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I'm not quite sure what your trying to say. Are you saying in 2025 there is no way to play a 100 watt guitar amp at a low volume vs playing a modeler through my 1000 watt FRFR wedge?

Hey, I have a MLD bass pre amp. I normally have it in my bass bag but don’t bring it. I’ll have to look what it has. The misses has a Yamaha p-225. thanks for the link, I will look into it

Hi, Posting again because it was removed by admin for some reason... I have this 1994 Alembic Epic for sale, I am thinking 2400 GBP (but open for reasonable offers) If you know, you know—watermark koa on a '94 Alembic Epic is as rare as it gets. let me know if you are interested 😎 Best, HJN Link to Reverb.com listing

Most for me was 400, Hemel Hempstead to Torquay and return. I did deliver a bass to a buyer in The Netherlands once, we were on tour so met up with him just down the road from where he lived.

I’m happy to see them finding mention today. At the time I had no idea they existed.

It just crossed my mind... Mainly, because I'm sitting on a train, traveling from Derby to Edinburgh. To pick up a bass from another BassChatter. So, anyone done more than 500 miles in a day for a Bass..?

Still looking at kijiji and some classifieds , when I see a bargain I post it on a local jam page , or PM immediately friends. I haven’t had the urge to buy anything although I would have snagged that Dan Armstrong that was listed for a song. It’s almost income tax return season , so I may sell some extra amps , maybe a bass or two.

This week, the ZeroFive Audio Lowrider and the Sushibox FX Neptunium. Pointless in a different way to my 442 comparison where both pedals were discontinued around 10 years ago, both of these are out of stock (almost constantly), produced in very small batches when they are produced and then subject to import duties and shipping from France or the US. But anyway, maybe this will kill your gas for either of them. Was going to just make a post for this video, but best to have a thread lumping these all together as I think I’ll be making more of them.

Congratulations , from the sounds of things you just might have stumbled upon a keeper. I’ve always been curious about Eich , but they are rare over here.

My Maryszczyk Jake, factory PMM. All-passive, Vol / Vol / Tone. Nice and simple, well balanced, sounds immense. If anything happened to it, I’d get another.

That link has gone bad. Looks like someone got the 'ump?

There’s quite a few vintage washboards on eBay but I don’t really know anything about what they are

kingdom - devin townsend

£340 for a top of the range washboard? Everyday's a school day.

That’s pretty much my old rig Amazing amp but be careful as it’s very light ! I stuck four larger rubber feet on the bottom of mine and it never moved It has a great tone from the off and is very loud too. A good match with VK cabs 👍

That was a really good take. Enjoyed that. Cheers for sharing. If you can stretch to a nearly 55 min video, Adam Neely's PhD thesis-level discussion of miming and authenticity is incredible. It also shows all the tricks of how you can knock up a faked video - it's an eye-opener. I knew about comping, that's been done since the first days of multi-track recording, but this is amazing:

I have an AirTurn pedal. It's fine if you use it with one of the recommended apps. However should you want the pedals do anything else other than step backwards and forwards through the pages on one of the supported apps, the interface is less than intuitive. Also on mine the actual foot switches are no longer as reliable as they should be in that I am now getting phantom double-presses.

Thanks Matt. We had looked at those, but just not what she wants.. Finding an original 50's or maybe 60's one is as rare as hen's teeth.

Thos figure are only for artists who have signed away most of their streaming royalties to their record label. Based on my streaming figures, for independent artists who are getting 90-100% of their streaming income, a sale of a single physical copy of a 10-track album on CD at £10 is the same as about 350 people streaming all the tracks.

It wouldn't hurt to learn the Greek names of the modes and shapes at some point. If you're playing for example in C Major but the bandleader wants you to play the intro as two bars of F Lydian and then two more in D Dorian before vamping on B Locrian and shouts that out to you,your fingers will automatically know where to go and what notes are available within those modes.