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  2. This is exactly what record labels used to do to showcase new artists' material. Why not a person? The advert isn't great and I think probably clumsily worded, maybe they are a Russian Oliogarc's son/daughter. I too, very recently, have been involved in a vanity project, however it wasn't clearly advertised as such and I was writing my own basslines and paying a share for rehearsal rooms. It was fun as I didn't expect it to go anywhere and the music was reasonable, but I got bored in the end of endless tinkering and changes to songs that were already written and ready to gig as far as I was concerned.
  3. Except firewood, it looks like cherry to me. Check my Le Fay which has a crazy cherry (as called by the Dobbratz brothers) top and regular cherry for the body itself.
  4. My first ever bass was a brand new ‘78 Musicmaster from the old Soundhouse in Soho Square. Didn’t come with a case and I was out of cash so I took it home on the tube just carrying it by the neck. Always wondered what happened to that one!
  5. Thanks for everyone’s feedback on this. I’m leaning towards some D’addario chromes i think. But, like with everything bass related (or life related) I won’t really know until i try myself. I think my plan is to see if i can pick up some used short flats off this very forum when they appear and give them a whirl to decide if i like them on that bass before i chuck a sizeable chunk at some new ones! (I’m being a StringCheapSkate, i know. But the prices are ludicrous for a smaller string) Up until very recently I’d come to terms with just not being able to get on with flats but since putting some cheap ones on my Jaguar, it’s transformed the bass so I’m wondering if its just a case of finding the right strings for the right instrument… go figure 😅
  6. There's been a few. A detail-perfect reissue of the passive SB Elite 1 B&G that Cliff's best known for, and as well as that a sort of Elite/SB1000 mashup that had the SB active electronics, with the Elite/SB-R inlays & conventional neck proportions. Got an idea there was a more modest spec budget version as well at some point, a bit like the current SB-One. But yes - this current thing does look like it's the current SB1000, only painted black. Nice to see that that it has the period-correct bridge & knobs, even if the neck shape's all wrong!
  7. I cannot find any bugs in the B2 Four but was thinking about the B14 that had a few firmware updates.
  8. Sounds like the sort of ad David Brent would write after cashing in his pension to get his music on the road.
  9. I think I'll start complaining about people complaining about people complaining about the ad. What a glorious use of free time and technology!
  10. This afternoon I felt like listening to the '92 Seville blues night again. It was great when I heard the original broadcast; I'd not heard of some of these players before.
  11. Darkglass stuff is stupid money, and I own a pair of their 1x12s.
  12. I think this is actually a vanity project rather than a scam. I’ve depped with a couple of outfits that I would describe in this way as vanity projects. (1) Successful entrepreneur who was convinced his much younger other half was the next big thing. Turned out she wasn’t. (2) A band playing the country music club circuit, fronted by a wealthy businessman. Most such clubs can only ‘afford’ solo or duo acts with backing tracks, but the BL books his band in at whatever the club can pay and makes up the difference from his own pocket so that the other musicians get a decent wedge. So I’m guessing this person is sufficiently well-off to pay a retainer to the performers so as to be sure of being able to put their material in front of an audience. The non-existent company still bothers me though!
  13. Just got my amp back from a bloke who's had it for about a year, old Line 6 Spider IV 75 combo (incidentally @jonno1981 sold me this when he was in the business); that said, I'm not really a huge fan of this amp, only really used it for home recording. The pickups are really quite decent, suprisingly so; I'm actually wondering whether it's worth dropping in a new pair of P94s to be honest, although I do prefer the visual aesthetic. It's completely silent from a grounding perspective. Nice!
  14. The jack end of the cable is easy enough, I've always hated soldering DIN plugs. Especially when you forget to put the body onto the cable before doing the soldering.
  15. Well, if you're happy then I'm delighted.
  16. Armageddon Days Are Here (Again) - The The
  17. That must be a mistake surely? Like you I cannot see the socket for such a feature.
  18. I recently bought an SLO Olympic IIIs from Paddy. It was delivered quickly and was exactly as described. Top man and highly recommended. Cheers!
  19. I just messed around with my hx stomp... using expression to change the time of a delay on 100% with a time of 0.00s to something like 800ms kinda does it. issue is after 800ms it repeats the note
  20. The search for a case is complete . Found this today . It's a case for top kit fishing poles. Semi rigid with internal velcro straps and external carrying handle . Fits like a glove and also holds the bow , which is in a snooker cue case , sitting on top of the box with the output jack . £55 list price , mine for £9.97 . Happy chap
  21. This looks and sounds great! Love the whole design! Really cool to have a few impulse response options built into the DI, modern digital antics but no faff. Also dual DI and aux/headphone outputs are a neat touch, plenty of monitoring options! I've been gigging a Tone Hammer 350 and a Barefaced Compact for YEARS, and I am very happy. But this just gave me GAS 😅
  22. Today
  23. Agreed! I also associate Cliff Burton more with the SB Black 'n Gold, and not with this more "plain" SB reissue. There have been earlier signature models and tributes, and they were all based on the Black 'n Gold.
  24. Looks like a interesting combo for small / medium stages.
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