Marvin

How ever many are on the set list at any one time. That's about it. Like with any other thing in life, if I've not used the info for a while it starts to get forgotten. I go to blues jam nights occasionally now. Blagging my way through an 8 bar or 12 bar song for any given key doesn't really count I don't think

I've never touched or played any other instrument than a bass. I recognise some guitar chords but I can't play guitar at all. Hasn't ever caused me problems. I get into bands, I get to play gigs.

I've been looking at manufacturers sites and the tensions of strings varies quite a lot. Flats can be incredibly tense to under what my rounds are. I'm still pondering at the moment. Thank you for the advice, very appreciated

I went to a blues open mic/jam night last night with a couple of mates whose blues band I'm playing with at the moment. A really nice crowd of players, the guy who runs it is a real gent, if you can play then they really want you to get up and have a go... ...the only disappointment was the absolutely awful tone emanating from the bass amp all night. I thought I'd got to the stage where I didn't really care too much about tone. As long as it sounded reasonably bass like then what the hell, life's too short to be continually swapping amps and twiddling knobs :). But this thing was like sludge...and I mean sludge, there was no definition at all to any note you played. It was a one of those Ashdown 180 combos, and it sounded as if the octaver was permanently on. I can only assume it was in some way broken, because you could play around with it for an eternity and you'd still just get sludge. It was really disconcerting and off putting. Because of the tone I couldn't hear myself at all. I spent the numbers I played relying on playing shapes on the fretboard. I won't be tone hunting, it wasn't that bad, but there's clearly a limit to how bad a tone can be.

My Squier VM P bass has been my most used bass for gigs and practice for the past 2+ years I shall be playing it this evening probably at an open mic.

I'm not sure my Squier P bass has the neck to take the tension of regular flatwounds. I was just wondering if anyone had any opinions and experience of using low tension flats and which ones would you fine people recommend? Ta

I’d say you’ve had to have a rethink as your circumstances have changed since you auditioned, and say you’re no longer available Life’s too short to be messed around by people like this.

And I regret selling it to you

I just don’t go into music shops at all. I don’t like them. I wouldn’t miss the nearest one to me, it never stocks anything I’d buy, it doesn’t do guitar/bass repairs or set ups or repairs to other music equipment.

I only personally know of one female bass player...I don't think she'd be up for lots of touring stuff though.

It's show business, and has almost nothing in connection with music. You have acts, not singers or bands. Very few of these acts seem to have their own 'voice' or 'style'. It's a very bland homogenous mush. You can't even be offended by it, it's just so dull. When Annie Lennox, Aretha Franklin, Jagger, Freddie Mercury, Morrisey, Elizabeth Fraser (Cocteau Twins) all sang you instantly knew it was them. And the bands had their own sound. Not anymore.

I’ve got a Squier VM Precision, probably gets played the most out of my 3 basses. I can’t fault it

Was it this interview or somewhere else where Jones completely writes off Rap and Hip-Hop? I’m not a fan of the genre/s at all, however, it seems somewhat juvenile to ‘bin’ a whole genre because you don’t think it shows enough deference to the artists in your own record collection

Maybe. I've got a new 5s from Apple only 3 weeks ago. They tried to replace the battery but the tab holding the old one in snapped rendering it useless. I've got a glass screen protector on my new one phone, I didn't know if it was that making it a bit more tetchy.

We don’t have visitors.

It must really boil Jones’s bladder contents that other well known drummers have a lot of respect for Ringo’s drumming...and barely reference his beloved jazz technicians. Mike Portnoy, he has Starr in his top 4 influences. Jones comes across as someone who views music primarily as a technical endeavour. He portrays himself as a jazz cliche, in that all other music or musicians have no value. Anyway, anyone who lends any weight to astrology simply has forfeited any claim to have a valid opinion

He moans that modern music is all loops and then says he rates Ed Sheeran?!? Has he listened to Sheeran? Jones comes across as an insufferable and arrogant snob.

From what I can see from online images the B4 pickup size looks remarkably like that of the Ibanez SR (no prizes for why that might be ☺) In which case, it's a real pita to find reasonably priced replacements. I've yet to find anything that would fit bar some Barts, which would cost almost as much as the bass did new. One thing I did do to my SR was to replace the active controls with passive ones. I asked @KiOgon to make me a loom with just a volume and tone control for each pickup, however the tone controls have different capacitors to give more tonal options. The loom also incorporates a series parallel switch, so even more options. It's a better sounding bass now, however, the pickup output is still a little low.

Yes, you're not wrong. Even a small carrier bag with 2 cables is an annoyance

The school my son attends has about 8 basses (mostly full scale Encores which are dire) and without doubt the most popular bass is the Squier Bronco. Actually, I set it up the other day and whilst tuning and noodling I was quite taken with it...it's a nice bass.

The widest I've ever played is 42mm...which is a Squier P bass I've got now. I've also got 2 basses with 38mm nuts. It's not something that bothers me, I can switch between both easily. For me it's neck profile. Big chunky necks crucify my hand. I found this out when I bought a Rockbass Corvette. 38mm nut but a baseball bat for a neck...most horrid instrument I've ever played. I find the 42mm p bass with a slimmer neck profile much more comfortable...my main bass is still my 38mm jazz because it looks awesome

Ibanez do a good range. https://www.thomann.de/gb/ibanez_short_scale_basses.html

Singlecuts. Pointy. Exotic wood finishes. Wood pup covers and knobs. Ricks have never appealed to me, they look a bit of a mess tbh. I used to really like Warwicks but now wouldn't even look at one.

The incorporation of Mustang style modelling and effects has no appeal to me whatsoever. The great thing about the V3 Rumbles are that they have a great tone and aren't 'over featured'. You just plug in, some minor twiddling if need be for personal taste and you're there. There's simply no need to add anything to these amps, and if u did want to, buy a £45 Zoom B1n and put it through the fx loop

This. Never buy anything if you've got doubts.