neck; Macassar Ebony Fingerboard Locking Bridge; Die-cast Tuners; Graphite Nut Sandblasted Charcoal Grey Matte Finish
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  9. Collecting my freshly refurbished Wal Pro 2E from Paul at Electric Wood on Monday.

    *jumps up and down like an excited 5 year old*

  10. tauzero

    De-Fret??

    Conventionally that's where the dot markers go on a lined fretless, whereas they go where the frets would be on an unlined. I had the markers moved on a Sei lined fretless with very faint lines so they were on the fret positions, and another faintly lined fretless already had them on the fret positions. Conversely, I have a defretted Squier VM 5 Jazz - maple board and black lines, with the dots remaining in place, and that's not a problem. I'd be inclined to find an equivalent fretless rather than have it defretted.
  11. I had my lesson today. I seem to have developed a negative mindset, that tells me that I cannot play the piano. Certainly, I have given up on the three pieces that I initially selected - they are now frustrating me. My feeling is that, if I can't play them after a month of trying, then I am better off moving on to another piece.
  12. I have one of these and it's a great instrument, nice preamp, pickups and construction. GLWTS!
  13. The octave has much more gain available due to the passive mixer being replaced with an active one, true bypass, 2 octaves down removed, and can run on 18V for even more headroom.
  14. The IAH ones are fine on my shorties - but I'd still prefer if they did proper versions of them. The regular Super Polished do feel different - as much as I can tell without installing them anyway so I might end up trying a set on a long scale even though I'd prefer a lower tension / lighter gauge option. Hopefully they will be popular enough for La Bella to consider that.
  15. If my jazz sells though 🤔
  16. Perhaps in the studio and home it’s lovely but live with a band it blankets the sound a bit. This is still a great amp for sure
  17. Still avaliable - I will accept £500 + postage (or collection is welcome)
  18. https://www.banzaimusic.com/bourns-mini-kn-500k-log-xxl.html €3.47 each + postage Link to data sheet for a few other Bourns pots. https://www.bourns.com/docs/product-datasheets/PDB181-GTR.pdf
  19. I'm really lucky in that I have a friend who builds amps for a hobby and seems to relish me bringing him something old and broken. I am frequently amazed by quite how quickly he can fix things - often just a component worth pence that needs finding and then switching out. You very seldom need to source something original from the manufacturer (even whole circuit boards can be remade). We then did the figures for setting up a repair service (and market on forums like this), but to be viable would need to be charging £60 to £100 an hour for labour alone. Problem is a lot of the second hand equipment is worth a lot less than the labour cost to fix it regardless of how cheap the components are and simple the problem.
  20. Great. Thank you. I think that since the v4.5 update is going to include several new features that I will definitely need, My FI will be reserved for occasional home use until it is available.
  21. I did wonder about the tuning. IIRC one of the competing electro-mechanical pianos from that era was tuned by adding or removing solder from the tines. I also wonder if they added some internal bracing at the corners to hold the case together without changing the external appearance. It certainly looked as though it could do with some. And agreed with the varnish. That glossy finish was nasty. Isn't there something less intrusive available? Even a matt varnish would have been better than shellac.
  22. These were a big deal in the unplugged era of the ‘90s . Bargain ! Glwts
  23. Today
  24. I've never had much luck with Ashdown. An ABM 500 chrome face. Sounded great, until the note decayed and it would hiss. No one could find the fault. I contacted Ashdown, they said take it to a tech. Which wasn't that helpful. And then, an Ashdown RM from a major music retailer was faulty. I sent that back immediately. I think I should stay away from Ashdown tbh.
  25. 2 superb bass cabs In great condition, that have served me well but dont get used anymore and need a new home. Everything works without any issues. Comes with 2 Hotcovers protective covers worth over £100. Specs Ashdown ABM 410H 600w 8ohm, horn control on/off/high switch Ashdown ABM 115 300w 8ohm
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  26. My only real gripe with the repair of Dave Greenfield's old keyboard was that coat of varnish. They've done this before with old furniture when the owner wants to keep the scrapes and knocks, the character - but out comes the varnish! As soon as I see a brush and pot of varnish, I'm internally shouting, "NOOOOOOOO!"
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