dudewheresmybass

To be honest I might have spoken too soon lol. Repair bills always seem to jump on the unsuspecting 😉😂

networking. 😉

Me three

.

The m80 once set up well, doesn’t sound fizzy when used direct. The key is restraint. ( been using one in a di/ iem situation for over 10 years) Its best used as a gritty basic sound that you add to via another drive pedal.

😳😳

Spare jack cables varying lengths 9v psus x2 di box xlr cables various lengths spare speaker cables Plus other bits according to the show (Extra speaker cable for shared rigs - spkon to spkon, spkon to jack. Extra kettle lead. )

My main gigging amp is a 7400 dbs. I also have a 7200 as backup. As lozz says - loads of welly and really great tone. However, it’s very heavy and when I travel abroad for shows and gigs with provided cabs, I take my tc mini head. I can get close enough to my recorded sound to keep me happy, and Johnny punter doesn’t really notice 😉 plus it takes minimal space to carry 👍 My first choice is always going to be my Marshall, and I do use it wherever possible. If I found another 7400 I would be all over it. Imo very few amps come close tone wise to it.

I’ve been wireless for more years than I like to admit 😉 now using various x2 systems. Don’t have any issues with latency/ dropout no matter the size of stage ( festivals to pubs)

Loving the hm2 in there 😉👌

I have both ceb3 and ce5. The 5 gets much more use in bands. I find it gives just enough with the filters to make it sound amazing. The 3 sounds good but for me the 5 just works better for me

I love my boss ce5. Very adjustable and can go from seasick to a nice subtle throb. Also has a low and high filter to apply the chorus appropriately.

Still claret and blue though

Marshall mbc 410 run at 4 ohms. I have two and run at 2 ohms 😉🤘🤘

Definitely agree technique wise. The best vintage p pup I’ve heard and played has been the emg gzr. Lovely mmmmm 😉😂

the bf2b as mentioned before is good here, also my old dod bass stereo flanger doesnt boost volume.

my first bass was a westone concord - No pics I'm afraid, but i sold it on to fund a much more 'metal' pointy bass

i also notice that there seems to have been no activity on his fb since feb 2016?

my favourite rotosound endorsee is Steve Harris for the unique way he writes and sounds within the Iron Maiden picture, and Mr Entwhistle for the introduction of the roundwound string

Summer Evening bump!

Number of the beast master of puppets painkiller- Judas priest Miles Davis - a kind of blue cardiacs- a little man and a house and the whole the world window cathedral - the carnival bizarre grand magus- sword songs led zeppelin 1 black sabbath- first 5 albums mr big- lean into it trouble- trouble Blizzard of ozz there are so many that get played repeatedly- but these are the ones that strike me first.

@sk8 Not me mate

The orange burst is a total sleeper of a pedal. Fits beautifully into most of the bands I play with (with minimal tweaking) for my money it is incredibly hard to beat at almost any price.

Foh get a post Di sound wherever I am. Ive spent a lot of time finding and tweaking my sound for the band mix. The foh is there to make the stage sound louder. Some small tweaks may be required for tuning to the room, but the core sound will be the same.