matski Posted Friday at 14:36 Posted Friday at 14:36 On 19/06/2025 at 14:30, Terry M. said: I get you. It's interesting because I tried a used Yamaha BB1025x last Saturday in The Bass Gallery and switched off the bridge pickup and went P bass mode-warmth and punch for days I thought. Obviously not by you but I feel the Yamaha BB range doesn't get the credit I feel they deserve. I was looking for a 5 string P bass for a project band a couple of years ago and ended up with a Yamaha BB425x instead. It does the P & PJ bass thing very well and is very playable. And it was ridiculously cheap - around £300 second hand! Thoroughly recommended. 2 Quote
MrFingers Posted 20 hours ago Posted 20 hours ago One of the best that I played was a Squier Pro Tone Precision Bass V. Despite the soapbars... 3 Quote
Grassie Posted 19 hours ago Author Posted 19 hours ago 35 minutes ago, MrFingers said: One of the best that I played was a Squier Pro Tone Precision Bass V. Despite the soapbars... That’s nice. I don’t think I’ve heard of those Squiers before. Quote
MrFingers Posted 18 hours ago Posted 18 hours ago (edited) They were very shortlived (2 years end the 1990's) and were quickly shelved because they were EXTREMELY high quality instruments. Better than Fender was churning out in Mexico. Also, what you see is the only iteration there was: translucent red with gold hardware. No other colours. Edited 18 hours ago by MrFingers 1 Quote
markorbit Posted 10 hours ago Posted 10 hours ago My Fender American Standard P5 B string isn't the best. It's less noticeable when the strings are new but that B is duller than the others. It's not a pickup thing as you can tell acoustically. 1 Quote
chris_b Posted 6 hours ago Posted 6 hours ago 3 hours ago, markorbit said: My Fender American Standard P5 B string isn't the best. It's less noticeable when the strings are new but that B is duller than the others. It's not a pickup thing as you can tell acoustically. About 10 years ago, I had that with a Fender AM STD J5 Jazz. It wasn't noticeable when the band was playing, but I could hear it playing at home. Quote
Lozz196 Posted 6 hours ago Posted 6 hours ago If I remember correctly I was chatting with Dave Swift at the SE Bash a few years back and his 5 string Fender had flats E to G but a round B - maybe to get better definition? 2 Quote
Terry M. Posted 6 hours ago Posted 6 hours ago (edited) A Fender with a decent low B in my experience is a case of trying several. I lucked out with my Mexican Player Plus Jazz V. I don't blame the 34" scale either as I have two Warwick fivers with excellent low B strings. Edited 6 hours ago by Terry M. 2 Quote
JapanAxe Posted 5 hours ago Posted 5 hours ago (edited) 57 minutes ago, Lozz196 said: If I remember correctly I was chatting with Dave Swift at the SE Bash a few years back and his 5 string Fender had flats E to G but a round B - maybe to get better definition? I met Dave Swift at the same Bass Bash and asked him about this. He said if he used a flat-wound B string it sounded ‘like a football hitting a sheep’! No-one has mentioned Dingwalls yet, so… Dingwalls. Most will be aware that they (and other fan-frets) overcome the common problem of indistinct B strings by using a different scale length for each string. I had a Super P (with 35in B) that did the 5-string Precision thing brilliantly. I only traded it because I discovered I liked the tightness of a 37in B. Edited 5 hours ago by JapanAxe 3 Quote
BlueMoon Posted 3 hours ago Posted 3 hours ago 2 hours ago, Terry M. said: A Fender with a decent low B in my experience is a case of trying several. I lucked out with my Mexican Player Plus Jazz V. This reflects my limited experience with 5 string Fenders……….very hit and miss. Quote
Machines Posted 3 hours ago Posted 3 hours ago 2 hours ago, JapanAxe said: No-one has mentioned Dingwalls yet, so… Dingwalls. Most will be aware that they (and other fan-frets) overcome the common problem of indistinct B strings by using a different scale length for each string. I had a Super P (with 35in B) that did the 5-string Precision thing brilliantly. I only traded it because I discovered I liked the tightness of a 37in B. Had my SP1 almost 2 months, the B string is outstanding (just not quite as good as a 37), however the multiscale means the higher strings still have warmth and aren't at all 'pingy'. I still have my D-Roc for the heavier side of things. 1 Quote
Terry M. Posted 3 hours ago Posted 3 hours ago 16 minutes ago, Machines said: Had my SP1 almost 2 months, the B string is outstanding (just not quite as good as a 37), however the multiscale means the higher strings still have warmth and aren't at all 'pingy'. I still have my D-Roc for the heavier side of things. Without wishing to throw the proverbial cat amongst the pigeons I've found scale length not to be a factor with regards to decent sounding B strings. Design,build quality and neck pocket tightness seems to be more influential but I'm no expert on the science. I've tried Dingwalls in the past and think they sound good however 👍 Quote
Machines Posted 3 hours ago Posted 3 hours ago 9 minutes ago, Terry M. said: Without wishing to throw the proverbial cat amongst the pigeons I've found scale length not to be a factor with regards to decent sounding B strings. Design,build quality and neck pocket tightness seems to be more influential but I'm no expert on the science. I've tried Dingwalls in the past and think they sound good however 👍 Subjective experience is totally valid. Mine is that unless it has at LEAST a 35", the B string lacks clarity/harmonics. I have also had 35" basses with a mediocre B however, which does suggest the scale length alone is not a guarantee. 1 Quote
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