CameronJ

+1 to this. Or a Sandberg TM5/VM5 which has a similarly versatile pickup layout but with a different preamp.

While I think of it - @KiOgon, have you ever thought about making these? I get the feeling they'd sell like hotcakes here.

Definitely following this thread! I'd love to see (or hear) how it turns out @JapanAxe

@JapanAxe you’re gonna love it man!

Yep! I put a Stellartone ToneStyler in my old Super P5 a few years back (it’s sold now) and have recently done exactly the same thing with my Super PJ5, installed by @thebassgallery. Cannot recommend this mod highly enough - my Super PJ5 actually had a “normal” tone control in it as standard (it’s only the Super P’s without the additional bridge pickup that come with the two way Tone Fusion pot) but it had become noisy/scratchy over time so doing this mod killed two birds with one stone. I got rid of the old noisy pot and now have distinct incremental control of my tone, including a bypassed setting and a “sub” bass setting, at each end of the pot’s travel respectively. The problem with the stock Tone Fusion pot - clever though it may be - is that the side most of us will use most frequently (the treble rolloff) now has half the amount of travel which makes it far less easy to get precise control. Stick in a standard tone pot and you won’t look back, I can pretty much guarantee.

Yeah the GLXD16 seems to be rarer than hen's teeth to get these days. Understandably, nobody wants to part with theirs which is why they almost never come up on the used market! I'd like to hope Shure have a new version on the way but who knows...

Agreed , they’ve missed a trick re: charging. Especially as the “normal” WL-20 bugs can be plugged into each other and then charged via one usb cable. For the price of the WAZA system you’d think it would be a feature they’d carry over from the vastly less expensive WL line.

Software is certainly easier to update than hardware - at least they got the build and sound quality right. To be honest, I’ve not touched the app since my first day owning these. I simply set the bass EQ to flat, got rid of the reverb or whatever it was on the incoming music signal (why the hell that’s even an option is beyond me) and haven’t thought about it since.

Preferred the Xotic, which is just as well since I own two of them fantastic basses.

Looks delicious!

I have the 5 string set on my Xotic XJ5 Lite (the gold Jazz in the video quoted earlier) and find them to be the best 5 string flats I’ve used for both feel and sound. The feel of the B string on the LTFs is more consistent with the rest of the strings than the low B of a set of TI Flats, in my opinion. The fact I don’t really think about the sound of the B when playing a groove or passage says a lot. It just works and I don’t lament any weird consistency issues compared with the other strings. It seems like a B string that has been properly integrated into the rest of the set, rather than a B that has been bolted onto a set which was only ever designed to be for 4 strings… Saying that, I’ve never heard the low B of any set of strings sound bad on these Xotic basses (there’s a reason I own 2 of them) so whatever special sauce lies in the construction and pickups of these basses could well be sweetening my impression of the LTFs. I’m working away from home right now otherwise I’d knock together a quick video showcasing the LTF Low B, to lessen any risk of this post being taken as hyperbole