RAY AGAINST THE MACHINE

I would've thought an audio interface would 'be been the way to go.

[quote name='dudewheresmybass' timestamp='1398638695' post='2436179'] Any old iron [/quote] Sam allardyce?

Been done years ago , but jimmy riddle & the p@ss pots! Or you could get the initials from your first names , and jumble them a bit?

Cliff Richard ?

It all seems so corporate now. Wouldn't be surprised if Metallica played there one day. If they did, they would rock the place out . IMHO . Suppose super grass /suede./pulp could do it. If it's someone I really care about , I'd get the DVD . Glastonbury is all miss and hit to me . Btw; oasis would've been great there tho '

Ozzy ? Lemmy?

Ted nugent used these ( I think )

Can you just put a set of these on, or is there a lot of messing around?

That was cool

You don't wanna be ska'd for life . Time to go ..

[quote name='discreet' timestamp='1397932783' post='2428816'] Not my cuppa stylewise but it's a great-sounding promo and the playing is very accomplished. Liking the Stingray sound - I didn't think they could be as hefty as that - very interesting. [/quote] Same here

Alexander technique, physio, posture. Headless, or shortscale bass. Oh, and don't play like hookie on stage. Is the strap length the same sitting down as standing ?

Think I'll leave it . Too much like hard work,and too much cash;)

[quote name='Green Alsatian' timestamp='1397917274' post='2428617'] They're great sounding synths - I've had the CZ-1000 (full-size key version of the 101) and the CZ-3000, which is like the 5000 without the sequencer. I quite liked the (noisy) chorus on the 3000, but it did add a bit of warmth to the sounds. The multi-stage envelopes enabled them to do things you couldn't do with the analogue polys that ruled the roost at the time. As BRX has said, the VZ series are also worth looking into, but programming them isn't as simple or 'immediate' as the CZ series but the screen gives a graphic representation of what's going on with some parameters, unlike the numbers-only display on a DX7. I've currently got a VZ-1 although I need to replace the backlight on it soon. Just a pity it was overlooked in favour of the DX7 at the time (or more accurately, the DX7 MkII) as with the extra waveforms (something Yamaha didn't address until the TX-81z/DX11), you have more scope for sound design. This advert still makes me laugh though: http://youtu.be/GPWEnmEYxqs [/quote] Some nice you pube clips . The one with the three keyboard guys is mental ...

This thread is good

Yeah, fully understand

Looks completely the opposite of the dime bag model.(did he play bass as well?!?) Also, in the other 'razor' model, there are two bodies. The basswood one was cheapet. The other one is harder to get hold of.

If I experienced bad service from music shops or similar, I would send them an email. In it I would obviously explain why online business is taking over etc. Obviously, I wouldn't frequent the premises again and that would be the end of it. Basschat would be notified , in a topic . If however I got an apology, I would give them another chance and also inform Basschat . Is there really a shop called pmt?

I did think about the whammy. That was back in the'80s tho' thanks for the advice tho'. I think you're right .

Thank you

Doubt if that will happen;). It's just that I often see ads for a DB bridge , and am wondering if it entails more than just swapping over..

Is it just a case of a straight swap? Is it worth thinking about, or should I just leave it and not bother? Cheers

[quote name='lurksalot' timestamp='1397833635' post='2427785'] The DAW doesn't matter really if all the stems are wavs then any DAW can be used for the job . I guess like most things you get what you pay for , though luck can come into it both ways. Some good advice already though [/quote] Does this mean even garageband, could do it ?