matski Posted Friday at 14:36 Posted Friday at 14:36 On 19/06/2025 at 14:30, Terry M. said: I get you. It's interesting because I tried a used Yamaha BB1025x last Saturday in The Bass Gallery and switched off the bridge pickup and went P bass mode-warmth and punch for days I thought. Obviously not by you but I feel the Yamaha BB range doesn't get the credit I feel they deserve. I was looking for a 5 string P bass for a project band a couple of years ago and ended up with a Yamaha BB425x instead. It does the P & PJ bass thing very well and is very playable. And it was ridiculously cheap - around £300 second hand! Thoroughly recommended. 2 Quote
MrFingers Posted yesterday at 17:28 Posted yesterday at 17:28 One of the best that I played was a Squier Pro Tone Precision Bass V. Despite the soapbars... 3 Quote
Grassie Posted yesterday at 18:04 Author Posted yesterday at 18:04 35 minutes ago, MrFingers said: One of the best that I played was a Squier Pro Tone Precision Bass V. Despite the soapbars... That’s nice. I don’t think I’ve heard of those Squiers before. Quote
MrFingers Posted yesterday at 19:17 Posted yesterday at 19:17 (edited) They were very shortlived (2 years end the 1990's) and were quickly shelved because they were EXTREMELY high quality instruments. Better than Fender was churning out in Mexico. Also, what you see is the only iteration there was: translucent red with gold hardware. No other colours. Edited yesterday at 19:17 by MrFingers 1 Quote
markorbit Posted 19 hours ago Posted 19 hours ago My Fender American Standard P5 B string isn't the best. It's less noticeable when the strings are new but that B is duller than the others. It's not a pickup thing as you can tell acoustically. 1 Quote
chris_b Posted 16 hours ago Posted 16 hours ago 3 hours ago, markorbit said: My Fender American Standard P5 B string isn't the best. It's less noticeable when the strings are new but that B is duller than the others. It's not a pickup thing as you can tell acoustically. About 10 years ago, I had that with a Fender AM STD J5 Jazz. It wasn't noticeable when the band was playing, but I could hear it playing at home. Quote
Lozz196 Posted 15 hours ago Posted 15 hours ago If I remember correctly I was chatting with Dave Swift at the SE Bash a few years back and his 5 string Fender had flats E to G but a round B - maybe to get better definition? 2 Quote
Terry M. Posted 15 hours ago Posted 15 hours ago (edited) A Fender with a decent low B in my experience is a case of trying several. I lucked out with my Mexican Player Plus Jazz V. I don't blame the 34" scale either as I have two Warwick fivers with excellent low B strings. Edited 15 hours ago by Terry M. 2 Quote
JapanAxe Posted 15 hours ago Posted 15 hours ago (edited) 57 minutes ago, Lozz196 said: If I remember correctly I was chatting with Dave Swift at the SE Bash a few years back and his 5 string Fender had flats E to G but a round B - maybe to get better definition? I met Dave Swift at the same Bass Bash and asked him about this. He said if he used a flat-wound B string it sounded ‘like a football hitting a sheep’! No-one has mentioned Dingwalls yet, so… Dingwalls. Most will be aware that they (and other fan-frets) overcome the common problem of indistinct B strings by using a different scale length for each string. I had a Super P (with 35in B) that did the 5-string Precision thing brilliantly. I only traded it because I discovered I liked the tightness of a 37in B. Edited 15 hours ago by JapanAxe 3 Quote
BlueMoon Posted 13 hours ago Posted 13 hours ago 2 hours ago, Terry M. said: A Fender with a decent low B in my experience is a case of trying several. I lucked out with my Mexican Player Plus Jazz V. This reflects my limited experience with 5 string Fenders……….very hit and miss. Quote
Machines Posted 13 hours ago Posted 13 hours ago 2 hours ago, JapanAxe said: No-one has mentioned Dingwalls yet, so… Dingwalls. Most will be aware that they (and other fan-frets) overcome the common problem of indistinct B strings by using a different scale length for each string. I had a Super P (with 35in B) that did the 5-string Precision thing brilliantly. I only traded it because I discovered I liked the tightness of a 37in B. Had my SP1 almost 2 months, the B string is outstanding (just not quite as good as a 37), however the multiscale means the higher strings still have warmth and aren't at all 'pingy'. I still have my D-Roc for the heavier side of things. 1 Quote
Terry M. Posted 12 hours ago Posted 12 hours ago 16 minutes ago, Machines said: Had my SP1 almost 2 months, the B string is outstanding (just not quite as good as a 37), however the multiscale means the higher strings still have warmth and aren't at all 'pingy'. I still have my D-Roc for the heavier side of things. Without wishing to throw the proverbial cat amongst the pigeons I've found scale length not to be a factor with regards to decent sounding B strings. Design,build quality and neck pocket tightness seems to be more influential but I'm no expert on the science. I've tried Dingwalls in the past and think they sound good however 👍 Quote
Machines Posted 12 hours ago Posted 12 hours ago 9 minutes ago, Terry M. said: Without wishing to throw the proverbial cat amongst the pigeons I've found scale length not to be a factor with regards to decent sounding B strings. Design,build quality and neck pocket tightness seems to be more influential but I'm no expert on the science. I've tried Dingwalls in the past and think they sound good however 👍 Subjective experience is totally valid. Mine is that unless it has at LEAST a 35", the B string lacks clarity/harmonics. I have also had 35" basses with a mediocre B however, which does suggest the scale length alone is not a guarantee. 1 Quote
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