White Cloud

There always seems to be a greater fascination with advancing ones collection of gear as opposed to advancing ones ability on this and other related sites... I might be going out on a limb here however, could it be related to the overwhelming male membership? In the parlance of psychology longstanding sociological studies have revealed males are far more interested in 'stuff' whilst the female of the species tend to gravitate more towards people. Casting my mind back, none of the female bassists I've known have ever been as remotely obsessed with the intricacies of their instruments (fingerboard radius anyone) like the guys. Just putting it out there ☺️

Is it good for metal?

Interesting 🤔

Great input folks...I'm genuinely surprised at the amount of support for 'adding some seasoning to the recipe' Brilliant 😍

Now then, it has come to my attention that I'm particularly undisciplined when playing covers. That is, I tend to get carried away with nonexistent ghost notes, fills etc. that definitely do not feature on the originals. This is exacerbated when we are egged on by an enthusiastic crowd live (which happens every now and then). Having done a bit of self analysis it seems I like to play songs by feel or 'as I think they should be ' as opposed to 'how they are'. In fact, I'm not sure I've ever played any song the exact same way twice! I've happened upon a great many players that really obsess about covering originals to the nth degree - but am now wondering if I'm either some sort of lazy free radical ...or just a lazy sod! Hey, music is art and there are no rules and all that, however what's your thoughts on all of this?

Maple is definitely brighter. The inherent tone of any bass is attributable to neck/fingerboard material.

The best way to overcome beer gut woe is to ensure that you consistently drink enough beer on a daily basis to not care ...

Rotosound swing are very low tension and very bright.

Good shout. Truss rod aside I would have considered the loose fit of the neck joint unacceptable.

I agree. He had a bit of an ego issue when he was younger but has mellowed with age. Top voice!

I've lost count of the basses I've owned over 45 year's of playing: Everything from the sublime to the ridiculous. I enjoyed them all (in one way or another) but have come to the realisation I don't miss any of them. At the end of the day they were just things - instruments, tools of the trade or a means of expressing my musicality if you like. I've always considered the name of the player much more important than the name on the headstock. I'm weird.

Flats on a Wal? Nnnnnnnnoooooooo

Oh dear, I kind of liked it (there must be something wrong with me 🤣) Even so I generally agree with everything said here 🤔

It's so subjective given that ebony is wood at the end of the day: No two pieces will be identical regards hardness/tone etc. Ebanol is obviously much more consistent and is an excellent alternative of sorts. For me, ebony is my optimal fingerboard for the reasons already stated!

Despite 'getting it' I have to confess I absolutely hate that tone on bass... Great music and playing though. It simply must be flats fitted for that dull thump.

Same except my experience occurred throughout the skint 80's.

A bottle of Jack Daniels and an upper class hooker ... Just joking 😁

Super basses, congratulations 🎉

That is a peach! Lovely old girl.

Sound might have the capacity for altering the state of the listener? Who knew ...

I song both harmonies and lead vocals. I'm not sure that I can share techniques other than practice, practice, practice. It's kind of second nature now... Incidentally I cut my young teeth endlessly playing and singing along with the Rush album 'Exit Stage Left' in the 80's which must have helped no end.