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Got invited by the drummer of a band I've depped with a couple of times to check out another band of his which is being rebooted. Went down to meet and jam this afternoon, and it's a four-piece alongside singer, guitarist/bv and drummer, playing upbeat rock/alt-rock/indie-rock covers that aren't my usual fodder but I can still see being fun. All involved seem to be affable and have realistic expectations, the singer can sing, the guitarist had his combo up off the floor and was playing at a reasonable volume... sounded pretty good, so I reckon I'll see where it goes. Travelled light as I was on the bus and knew there was a decent cab I could borrow in the room: RB Streamer LX 5 -> Telepath wireless -> Fly Rig v2 -> Markbass Nano 2 -> Hartke VX215

I'd hope that most players take a more balanced approach. Professionally, I use mainly Fender Jazz basses - not custom shop fare, but ordinary run of the mill production ones, yet they are instruments that are special to my hands & my ears, and do the job I need them to do over thirty-forty live tribute shows a year. (2018 American Original & 2016 American Elite.) I still have my boutique basses, mainly by Status, because I've been with the brand for 35 years, the instruments fit me like a glove, and I love the peerless quality control that comes from every bass going through the hands of one man, not to mention the snap and howl and how they cut through any mix. They are something I will hopefully always have, and are usually played on highly technical trio gigs where I can really stretch my stuff. They have their place, basically. So I don't think there is any snobbery as such. Just a case of the right tool for the right job. And remember, it's not just a 'hobby' for some of us - It's our livelihood.

Don't think Stadium are DBE... you wants the Elites DBE. Mine were £20 offer on the bay, via Bass Center.

We played Murton Officials Club in a local colliery village 20 minutes from home last night. It's a small club with a fantastic crowd, and one of our favourite gigs, with a very easy hump in and out. After a week with a chesty cough I struggled with my singing, but keys and guitarist helped out and we really enjoyed a brilliant atmosphere. I only use my Cliff Bordwell fretless on three songs, but got sent this pic of me studying the fingerboard between verses..

Quando Quando Quando - Pat Boone. Engelbert Humperdinck, Michael Bublé, and more

Interesting. I've just been pondering the question of strings, as the ones that came with this bass are properly knackered. I boiled them in some vinegar, so they don't sound totally dead, but they're worn and don't seem to be particularly consistent in terms of string-to-string and note-to-note volume. The front runners from what I've seen of double-ball-end strings so far are Stadium Elites, because they're a) apparently made in the UK, and b) not £50+ like most other sets.

That's a very nice bass, Paul. Congrats! The early 50's P isn't my sound, but I'd imagine it must produce [sonically] exactly what you're after. Enjoy! 😎👍🏻

My overwater cost only 10% more than the equivalent fender artist bass at the time, yet it was handmade in England and had a few little extras I could choose over the fender. In that scenario, with the money in my pocket, I would have been insane to pick the Fender.

Just needs your MiniNinjaRob logo on the ends of the headstock now! Can you do some sound samples of the finished article, please? (Just the voice memo recorder on your phone would do...)

I think basically that is the upshot of it. I can’t imagine it will be that different for bass amps. You should watch his one on tonewood as well.

I would also love to see them live. I am writing here in the hope that next time they spin by someone will comment here and I will see it in time to get tickets.

Just discovered Thomann's bass pedal best seller list (211 pedals listed)...due to the #01 on the list! The rest of the bass pedal synth rankings on that list also made for interesting reading: #72 SA C4 #61 EHX Bass microsynth #51 Boss SY1 ... #01 MXR Bass Synth

No No No - Dawn Penn

The drop down says the light is £138, the DMX controller is £29. The lights are in the tech spec, but so is the DMX controller so it is sold as parts.

Behringer BD 121 is a great start to solving your needs I think. G4M can deliver one to your door for around £24. In case you didn’t know, they are based on the Tech 21 Sansamp Bass Driver, which is a mid range industry standard. I have both ( Tech 21 and the BD121) and the Behringer isn’t far behind, especially when you factor in the price differential of around £225. You can experiment with the BD121 for sounds and use the XLR DI out into the desk. In the unlikely event you really don’t like it, then it’s handy for a spare ( or even flog it on here! ). £24 is a bargain price for such a useful pedal IMO. I have a couple of them, and there’s always one in my leads bag on every gig I do.

Very nice. Good sound too. Have you considered trying superwound (piano) strings? I have some lightish ones on my B2A. Incredible sustain and harmonics.

Cool! Will do! I'm mainly a bassist and have a deltametal arpege so I just naturally came here! (Hadn't actually realised there was a guitarchat! ❤️)

I enjoyed that @walshy got to say hello to a few Basschat alumni. Nice to have bought mini Trav (Ella) with me. Quite a team

I like it. Some people like tubes, I like the sound of transformers - my fave preamp I shouldn’t have sold is the hellborg one - that’s based on a neve type transformer and a more modern preamp stage and coil based eq… The colourbox is input and output transformers, two neve style preamp stages and a simpler eq circuit… For me it lets me give a more polished - tiny bit compressed tone to the desk/amp - the eq does any tweaks I want and it just sounds nice - the hx stomp is running amp and cab sims. The bad things: i don’t think it excels at drive sound, it’s that straight into console Beatles thing that works with guitar but I don’t like on bass, esp not last in the chain into a Pa - but you can set it so when it does clip it can clip just the peaks of the notes. if you want that sound I think there are cheaper ways to get similar- Hudson broadcast maybe? the gain, interstage gain and output volume knobs isn’t intuitive to me, and I guess makes sense if you’re going for a driven signal it makes more sense. It doesn’t love hot signals into the 1/4in input - so if you’ve got a preamp before you have to pay close attention to gain staging. I’ve got line level from the stomp going into the xlr in as it sounded better to me. talkbass seems to hate the HPF and write the whole oedal off based on that. At the lowest setting you can combine it with a bass boost for the pulltec type trick and that’s nice. Otherwise my phone has a stocks and stocks app I’ve never used. I don’t discount iPhones just because one feature isn’t made for me. but overall - it’s brilliant and if I had too only have one pedal, my heart would say the colourbox. crayon, for me the joy is a preamp strip style sound with transformers in it. Does Tonex have any neve 1073 style captures - that might be fun? othewise that was a lot of blether from me - go watch Janek Gwizdalas preamp shootout video…