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Posted (edited)
On 16/12/2025 at 11:28, BigRedX said:

Most of the time the second cab only takes up additional vertical space. It also has the advantage of raising the upper cab closer to your ears where it is doing some good for being heard rather than your knees.

I agree. And I've gigged two cabs many times where the lower one is just a shelf.

 

At the SE Bash recently we did a non-scientific "test" with one Monaco vertical-mounted on top of one horizontal. We walked around the room listening to just the vertical and then did the same with the both plugged in. It wasn't particularly loud but it was very revealing with that dispersion going on. @stevie will be able to explain it properly but what I got out of it was that now I'm playing in a band where I need to use backline to fill the room, I'll be thinking more about this and probably taking both of them with me just in case. I know one Monaco is amazing but the pair with one turned through 90 degrees was like another dimension. @cetera and @Wolverinebass were there when we were doing it. 

Edited by Sean
  • Like 1
Posted
39 minutes ago, Sean said:

I agree. And I've gigged two cabs many times where the lower one is just a shelf.

 

At the SE Bash recently we did a non-scientific "test" with one Monaco vertical-mounted on top of one horizontal. We walked around the room listening to just the vertical and then did the same with the both plugged in. It wasn't particularly loud but it was very revealing with that dispersion going on. @stevie will be able to explain it properly but what I got out of it was that now I'm playing in a band where I need to use backline to fill the room, I'll be thinking more about this and probably taking both of them with me just in case. I know one Monaco is amazing but the pair with one turned through 90 degrees was like another dimension. @cetera and @Wolverinebass were there when we were doing it. 


That’s really interesting 👍

Posted

It's that bottom-end reinforcement. I've wondered before with a good FR cab like the ones LFSys is building, whether rather than stacking two complete cabs and accepting lobing there's sense in having the pad on the compression driver variable, so you could switch that out to pair with a second, (cheaper) woofer-only model that just had the low-pass filter rom the crossover. Of course that depends on the tweeter using a pad and having the headroom, but they usually do.

 

Even without a second cab model, you could potentially make the comp drivers switchable to achieve the same outcome.

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