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Marvin

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Everything posted by Marvin

  1. The wife of the singer in my band wants to buy him a vintage style microphone, one of those chrome boxy type looking ones. I said I'd ask you fine people for advice as to some guidance on which one to buy, as I know nothing about microphones at all. Thanks in advance. EDIT: this might actually belong in miscellaneous etc, apologies
  2. Currently it's a blues band ...that also does the occasional country, soul, ska, reggae and rock'n'roll number šŸ˜Ž It depends on the venue, but generally it's blues, if it's a pub we're playing then we'll chuck in some of the above.
  3. I suppose it'd have to be my Squier VM Precision bass. I wanted a bass that could take a few knocks at venues where I knew my gear might be 'exposed'. I bought it for £150 s/h from Rich Tone Music. I wasn't expecting much to be honest. After I tweaked the set up it's been a brilliant bass. It's got great tone, lots of output...it's just a cracking bass. I shouldn't like it because I never really liked the amber/natural see through finish, but I actually love that bass.
  4. I like Fenders, but this just seems a case of some new colours and putting a spaghetti logo on the headstock instead of the cheap looking black one and increasing the price tag. The only difference I can see is the claim that the bodies are hand finished to original specs, so basically you're paying a bit extra for someone to sand bare wood.
  5. I can't play fast and I can't play with a pick... šŸ˜Ž
  6. Basschat is the best place to buy and sell on the internet, no doubt. Ebay and gumtree, I've had time wasters, con artists and unfortunately bought duff gear with no comeback. Facebook can be ok, but that's usually the more local music/instrument sale pages. I think it's the communication between buyer and seller that's key on here, and that's as a result of it being a forum where we all, generally, get on. You don't get that level of communication and trust elsewhere. And where else would I buy cables (@obbm) and wiring looms (@KiOgan) ?
  7. My band played a charity gig on Saturday at a golf club. We started quite early, around 7.30pm as the teams playing golf had been on the go (drinking) since 9am. It was a good crowd and we were asked to do 3 encores...and despite it being a charity gig we were paid, and a bonus for doing more than one encore
  8. I use a Schroeder 212. It's plenty loud enough, it says 800w on the back, I don't know about SPL but it is loud even with a 350w Tonehammer amp.
  9. Saturday night we played another very small pub. The owner loves music, he's in a band himself which played before us, so it's still a good place despite its size (or lack of). It all went well. We don't play rock and pop crowd pleasers, we're a blues band, so it's always nice when people like and are complimentary about what you're doing, despite probably not knowing 60% of your set.
  10. My wife has one in her work bag, I'll pinch it later, cheers
  11. The Aguilar Tonehammer 350 is a great little amp, incredibly small, light and great tone. BUT!...the blue lights on the front. My word, how bright do they have to be. Every photo of me playing a gig has this blue ora consuming the stage/playing area. I'm seriously considering putting a piece of tape or thick card over the lights
  12. Encore P4 Blaster, not a single redeemable feature, complete junk. The only other bad bass was a Harley Benton 6 string bass. But this was the fault of the owner not the bass itself. The strings had never been changed and had visible lumps of gunk on them. Also, it had been tuned to standard guitar tuning. The B was therefore now an E etc, and the tension pulled the neck around so much it was now effectively a multi string bow! Otherwise, I don't play other people's basses or wonder into music shops and play basses, so limited experience ☺
  13. First band i joined, when i started playing again 10yrs ago, the guitarist really couldn't stand the singer. That band lasted four gigs before he walked off. Mostly though it's all been friendly, if not friends. The only band I don't talk to at all are two brothers I was practicing with...they really were the most unpleasant pair I've met in music. They spent most of their time slagging off local bands. That was 5yrs ago I left, they're still in their garage and I've done quite a few gigs since šŸ˜Ž
  14. I've never really bought an expensive bass so my experience is somewhat limited. The most expensive bass I've ever bought was a £400 Yamaha, it had the most uninspiring tone of all the basses I've ever owned. I like all 3 of my current basses, for different reasons. The cheapest was £150 s/h the most expensive was £280 brand new
  15. This could be a really good thing. Ampeg is an iconic brand that has been allowed to wither a little, if not a lot, of late. You can see that from how few replies there are in this post actually. Hopefully Yamaha can put some new life back into it and give it some of its QC ethos.
  16. Just under a mile. We practice at the singers place which is just outside the town. No neighbours, great cups of tea and I'm home in a few minutes...absolutely fantastic
  17. The open mic my mate runs has a sort of house band, if you could call it that. Him and his bandmate might do the first 2 or 3 numbers. But they get people to put their name down if they want to play and they'll call them up to play during the night. It sounds a bit regimented but it's a good night and very popular as most people get to play. If not many people turn up then the 'house band' sort of fill in the gaps. Jam nights are a bit more of a free for all it seems. The night I go to is 'run' by one guitarist and you go up and join in if you want. That's my experience anyway, it might be different elsewhere.
  18. I'd be inclined to go ask for a refund myself. That said, if it's the 'long distance retailer' I think it is, then I had to return a faulty item to them. They were very good. Very prompt and the issue was fixed. All told, I think it was less than 2 weeks to sort out and that included transit time. It was much better than the service I received from a local music store. Still, I'd go for a refund.
  19. Jam nights seem to be things where anyone can just jump in and join in, which is usually why it turns into a 12 bar fest. Open mics on the other hand appear to be solo acts or bands taking a turn and maybe playing a few songs, then the next soloist or group get up. Maybe.
  20. Music in general can be really cliquey. Certain venues have 'preferred bands' and if you're not one of them you'll be waisting your time trying to get booked there etc etc etc. I might actually be going to a jam night tonight. The guy who runs is actually a very generous guy and does try his best to encourage as many people as possible to get up and have a go. I think he's all too aware of the 'same old faces' thing hogging the 'stage'. That said, the only reason I probably get up or get asked to join in is because the guys from my band know him really well, so yes, they can be very cliquey even when not trying to be.
  21. I've been using a Schroeder 1212L for over 2 years. It's capable of being incredibly loud for a cab of its size. I've got it paired with an Aguilar TH 350 I must admit it's taken some time to like this set up, but I've found a tone now that really works. I've tried the cab with an Ashdown ABM and that sounded good, so if I were to change either it'd be the amp not the Schroeder cab. I've been toying with a Markbass amp recently, just haven't got the funds.
  22. February 2016? Is that when I took leave of my senses and sold you that Rumble šŸ˜Ž
  23. What other drivers could be used in the smaller cab @Phil Starr? And how would they effect the overall sound/tone? I’m keen on building a cab to stick in my bands practice space and this looks ideal
  24. If my memory serves me correctly, there's one of those Premier Guitar rig rundowns on YouTube about Guns 'n' Roses. Apparently they have cabs underneath the stage all mic'd up...some apparently in some sort of sealed box
  25. I played my first gig with a new band on Friday and all went really well. A very small pub, so we were all crammed up next to one another, and I couldn't hear myself but it was great to be back gigging again after my previous band came to a stall last June. Nice thing at the break. I got talking to a guy who'd been sat at the bar quite close to us. Turned out he was an ex-pro musician who'd had to give up some years ago due to ill health. We got chatting, he asked if he could have a noodle on my bass, said yes. Then he asked if he could sit in on a number or 2. The rest of the band were fine with it, so I had an extra long break So, Bill, if you're on here, lovely to meet you and your playing is miles better than mine
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