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I wouldn't worry about it until you are getting gigs. That gives you plenty of opportunity to see if the 200w is enough. 20W is twice as loud as 2W 200W is twice as loud as 20W 2000W blows up your cab way trying to be half as loud again. 500W is just a bump up.

Was a bit disappointed that the BBC didn't have Roy Harper's performance on the iPlayer ... either they thought he is irrelevant or he'd cause more trouble than Bob Vylan! Luckily we live in an age of smart phones so I can watch Roy's set from every single angle on Facebook. Some of the footage I'd say is better than the BBC's own work... especially that annoying shaky camera during Neil Young's set. I rarely enjoy Glastonbury on the box these days due to the onset of musicwasbetterinmydayism in my mid 50s but after watching Neil Young/Old the beeb put Doecii on (hope I've spelt that right?) and she blew my greying grey matter. Great staging, choreography and a couple of "how is she doing that?" moments. I avoided Rod the silly old sod on Sunday, I jumped in the river instead... perhaps I'm not as old as I thought I was 😁

Don't sleep the Klon on bass either. I've had an MXR sugar drive and I really like the models in helix and qc.

Perhaps Carol Kaye set up the bridge😅

Completely agree.

Hi all, I had a thought (steady!) at rehearsal tonight and now I can't stop thinking it. I usually play through a David Eden amp and I really like it, but apropos of nothing, I've used my Elf the last two weeks. Now, at present there's just me and my mate on guitar, so volume's not been an issue when using my 4ohm 2x15 cab, but I think adding a drummer, possibly another guitarist and at least two vocals might be a bit more than the wee Elf can cope with in the volume stakes. So, here's the thing - do/did Trace make anything that sounds similar (because I love the toanz) but that will kick out about 500w into that same 4ohm cab? At the moment it looks like the Elf and the TE-1200 are their only offerings. Any thoughts etc gratefully received. Cheers, JRK

Aah yeah, great point - thanks!

I have friend who was a Bbc engineer and is also a bassist. He says the same thing about the shortage of engineers with live music experience within the BBC.

Marvellous...It's been a while since I listened to that gem!! Not everyone's cup of tea, but for me, it has everything. A killer groove, surrounded by hooky melodies and tight harmonies. And of course, top playing with a super feel from all. I think that's Hailey Niswanger, who usually plays Tenor, Alto and Soprano, but plays some of the Kinga Glyk gig on a Roland Aerophone (I think that's what it is or was announced as). There are two Synths in the band (or there was) playing similar sounds, so yeah, it can sound a bit boring and does sound a bit pedestrian note wise. Maybe she hasn't been playing it long? Certainly not as exciting, moving, or a big wow moment like when Michael Brecker played 'In a Sentimental Mood' with his EWI, accompanied by Mike Mainieri, leading into 'Trains', live in Tokyo back in the day. But then again, those guys were another level of musicianship, so maybe I'm being a tad unfair comparing. Just my opinion, of course. But back on track with the OP... yeah, I think Kinga plays great and will be worth the admission fee at Ronnie Scott's.

It sounds like you can send just dry bass into it so no reason why the filter can’t be used on that. (There’s an explicit option for the dry to either go through the filter or to bypass it.)

Yep, a bass purchase for me (by me) has to be something I really want these days, because I need to factor in the cost of the LEGO set too. Mark

I have just discovered that Ca7triel and Paco Amoroso were playing. No iPlayer action so watch this. They are LAYING it down.

I notice that there is some similar verb usage going on here. I highlighted it for you

Anyone know if it can do a clean envelope filter in the same way that it can do a clean octave?

Pity, you could point out that you’d then have an eternally-resetting gear acquisition counter 👍 think Benjamin button

You’re right - but I think it’s the willingness to sacrifice and offload things that’s my win here in winterfell. Partner knows that I recently sold something that I’ve wanted since I was 15 when we had an unexpected financial dry period a while back (two actually, thinking about it) so she knows I only buy used, at a good price, and that I’ll liquidate anything immediately to feed the kids. Plus im careful what I buy anyway

And so they should, and they deserve every happy second of it. I'd like to think they could find good partners to work with for the continuation of the Status brand though. Hiscox Cases has just been given a new lease of life, and I'd like to see the same for Status.

Oooh! I'm not a big effects user when it comes to bass but that sounds very tempting.

Interesting experience. Two questions, did you use the built-in presets on each channel, and second question, do you normally use a digital or analogue desk? My experience is that you need to use the channel presets to get the best out of the flow8, and that digital desks can sound very dry compared to an old school analogue desk like the Mackie.

SX do a very nice looking 30” P bass copy. Looks the part but can’t comment on the sound or quality of them.