MoonBassAlpha

You're fine, instrumental is good!

Looks more like a marquee.

Was that the famous Widdlefest?

3, U.S. Masters fretted (flats), U.S. Masters fretless (rounds), Sei Flamboyant (rounds). Covers all my bases atm, but got a hankering for a shorty. I found it quite hard to give up the Hofner 185 I did up for my best mate. 6 guitars though.

Shame the light show outdid my shirt!

That's it. As I said, Redox are popular, and always bring a crowd. I didn't think I'd played there before until I realised it used to be called the Folly Bridge Inn. Probably played it 4 or 5 times!

Played the White House in Oxford last night. Good crowd in, mainly due to the popular Mighty Redox topping the bill. Got rave reviews for my new paisley shirt, and some nice comments about the bass playing. Played through a TC amp and small Aguilar cab. Sounded solid close up, but folks said the bass was quiet in the room, same for Redox. May have been the room shape. Oh, and the monitors were facing towards the audience, not the band. Couldn't hear a thing, even after I turned mine round. WTF?

He sounded pretty good fronting the Q-Tips and Streetband. He had charisma, which takes you a long way when you're fronting a band.

I'm pretty sure I've got some of these in stainless steel. I could pop a couple in an envelope for you if you'd like. I think I've got 2 lengths, something like 10 and 6mm, very handy for non American Fender style guitar bridges where you don't want the screws tearing your hand up when palm muting. PM me and I'll check when I get home tonight.

Do you need to protect the vinyl after the hair dryer treatment? (Where's Sir Alex when you need him?) Also, how do you finish off the edges of the wrap at the back of the bass? I've had a sudden urge to do a bass in pink or purple paisley. The bass has very curvy sides.

First try dropping the pickup down a bit on the e side. Sounds like it could be powerful magnets pulling on the string, and the string will be closer to the pickup the higher you venture up the neck.

Quite right, acetone really eats a lot of plastics.

Well, this is repairs and technical!

It's actually a radius at infinity (distance) that is flat, not zero degrees if you consider it for a moment. Radius is a distance from the centre point, not an angle.

Good suggestions above, could also be a dry joint somewhere internally which banging it restores temporarily. May need a good going over with the soldering iron (or get someone to do it for you, preferably with experience with this kind of thing). First suspects would be larger components that are more likely to vibrate (resonate) at the lower (bass) frequencies, like psu caps, and large resistors which have been stood off the pcb etc.

fwiw ACG basses have flat boards as standard, I believe.

Even a foam dish scourer will knock the gloss off. Can be used wet too, unsurprisingly.

I would also add that the Hohner Jack Custom headless is one of the most comfortable basses to play, curvy in all the right places for me, light, and even the preamp sounded fine, though I mostly played it passive, as it sounded good like that. It worked really well as a fretless too (defretted myself)

Adjunct to this thread, I would advise anyone with this Hohner licensed Steinberger headless bridge to make sure the threads are really well lubricated with grease. I've had several old ones where the threads strip in the string pullers. Easily fixed using stainless Helicoil type inserts, then will be good for life. If I had kept mine, I would have done it with all of them. HTH

Can't you turn the surround round so the damaged bit is by the high string where you don't rest your finger?

Ruler, string, pencil, thumbtack, cardboard, scissors. Careful now!

I suppose I should be interested in Moon basses...

Ha, I did the toboggan ride the first time I came here, yes, unscary, but sort of fun. Not done the elevator thing, I wouldn't get the Mrs near that, she was bad enough on the cable car! We come here a lot as it is so relaxing and beautiful. The jazz has been good too, proper hard hitting stuff, not the watered down populist stuff you get at some festivals.

Saw Jason Moran last night at Funchal Jazz festival (Madeira) The bass player was Tarus Mateen, playing a Marco bajo acoustico. http://www.marcoguitarsbass.com/index_archivos/Page381.htm Probably the most double bass sounding guitar I've heard, and double bass style action, from what I could see. Anyone come across these before? Btw, they followed Dave Holland, with Chris Potter, which was super, too.

My guess would be it's a level control for the line out.