
pineweasel
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Everything posted by pineweasel
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I use the EXL170BT balanced tension set on my 4 strings. They seem to be still around, at Strings Direct and Amazon, for example.
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Good enough for this guy
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Just had the pleasure of meeting Ian when he collected a pair of cabs from me. Nice guy, had a good chat, easy transaction... top basschatter!
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I’d seriously consider that Sterling if I hadn’t shifted to a 5-string. I heard one being played in a rootsy rock band recently and it sounded really good. I don’t reckon it’s a roasted neck though. Too light in colour. Also the serial checker doesn’t list it as roasted.
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Time to post this one again - nobody seems to be able to identify them
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Mine comes on after 20 mins or so no matter how loud I am playing (or not) and never seems to turn off again. Contacted Aguilar and they said it was normal.
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I’m pretty sure the HB1 is reversible, so you can remove the key. But I don’t know if you can get a lollipop replacement. I would email Hipshot and ask them. I’ve found them to be helpful in the past.
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Any suggestions for a 1 x 8" cab for practice?
pineweasel replied to Bass Culture's topic in Amps and Cabs
Phil Jones C2 maybe? Not a 1x8 but sounds ideal for the job. -
I have a 3 or 4 pedal setup, and planning to use a small plastic chopping board, cut down to exactly accommodate them.
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The branding decals - stickers, really - are the only blemish in their otherwise high quality, in my view. Several letters of my “California” fell off and while they also sent me a free replacement, it shouldn’t have happened. I wish they used water slide decals like almost every other manufacturer.
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Sandberg Lionel/Superlight - Any Users Out There?
pineweasel replied to Lozz196's topic in Bass Guitars
I have a sub-7lbs TM5 Superlight which is a fabulous instrument. The only downside is that the soft body wood picks up marks easily. -
It’s the best left handed selection from Fender that I can remember. Choices at all price levels with some interesting colours available too. A five string option would be welcome.
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I have a TM5 Superlight, weighing just under 7lbs. Neck dive isn’t a problem for me. On a strap it balances very well; sitting on my knee it’s slightly neck heavy, like most other Fender type designs. String spacing is adjustable from 18 to 19.5mm.
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Hardly "mass produced". Electric Wood never had more than a handful of employees, and for most of their history only one or two. I bet production never exceeded 10 a week even at their peak in the 80s.
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They are relatively rare. And crucially, you can't just "buy one right now". The order book is closed, there's a four year wait for those with orders, and the new price started at around £6000 the last time I looked. Scarcity is driving up used values.
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Musicman SR5 sound - but with 19 mm string spacing
pineweasel replied to Thomas P's topic in Bass Guitars
Sandberg California Central? Bridge spacing is adjustable from 18 to 19.5mm. -
1966 spec Jazz Bass: https://www.fender.com/en-GB/electric-basses/jazz-bass/american-vintage-ii-1966-jazz-bass-left-hand/0190180805.html
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Offered for sale are my TKS S112 cabs, one with a tweeter, one without. They are in excellent condition and supplied with TKS padded covers. I’ve had these for about 5 years and used to gig with them regularly, but I’m playing ampless these days, so they are surplus to requirements, sadly. They’re 8 ohm cabs handling 250w each and pair nicely with a 500w head (I used a Tone Hammer 500) to deliver a lovely tone, leaning slightly to old-school warmth but with plenty of clarity. The tweeter lets you dial in extra crispness if you need it. They look fabulous too, with the optional V-frame making them stand out. They’re also compact and lightweight at approx. 10kg each. TKS cabs have been unavailable for a few years, the company seemingly moribund, so these are hard to find. You can however still check the specs at https://tks.se I would much prefer to sell as a pair. UK postage is possible as I have boxes (cost to be determined), or they can be collected from St Albans, Hertfordshire.
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Conversely "Rain", often cited as an example of McCartney's most nimble playing, was slowed down dramatically for release