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  2. Will be fixable, the power supplies aren’t super complex
  3. Yes too narrow for me. I CAN play them but my comfort is compromised. So the Marusczcyk I got yesterday from Bass Direct not only sounds like a P (hence the share)with neck pickup soloed AND a Ray (to me at least) with bridge pickup soloed it has 19mm bridge string spacing-in fact a fraction wider as the B to G string measurement is about 78mm. Doesn't your Ray feel the same with the new nut down at the bridge end?
  4. I use my DAW to check and correct the levels of all of my patches so they're all very much equal in terms of output level.
  5. I rarely use the amp these days as we all use iems so, on most occasions, there's no stage monitor sound at all.
  6. Understood, ill try that today and see how it goes. That may be the "fettling" I need.
  7. Nova 4 string clamp. Unused with screws. £30 posted Guyker 5 string clamp £12 posted
  8. Today
  9. Wow. I thought this forum was different than TalkBass, but boy was I wrong.
  10. Cheers - can’t edit the £110 which is a pain. Asking £90.
  11. It's entirely off. Looks to be a rosewood bridge, the top wood of the guitar is mahogany of that helps!
  12. Cruising Altitude - Victor Wooten
  13. NOW £150 BRAND NEW PEDAL.
  14. Waldorf Kyra, 128 voice VA synthesizer, huge sounding machine with superb filter, Lots of real time control, 4 sets of audio outs, original box, manual and power supply, includes a brand new spare power supply, these synths are built like a tank, everything is sturdy, no wobble knobs unlike most synths today, outputs the sound at 96khz for crystal clear noise free sound. £1500 my feedback on BC. specs and technical info Sound engine Virtual analog synthesis 128 voices 8 parts All sound features can be used simultaneously for each part Oscillators per voice two Wave osc with 4096 waveforms. two Pulse osc., two Saw osc., two Noise osc. two Sub osc with several waveforms Hard Sync Hypersaw Mode Oscillator FM and Ring mod Oscillators are in two groups for better overview Effects 9 simultaneously available effects 3 band EQ, Formant Filter, Input limiter, Distortion module, Delay module, 6 stage phaser, Chorus flanger, Stereo reverb, Output limiter Modulators 3 envelope generators (EG) 3 LFOs with 128 shapes each 6-slot Mod Matrix with multiple destinations per slot Filters 12/24db/octave with LP/BP/HP available Two filters per voice and true stereo signal path available in Dual Mode Extras 26 patch banks (A to Z) with 128 slots each 128 Multi configurations Arpeggiator with 128 preset patterns Octave/key transpose Dual Mode: layers the same sound two times (which can be detuned against each other) and provides true stereo signal path, Dual Filters and stereo LFOs Hardware Sturdy full metal case 256×64 pixel OLED Kensington lock receptacle VESA 75 recepticle on the bottom (mountable on monitor stand using the VESA standard) Connections USB 2.0 for MIDI and audio 5-pin DIN MIDI In/Out/Thru 4 stereo, balanced, analog audio outputs plus stereo headphone output Audio interface Kyra can be used as an audio interface to stream a single stereo stream from your computer Kyra can stream its 8 parts individually to your computer via USB in stereo at 24bit/96KHz (48KHz option) USB MIDI and Audio 2.0 class complient – can be used with Mac OS and Windows (windows with supplied driver)
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  15. U.K. postage is around 70 on Shiply so would let this go for £400 delivered Thanks
  16. Up, Up, And Away - Rajput and The Sepoy Mutiny
  17. The other thing to do is cut the lows from your stage monitor sound so there is no interference with the PA lows. You could do that by turning well down. Otherwise you need to get fancy with the signal path, or using the main bass amp only as a monitor rather than plugging your bass into it.
  18. Flying High Again - Ozzy
  19. The reason I said to take the RTA playing an open A is that your tone is a product of the amp EQ and the speaker. By using pink noise with the amp EQ flat you remove the amp EQ from the equation. You want the PA EQ to not only duplicate as much as possible the effect of the speaker but also the effect of the amp EQ. There's also the matter of whether the amp is actually flat when the EQ is set to flat. Most amps have built in voicing, so flat EQ may not give a flat result.
  20. You need a tunsten filament and a halogen to make a halogen bulb. Fluorine is not the actual one they use but it would probably go to 11, seemed appropriate for your halogen days.
  21. Just back and having the usual tea and toast from our first ever gig at the famous wedgewood rooms in Pompey with the Phil Collins tribute. Geoff, the guy who is the main man there is such a gent! Super nice guy who has a fantastic team of people working for him. The sound lads were very friendly and professional and done a fab job for us. On stage sound was perfect and everyone said how good it was out front aswell. (11 piece outfit so not the easiest to sort out!) Got about 275 in there tonight which wasn’t bad for a first pop. Very appreciative audience and they said we are welcome to another gig there nxt year 😊. Used my GB spitfire 5 again, through my usual puma 900/ LFsys Monza rig, PA support obviously. All together a really fun experience.x
  22. On the wings of love - Jeffrey Osborne
  23. It was the Sadowsky SBP-2 preamp pedal. I see there’s a version 2 out, mine is v1. I just used my Cort Jazz on tonight’s gig and the preamp worked well.
  24. The reason he doesn’t like it is because of the neck. It’s supposed to an exact replica of Brian’s Red Special. The guitar sounds amazing and that’s most likely where anything else will struggle. The neck is chunky by my bass playing standards, so I can understand why he has issue with it. Ironically the much cheaper standard Red Special he bought first has a much shallower neck, but doesn’t sound as good 🤷‍♂️
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