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We always aim for at least three at the start of each set to run together with minimal breaks and links where possible. Great but when everything is running tight like that in the set getting to water or swap a bass (not something I do much to maintain the set momentum) can be a trial. with luck there’ll be something where the bass doesn’t come in for the first verse 🫣🤣

Mama - Spice Girls

According to the Burns Website the scale length is 25.5" which IME is a bit short for a decent bass tone. Also the Burns neck for their standard Bass VIs is a bit on the narrow side (although not as bad as Fender/Squier) and you would definitely want it wider for the additional octave strings. Confusingly the website says it's 55m in the description which would probably be about right, but only 49mm in the specifications. Plus a 55mm wide nut would result in a near parallel string path unless the pickups and bridge had been modified for increased string spacing all the way. It's alll very confusing. The Barracuda Bass VI had standard guitar width pickups and bridge which wasn't great. I'd certainly be interested in one of these with a 30" scale length and a suitably wide neck, and overall string spacing.

It’s possible the power bank output voltage will drop if it can’t maintain its specified power output, and I guess no-one without good knowledge of the amp design can 100% guarantee that it can’t be harmed by low input voltage, but it seems unlikely to me.

Quite. Even worse if you're depping. Hard to Handle is a standard. I suspect there are as many 'versions' as there are bands.

Thanks, I was actually thinking potentially at a compact PA as I don’t have one yet: eg a Mackie Thump, Bose S1, or similar. Thanks for the link I’ll check out that thread🙂

He said it better 😀

You invoice the gig, the rest of the band invoice you.

I also prefer not to have the new string sound. A set of D'Addario NYXL's have been on my Jazz bass for the last 6 years. Still sound pretty good to me, nice and mellow. I tried flats and that wasn't the right sound.

I've never heard Will Lee "disappear into the mix" and neither does my Sadowsky MV5 Jazz. IMO when basses don't cut through it's due to user error. When they haven't been EQ'd correctly or when the signal chain isn't working in harmony.

Is the colour Daphne Blue?

So I've made a tool to hold everything safe, secure and flat. It's now adjustable and is designed for 9.25" radius necks. Its easy enough to make it for flatter or rounder necks. I can move and adust the position of everything to keep it balanced. I've made it so it fits a guitar neck as well, so there's two clamps on the drill. This is a broken Squier neck from something. It appears that somebody drilled through the neck and out through the fretboard (wasn't me). Using this as a test to learn from. This is the 5mm drill and the laser guidance. I know the depth is 18mm as I already tested it. First 5mm dowel And all four done The lesson to learn here is don;t make the dowels too short First drills done. Drill, glued and inserted. Now we leave it for 24 hours to dry. I'll probably cut the dowels with a Dremel and then file down the tops by hand (carefully). Rob

https://music.youtube.com/watch?v=qBU4gWk09Sw&si=rj7GT34DsFAgo6EB Moses Yoofee Trio

Very nice looking!

I agree with @TimR it's a long time since I played HtoH but I'm pretty sure my bass line included a lot of what the brass section were doing. In a lot of songs over the years I've found a lot of the original bassists playing things musically wrong but those things survived the edits and are ther in the original rerecording. Famously Jean Genie contains quite a 'few slips' including in the bass riff that runs through most of the song. Trevor Bolder the bassist says he can't remember what he played. The whole idea of original is quite a blurred vision of music. Is the 'original' the first take, what the bassist played or something the composer wrote down before the session man walked in? Is it the album version or the single version? Or maybe the version wher the original bassist played the wrong note? I think those of us who have played in multiple bands probably do it differently. We've often got a lot of songs to learn in a short time often in bands that prove to be unstable/short lived and with people who work full time so rehearsals are a luxury. I'd have 'learned' this as part of a batch of 30 songs and I'd probably have known 10 of the songs. I'd never heard the Black Crowes before. Learning would have been lots of listening followed by downloading the chord sheet and initially just playing the rhythm and the root notes and making notes of any fills, stops and stabs etc. The aim would be to be able to go through the first rehearsal with a firm base from the rhythm section so the rest of the band can do their stuff without any startling errors. If it worked I'd take that to the gigs. I'd also know that the band might be missing some of the instruments or that the drummer would be playing four to the floor and I might add in bits to the bass line not in the original. Each song sets up musical challenges and with limited abilities I do my best. Set lists often change and songs get dropped so with 20 songs getting things 'correct' is a waste of time, if the songs last I'll add in refinements but this is often based upon what the rest of the band are doing. Like @Al Krow I take a pragmatic approach. Go Your Own Way is a good example. There are at least three guitar parts in the intro and I've played with drummers and guitarists that struggle with the intro. I've variously started the song playing one of the rhythm guitar parts on Bass and I've also played it properly. It's got that lovely run at the end and initially I played the notes all 'wrong' but with the rhythm and feel of the original and nothing that would clash with the guitarists solo. Later I went back and learned it properly but I doubt a single band member noticed and the audience not at all. It's great to sometimes learn things note for note and you learn loads by doing it but criticising people by describing it a lazy isn't seeing the bigger picture IMO Now I must go and learn the proper ending to that Monkees song btw it's the Black Crowes in the original spelling, couldn't resist it

This is the way I do since so many years as my ears are meant to hear mainly from the front 😂 , but it seems that musicians ears are designed the other way round as they always put their amp and many cabs in their back, or maybe they listen through their butthole... 🤔🤪 Joking aside it's simply a thing from the past when there was no P.A. or F.O.H., so use your amp the right way from now on @ped. 😉

I was able to try one out recently and this post sums it up perfectly. It's very subtle in what it does, you're not going to switch it on and dazzle anyone with an obvious effect. But it's more of a feel thing, it's still very much your tone but somehow bigger, more 3 dimensional, with a subtle compression that slots the bass into the mix a little easier. It's one of those units that, I imagine, some people won't see (or hear) the point of and others will consider essential. It's neither a drive, EQ or compressor but it has subtle attributes of all 3 that adds a pleasing something to your sound. It's one of those things you need to try for yourself to see if it works for you as there's not really anything else to directly compare it against.