I payed a brief visit to Maruszczyk's shop a few weeks back. It's just outside Aachen which is miles away from where I live, but we had a day off, on tour, nearby.
I only had a limited amount of time, but made the best of it. The shop is in an old converted tudor-style complex (OK not really Tudor 'cos it's in Germany, but you know what I mean) in a tiny village. The man himself wasn't there unfortunately, but a young assitant was very helpful, offering me tea and biscuits and information if I wanted it. Otherwise, he just left me alone to noodle on as many basses as I felt like. Fun , but also purgatory, if you know what I mean...
After 45 minutes I couldn't remember anymore which bass I liked more, or less, or was it the neck-profile, or the sound, or, or, or...that way lies madness.
Anyway, the reason that I'm boring you with all this, is because of one thing that really caught my [s]eye[/s] ear.
They had a number of basses with a j-p-j configuration (yes, you read right, 3-pick-ups). Aesthetically appalling, I must admit, but what a range of sounds, and fully passive. I was really surprised.
Being someone who's not a big fan of active electronics, this seemed a nice way to have a broader range of sonic possibilities within a passive instrument. Fugly, I'll grant you, but some cracking sounds.
Oddly, I can't seem to find any of these basses on the Public Peace website.