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This was the colour before the blue sparkle era, and the ‘Orrible West Ham design.

Quasimodo's Dream - The Reels

@Sean I bet for every swap you have a timer ready so you can see if you beat the latest time 🙂

Ring My Bell - Anita Ward

To my knowledge HAZ isn't sold to the public, only to instrument makers. It was for sale through Spector before IIRC but with a very hefty price tag (500 USD) So basically its the availability and the pricing that fostered the clone market and LHZ is currently the best serving this niche. The original Tonepump had a very high output indeed but that was remedied by a dimmer (trimpot) for the second iteration that makes the user able to set the output at a desired level. I think the TP is a slightly misunderstood product and for my taste it performs quite well.

'Sound Toys' are giving away six freebies between December 8th & 19th. 12 Days of Soundtoys - Soundtoys

The Vigier Passion is 42mm. AI is suggesting the following: 1. Ibanez Soundgear (SR) Series Models: SR505, SR605, SR705, SR805, Prestige models (e.g., SR1405). Nut Width: Consistently 42mm across almost the entire 5-string SR line. Why it's notable: This is one of the most iconic and accessible lines with this spec. They feature ultra-thin, fast necks, lightweight bodies, and great ergonomics. The perfect starting point for a 42mm nut search. 2. Yamaha TRBX500 & 600 Series Models: TRBX505, TRBX605. Nut Width: 42mm. Why it's notable: Yamaha offers tremendous value. These are well-built, versatile basses with modern electronics and a very comfortable, slightly rounded neck profile that's easy to play. 3. ESP/LTD B-Series Models: LTD B-205, B-255, B-1005, etc. Nut Width: Typically 42mm on many of their 5-string models (always double-check the spec sheet for the specific model). Why it's notable: Great for rock and metal players. They often feature a flat neck profile ("D" shape) which, combined with the 42mm nut, gives a very consistent, fast feel across the fingerboard. 4. Schecter Stiletto Series Models: Stiletto Stealth-5, Stiletto Custom-5. Nut Width: Many are listed at 1.65" (42mm). Why it's notable: Another excellent option for modern tones. Schecter's necks are famously smooth and playable, often with a thin "C" shape, making them very comfortable for the 42mm width. 5. Sire Marcus Miller V Series Models: Sire V5, V7, V9 (5-string versions). Nut Width: 42mm. Why it's notable: Exceptional value with high-end features (like rolled fingerboard edges, active/passive electronics). The necks have a soft "C" shape that many players find very comfortable.

I've been poking around online getting more info on the bass. I found an original brass Hi Mass Bridge for sale on Reverb but the seller is asking $231 for it plus $71 for shipping and he is in Europe. So adding tax and probably tarrifs to it, would push this close to $400 so I'm going to pass on it. https://reverb.com/item/92743282-fender-precision-jazz-bass-bridge-vintage-80-s-gold-brass-ultra-rare I will probably just get a new Fender HI Mass Bridge which is about $60 and have it available in case I ever gig with the bass, so it would take 1.5 pounds off of the weight. I was able to set it up perfectly now, its got super low action and is intonated with The Claw in. Ive found a few listings for these 82 Walnut Precision Bass online, and they all have original tweed cases so its safe to say that the tweed case that mine came in is original as well.

First Obituary album is in standard tuning, as is a lot of Opeth's blackwater park. Eb is my favourite and is what current band uses. Adds just the right amount of menace but still sounds snappy enough. Worked for some of the greatest Stevie Wonder songs so must be good.

I'm somewhat spoilt by the fact that I have played with my two of bandmates, on and off, for over 30 years. The fact that you had to book a diary slot a week ahead sounded alarm bells for me, never mind the fact he wasn't available and didn't call you back. Now, it's perfectly possible that B has already sensed their number is up and thinks you're the person that has been tasked with doing the firing and is either in denial or making like difficult. This is why bands hire a manager. Or because, like us, they're rubbish at booking gigs.

Here is a fancy series IV Jaydee:

It's genuine, I know the guy who had it made (for his daughter, I believe). There are half-a dozen short scale JDs out there. This is one of the more plain ones. It's a Roadie II, passive and was originally cherry red. The short scale design is referred to as a series IV. PS. Roadies are part of the Supernatural range of basses too.

Blue Öyster Cull Men Without Cats Foster Pussycat LA Gunk Motley Clüe O2 The Mommies Blood, Sweat and Pears

Good afternoon, friends. I'm stopping by one last time before definitively buying the SPB4 for my noisy Steve Harris bass. Do you have any thoughts on this pickup? I saw a side-by-side comparison of the two models and found the SPB4 interesting, however, I'm a little worried about distorting the tone a bit... I've always been very satisfied with the tone of the SPB1, but, as those who read my last post know, my bass has a chronic hum problem, and I received several suggestions about changing the pickup permanently. Here in Brazil, the SPB1 is no longer available for sale. It seems to be discontinued. I only found it on eBay, but if I need to claim the warranty, I can already imagine the problem of having to return these pickups and get a refund... The best option would be the SPB4, especially because I found it at a very good price here where I live, in a reliable store, and with a much greater chance of getting an exchange if there's any problem. I'll leave a video of mine for you to evaluate the noise. It only really becomes audible at the end, however, keep in mind that there are songs with calmer parts where the noise becomes quite noticeable... that's what bothers me.

What basses have 42mm nuts, so I can see if it would suit me? EBMM Stingray 5 is 44.5mm so not them.

Damn, there isn't a band with a name including Seamen.

The Old Inn in Littlethorpe is tiny. We're used to squeezing in there so have learnt to travel as light as possible. The Stingish bass was back out. I think I prefer the simplicity of a 2-band EQ. As you can see it was a bit cramped. The night started a little bit quiet but soon got much busier. In this place we nearly always have people encroaching or knocking the mic stands as they pass by. However I can heartily recommend the fluorescent pink duck tape! It kept everyone at bay. I don't think most people consciously noticed it but it was quite amusing to see the effect.

I had a bass collected by Lenspeed when I sold it on here. The purchaser arranged it, and everything went to plan. The chap that collected was really nice and explained they do a lot of moving of expensive guitars for an auction house. If you go on their website I believe it explains prices for fully insured shipping. Probably the only company I would consider for £800 +++ instruments. Single Guitar Delivery from just £55 - Lenspeed Logistics https://share.google/qkd6eyxpC2fGs5uhX

Nah, as you will see in the whisky thread, I've been lagging behind with that. But yes, I was rather inebriated on Friday night.

As a drummer, the notion of Rhythm is fundamental; melody and chords are there, but it's not the principal role of the percussion section, usually. Simple notions, such as changing to half-time, or the opposite, doubling the beat, can be very effective, or exchanging snare and bass drum, the 'one' on the snare, bass drum on the back-beat. Much more influence on style can be had by using 'claves' (rhythms...) from other idioms than pop rock. 'White Rabbit', for instance, starts off with a 'tango' feel, Police borrowed extensively from reggae and ska sources. Old-school jive beats are good for getting folk up and dancing, as are alternative rhythms such as 6/8 or 2/4. In fact, a great deal of music aimed at Dance has brought about a very wide range, from afro-beats to calypso, samba to polka, jazzy waltz to bossa nova and so many more. This makes it, for me, all the more sad when I come across straight disco beat lead-foot bass drum EDM. There are exceptions, but there is so much more than that. Cross-culture is a boon, so taking elements from elsewhere and adapting them to the occasion brings oodles of interest to an alert rhythm section (including, naturally, the bass...), and can bring a sparkle to an evening and a spring to the dancers' steps. Well worth exploring, I say. Just my tuppence-worth.

Nothing to do with bingeing the advent calendar? 😁