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- Past hour
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obne sunlight stereo and beetronics phaser are new and brought the pickle back
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Excellent condition JHS Whitey Tighty FET Comp. Simple and great sounding comp, with volume, comp (threshold) and clean blend. Comes with box, manual, JHS sticker and pick, and rubber feet. Shipment included or can deliver in East or North London and knock £5 off. -
That'll be one of the Nick Raskulinecz mixes. -
Thanks for clarifying that. -
My 15" cab... but it doesn't 'sound' like most people expect a 15" to sound!
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My other band (though we have been in existence for 40 years!) -
She is certainly two footing it a lot of the time. I have been the victim of this when the local Hammond bod was playing faster lines with his feet than I was with my hands. Not that that is a major achievement really. Anyway, at 1:15 she is working that swell (vol? what was I thinking?) pedal.
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What are you listening to right now?
Leonard Smalls replied to Sarah5string's topic in General Discussion
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We dont ever put reverb on bass for FOH. -
Thanks, Mokl. I was running two as a vertical stack – best live sound I've ever had! -
The DM610 is a large bookshelf/standmount speaker from renowned hi-fi brand B&W, featuring a well-braced 30-litre sealed cabinet with 8-inch mid-bass driver. The larger driver and extra cabinet space create a much better low end range than from most similar speakers. This model allows for either bi-wiring or bi-amplification. These speakers present clean tight bass response, surprisingly clear mids for such a large driver and the pleasant highs that the well-designed B&W tweeter at that time was famous for. They can be driven quite loud, enough for the physical effect of the bass to be felt without audible distortion or a sense of sound compression. Both speakers are in Very Good condition, especially for their vintage. All-original, complete with full grilles (one of which has a small hole, shown in the final photo). Only £125. Collection from Bournemouth BH6 preferred. Here comes the science bit… Type: 2-way closed, shelf speaker Colour: Ash black veneer Dimensions: 490 x 236 x 303 mm (H x W x D) Weight: 7.8 kg Recommended amplifier power: 30-150 W Frequency response: 70 - 20,000 Hz (±2 dB) Crossover: 2500 Impedance: 4 Ohm -
The ROLAND KD-8 Kick Pad is a lightweight 8-inch high-quality trigger pad designed for V Drums, featuring a solid durable metal and rubber construction. Its compact size and lightweight design make it easy to transport and store, making it a versatile option for drummers looking for a reliable and high-quality kick pad to enhance their performance. Designed to replicate the sound and feel of a traditional kick drum. Great condition: tested and in full working order. Will work with all Roland TD modules. Selling due to kit upgrade. Width: 27cm Depth: 26cm Height: 40.5cm Weight: 6 lbs 7oz Only £55. Collection from Bournemouth BH6 preferred. -
Interesting, as a lot of the received wisdom is not to have much, if any, reverb on bass for FoH?
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I saw Pino's tour with Chris Dave, Sam Gendel and Blake Mills and they of course played the title track of their new record. And now, there's a duo live video and it's brilliant. Pino's tone on fretless is truly unmatched. What a sound.
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£450 DROP: Ashdown ABM600 EVO IV HEAD / SKB Case £500
scrumpymike replied to Hammer_'s topic in Amps and Cabs For Sale
PM sent -
She uses the swell pedal, as all organists do, but not rhythmically, i.e. in a fixed time. She's using both feet on the bass pedals, which will obvs be rhythmic. I think that's what you're seeing.
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Nice and Sleazy Grip I Feel like a Wog
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It's not the speaker size alone, it's the speaker plus enclosure which sounds the way it does; I had a Schroeder 1515L for years, and while I loved it (very honky soloed, on a stage very present; not tons of low bass, but then that's my taste), I'm gonna say it sounded like no other 2 x 15 I'd heard before or since, and that was down to the enclosure design. Technology has moved on a lot in the last few years, and a wide range of drivers can sound any way the designer wants without relying on/starting with cone size, so cone size itself is moving into the personally-observable and personally-preferential areas of things like, erm, tonewoods... Sorry about the t-word...
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For Sale Zoom B1 four £55 including postage
PaulWarning replied to PaulWarning's topic in Effects For Sale
can't seem to get rid of the £60 bit -
Why are venue house bass amps always such utter sh#te?
Lozz196 replied to Paddy Morris's topic in Amps and Cabs
That`s a good point, and one we in Knock Off did too. Singer/guitarist got us all the gigs so at the end of the night whilst he was networking me and the drummer used to carry/pack all the gear away. Whilst I would have been happy to not carry or pack anything away the fact that in my 6 years in Knock Off I got one gig of the 250 odd I played shows where my skills were/weren`t. -
For Sale Zoom B1 four £55 including postage
PaulWarning replied to PaulWarning's topic in Effects For Sale
price drop £55 posted, £50 collection -
Most of the time the second cab only takes up additional vertical space. It also has the advantage of raising the upper cab closer to your ears where it is doing some good for being heard rather than your knees.
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Why are venue house bass amps always such utter sh#te?
BigRedX replied to Paddy Morris's topic in Amps and Cabs
Every band I've been in for the last 15+ years we send the singer off to do promotional and fan duties while the rest of the band clears the stage and packs up including any equipment the singer might have. I see both audience engagement and good stage manners as being equally important, so I'm happy to clear and pack a bit of extra equipment if I know that at the same time someone from the band is keeping the punters happy and maybe even getting us more gigs as a result. -
I can't begin to understand the science, maybe it's down to coincidence... When I had an Ashdown Routmaster set up I preferred their 15" cabs over their 2x10s. I had both at the same time. So for me I've just sort of stuck to 15s, though a Trace Elliot 2x10 combo sounds stunning. This morning I just picked up a 4x10 cab because I like the idea of having only one cab in my office rather than 2x 15s... Now someone is going to tell me that will make no difference whatsoever... But it will, one box takes up less space than two.
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This is what i do for my IEM mix. We use one reverb for FOH, and a separate one for IEM mixes. I have a bit on the bass and a bit more on the vocals. While we can just have the reverb to FOH or IME, or both, i prefer to keep the two separate. I prefer a shorter reverb in the IEM mix.
