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  2. Trickfish Signal Filter - super useful pedal with independent HPF (38hz - 310hz) and LPF (330hz - 15khz) so unlike others on the market you can turn either of them off separately without having to turn both off. Also there is 15db of ‘Make Up’ gain for the HPF which sounds absolutely excellent - you can kill all off all the ugly sub lows and tighten up your bottom end, and then bring the volume back up so the new, tighter sound really punches through Couple of vids below 👇 although as you’ll appreciate it’s not a super obvious effect like a fuzz, however as far as being a genuine tone shaper goes, having a HPF taking out all the sub lows and cleaning your tone up makes a colossal difference live. LPF can be used in a number of ways - I’ll either have it always on and it’s just takes all the shrill top end and string noise etc off, or I’ll use it more as an effect but have it set a lot lower and then kick it on for certain tunes and it’s like a passive tone control type vibe - but there’s allsorts, and because you can operate the HPF & LPF independently unlike the Broughton one for example, it gives you a lot of options. The make up gain makes a big difference too as it perfectly brings up the loss of volume to the level you set, anyway I’m not amazing at explaining things tbh, hopefully these are a bit better! 👇 These are £215 new, this has been used but it’s got no obvious signs of wear at all just some duo lock underneath which I can remove if preferred - comes with the box & manual Price reduced to £100 shipped or happy to trade/take PX (Or I’ll add cash if the deal is right) Trades: Always 😁 try me - I’ve got a few things up for sale, happy to make a deal
  3. Aguilar Filter Twin envelope filter - great condition and super easy to use & get very useable sounds from. £120 inc UK delivery Blurb 👇 Boasting two filters in one compact pedal, the Aguilar Filter Twin dual envelope filter will give you both iconic '70s funk sounds and entirely original tones. Its two filters sweep simultaneously in opposite directions, one up and one down, for an incredibly expressive filter pedal. And with a simple layout featuring blend, threshold, and two velocity knobs, the Filter Twin is a breeze to play with.
  4. Looks like he also played it in Chic:
  5. Is it good for metal? Mark
  6. Warwick Thumb 5 BO (2009 Germany) Natural oil, MEC active J/J, fretted wenge board, ovangkol body & neck. Warwick bridge and tuners. Weight 4100grams. Comes with hard case and candy. Sounds like two fat jazz basses!
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  7. Yamaha MD-BT01 Wireless Bluetooth MIDI Interface Adaptor A handy device that I used to send midi commands to my HX Stomp. Only selling as I’ve moved to a Morningstar setup. £25 includes uk postage
  8. ezbass

    Hello

  9. Manic Depression - Jimi
  10. I bought one of these a few weeks ago; fantastic bass. Wide but really comfortable neck, and a huge range of sounds. Absolutely love it, and recommend this. Best of luck with the sale.
  11. Hello. It's a good setup. Welcome.
  12. Interesting that this thread has popped up on the front page today. I have had the last two days off, and in an absence of anything better to do (and a desire to get outside and touch grass after a long and stressful book project) I've been walking off in random directions across London, stopping when I reach a guitar shop. Today, I ended up in the shop not far from my parents house – it was the place I always went for strings and stuff when I was a teenager. I remembered it as a sort of dusty, neglected Tutenkahmun's tomb of beginner-to-mid-priced-instruments, a sad place with drop ceilings and heaps of cardboard boxes full of plastic recorders piled against the walls. So, it turns out it hasn't changed a bit. Amidst all the utterly unremarkable instruments, there was a Spector Legend – one of the four strings with the twin soapbars. It was covered in dust, but much to my suprise it played absolutely beautifully. I spent a while noodling away on it, but the guy in the shop couldn't tell me anything about it or how the electronics worked (it was in the stock of the store when he bought the place as a going concern in 2019). It seemed like it had active bass and treble controls, but they had no centre detent and behaved really oddly. So yeah. Not sure why I'm writing this other than to A) mention that I played a Spector for the first time and really liked it and B) to ask what's up with the electronics on the old Legend models (the Korean ones, from the early 2010s, I'd guess).
  13. I've owned several Moon jazz basses and they are my favourite FSO. My current one is a 70's style JB4 with an ebony fretboard and a dark burgandy nitro finish. It's immense and really nails that 70's Jazz tone. It does differ from a 70's Fender in a coupe of ways, it's lightweight and well built! 😁 It's looking a bit more Road worn these days, but it looked like this when new.
  14. Fender Tone Stack, no? Like an Alembic Preamp. But with rocket power bolted on.
  15. Breakdown - Tom Petty & The Heartbreakers
  16. I would normally say go with the Moon, for sure, but that one appears to have a neck pocket gap you could fit a cheese sandwich into.
  17. Agreed on all counts - I paid [used] over £900 for my Aubergine one, and yes, they are excellent basses. There's something about the American Performer. I've got the Competition Burgundy Vintera II as well and nice bass though it is, the Am.Perf is genuinely a step above in both playability and quality. Definitely one of my go-to basses. Best of luck with the sale, Davy.
  18. I’ve owned a couple of these and they are bloody decent basses, top quality all rounder. I’d have it if I wasn’t in the process of selling a bass. Good luck
  19. Today
  20. Nice one. And yes your homage looks great
  21. Deleted as I found out that Basschat doesn't appear to support GIF's. Damm a brilliant answer lost to tech.
  22. In a new video, Josh Scott reports on a weird situation regarding the current crop of NOTADÜMBLË pedals that has me a little bemused: apparently, the clean channel used the wrong circuit, one from a different Dumble pedal than was intended: This apparently came to light when Josh asked one of his engineers about using part of the circuit with an effects loop return in a future pedal, and the guy went "eh?". It was supposed to be the circuit he made for John Mayer called "a box later", but it's actually based on the rarer Dumble BBC-1 pedal that Mayer also has. Given Josh's history of pranks - I remember the Digitech Bad Monkey situation - I don't mind admitting I'm sceptical. The next and final batch of NOTADÜMBLË V1s will be released soon. Will the V1 gain some kind of legendary (pricey) status as a result? In the video, Josh says there's no difference, sonically. Me, I actually want to see a V2, since it sounds like he's going to put in an effects loop and channel switching, both of which will be welcome. But if you already bought a V1, hang on to it, and you might have a rare-ish pedal at your feet.
  23. Apropo of nothing, today I came across some footage from the early '90's of Bernard Edwards playing his Ferrari Red Spector NS2. Looked like a fairly early model with dot markers rather than the crown MOP inlays they come with now. It must be the bass he played on Addicted To Love by Robert Palmer. I know that bass went to John Taylor after Bernard died.
  24. Is it tone Lego or ordinary Lego?
  25. Oih, i like that.
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