PaulWarning

the drummer sets the tempo, I've played with drummers that slow down , a nightmare, (speeding up is not so bad, for me anyway) but you have to go with them otherwise it gets very messy

the thing is he's not hiding anything, his photos show what work he's done and the quality so if you buy from him you are getting goods he says you're getting

indeed, just my opinion, I just think it's highly unlikely that anybody who has any experience of guitars would be taken in by his conversions and waffle, but like you say, just supposition.

I had the same thing when I bought an ABM 500, rang ashdown and was told the same thing, sent it back and it turned out it was just a resistor that had packed up, they repaired it and sent it back, no charge

As others have said the people who are likely to buy his guitars are beginners and haven't a clue about buying an instrument and very unlikely to be on this forum, his excellent feedback would be enough for most, trouble is, by the time people have realised they've bought a pig in a poke (if they ever do) the positive feedback has already been left. So while slagging him off on here may be entertaining for some it's highly unlikely to achieve anything

does seem strange, I just record the longer version on Friday night, points of view is still broadcast by the BBC

no, brand new, he was a bit whizzed off edit, the profanity filter is pissing my off 🙂

Enjoyed them myself and Liam Gallagher, it'd be a dull world if we all liked the same stuff don't you think? edit, and for once the interview, about vinyl, wasn't totally toe curling either .

last night at practice our guitarist was suffering a lot of buzz from the rehearsal studio's amp, tried a different lead with no improvement so I let him use my wireless system, no noise at all, just wondering why, is it something to do with no earth connection?

one of the advantages of the lower wattage ones is they're lighter both my SMX and Series 6 are fanless and are about 13KG an easy one handed lift

I've got a SMX and a series 6, I prefer the series 6 for gigs seems to have a little bit more umph, it's 'only' 200 watts but plenty loud enough, it's a fanless model, gets hot but has never cut out

just got a WL20 to replace my Line 6 G10, yes it does stick out rather alarmingly so did the G10 but they supply a right angled converter which meant the unit lay across the body just above the volume controls on my P bass, I'll be using that with my WL20 as well

I suppose it depends what genre, I've done 100's of open mics never been offered a gig with a band, maybe it's because I'm rubbish or everybody knows I'm in a band already. Jam sessions seem to be ok if you want to join a classic rock or blues band

various ways all involving the internet seems to be the way, they've all been mentioned, the old way of of adverts in the music press, music and record shops is long gone.

actually that's not a bad bass sound he's got there

after my earlier post about problems with my Line 6 G10 I used it last night, no issues at all, beginning to wonder if something was interfering with it

yes that's right, personnel preference I suppose I don't like having to have a transmitter attached to my belt or strap, which is why I went for the G10 in the first place, seems a lot less hassle just to plug it into the bass

after my line 6 G10 packed up at my last 2 gigs, I think it starts searching for a new channel mid gig!, I 've decided to get a bug type wireless unit, the Boss WL20 or the Xvives, any thoughts?

sounds just like what we use a Yam EMX512SC, we have a very loud drummer (the guy at the rehearsal rooms says we're the loudest band that uses them) and it's good enough for nice clear vocals

it was worse when Matthew Wright was doing it

Jimi Hendrix - All Along the Watchtower The Beatles - And Your Bird Can Sing The Ramones - We Want the Airwaves to name but three

I'm perfectly happy with my Zoom B1on, does warm slightly overdriven to fuzzy Motorhead, only £50 or there's the newer B1 four

well at least he hasn't got 100% feedback any more

Hey Jude, just the thought of that boring boring terminally long ending makes me turn off the Radio Horse with no name by America, the lyric "cause there ain't no one for to give you no pain" why on earth is "for" in there? apart from to annoy the hell out of me Penny Arcade by Roy Orbison, sounds like a 3rd rate Eurovision song entry from the 60's There are loads more of course, these 3 spring to mind