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  2. Lovely colour but I personally don't like the feel or look of open pores. If it was more 'finished' it would be gorgeous.
  3. I also bought some cheap Warwick strings with mine but I'm yet to fit them. After whatever grime was on the stock D'Addarios had rubbed off on my fingers, they're quite nice. Just took a week of playing it.
  4. It might still be yet. Thank you. edit: not in the 90's perhaps.
  5. Nowhere as a band, to be honest. But Eg has had a pretty stellar career since then, as artist/writer/producer. The reason I know this is that I was in a band at the time and we knew Yip Yip Coyote, went to the same gigs, clubs etc.. Plus, they were big BowWowWow fans, like my band were, so we shared common musical influences, tastes etc. I nearly bought an Odyssey bass myself back in the mid 90s (that was being advertised on Loot) , told myself I couldn't afford it, and then regretted it for months afterwards.. What a fool I was! 🤦😁
  6. I like the little class D heads. I’ve picked up a bunch of ‘em in the 200-350 watt range.
  7. My last pain-free day was back in October. Unfortunately, this coincided with my being in one of those mighty mega-plex malls, and I got carried away with the thrill of it all, buying a Seiko Prospex Turtle. Now, when I look at it, I'm reminded that the last day I felt decent was 5 months ago. Perhaps retail therapy isn't for me...
  8. How are you measuring strings? Digital calipers?
  9. I had no idea Bunde (can't do umlauts on this keyboard, unfortunately) was German for fret. I used to live near the town called Bunde in the eastern region of NRW, back in the day. Anyway, bass looks great, good luck with the sale!
  10. Tiny upgrade. Popped in a pair of P94s and changed the knobs to amber coloured ones (only because I shattered one of the originals getting one of the potentiometers out). From a visual aesthetic, I'm of the opinion the 90s look better than the humbuckers. I'm still staggered how good this is.
  11. Hi all, Up for sale is my Cort A6 bass, these are absolutely excellent 6 string basses that punch well above their weight. I'm not just saying the because I'm selling one, if you look at any thread over the years on here by anyone else selling one you'll likely see my comment about how good they are! I've had 4 of these over the years, I keep coming back to them because they pumch well above the price they sell for. One of the bridge saddles isnt original, for some reason the prior owner removed it and use the bass as a 5 string then lost the saddle! Apart from the minor visual difference, it functions exactly as the others. This was the last bass in, so needs to be the first bass out. I need a little extra cash to finish off some major house renovations we've got going on! £400 posted in the UK or £380 collected. Below is a fresh batch of photos taken a moment ago! Any questions, please ask! Russ. Spec Below: - *Scale Length*: 34" (864mm) - *Weight*: approximately 3.4kg - *String Spacing*: 16mm - *Body*: Mahogany with figured maple top - *Neck*: 5-piece maple & wenge, neck-thru construction - *Fretboard*: Rosewood or Panga Panga, 24 frets - *Pickups*: 2 x Bartolini MK-1 humbuckers - *Electronics*: Bartolini MK-1 EQ with 3-band EQ and active/passive switch - *Bridge*: Hipshot Licenced Type-A Bridge - *Tuners*: Hipshot Ultralight Tuners
  12. I have the blonde version of this bass, and I'm still sorely tempted. Those noiseless pickups really are something. GLWTS
  13. Agreed. If they're your brand and gauge, you're good to go. On most of my basses I usually slap on a set of 40-95 Elixirs (I like the long lasting rich tone and bendability). I recently picked up a shortscale 5-string Maruszczyk 'Mr.Tee' as a P/X which had the thickest set of flats I've seen, so they had to go. I actually found a reasonably priced set of Ernie Ball 40-95 flatwounds and added a 35 gauge for the top C. A short setup later and it plays like butter. Due to the bargain price of my own Fazley Judge Plus (aka. Kermit the Bass), I threw on a set of cheap Warwick Red Label strings that I got in the Black Friday sales. Bass £63. Strings £8. Reminds me of the cafe menus on Discworld; Rat and beans 8p Rat and ketchup 7p Rat 4p” “Why does ketchup cost almost as much as the rat?” “Have you tried rat without ketchup?!"
  14. Select a picture to open it. Tap on it twice. That opens up to more than the full screen, enabling you to use the cursor to closely inspect the pictures. They can actually be zoomed to pretty much life size. Perhaps LowEnd Lobster's demo bass has not had the rosewood nourished. The board on mine is excellent rosewood that is fully nourished. I maintain my basses in top condition as anybody who has bought from me will know.
  15. That’s the dilemma - everyone wants a really really well equipped synth with every feature known to man… but they also want quick easy presets so they don’t need to learn how to use every feature known to man. I don’t envy panda or source audio!! @Kiwi would FI4 midi out let you drive any arpeggiator you want? Or depending how it works could the midi out from pitch detector go to arpegiator and then as midi back into fi?
  16. Just so happens i have a twin pack of D'Addario XLs on the table just over there!
  17. Yes, just posted a live review to that effect. I have the CD and it’s compelling music….live and on record!
  18. My parents went to see her live and her voice is as great as ever!
  19. I suppose it’s about money at the end of the day, if manufacturers only have practice amps at £150 then high powered gigging amps at £700 then there’s a big gap there. Anyone wanting an amp loud enough for stage use but with only being able to raise £400/£500 is then only able to go used, whereas have an in the middle amp price/power wise and said manufacturer may well get the dosh as many prefer to buy new.
  20. Depends - quite a few basses come with D'addario XL nickel rounds as stock strings. As these are my strings of choice, I'm ready to hit the ground running. I'm not being lazy, I genuinely like the sound and feel of bog standard D'addarios and I feel very fortunate indeed, because they're relatively cheap, readily available and like I said, often come as standard equipment.
  21. Soundtrack to a relaunch of the "Mr.Soft" adverts of the 80s? I'm nearly four minutes in and I'm suddenly feeling the need to lie down in a dark room!
  22. Amplifiers don't deliver sound; speakers (drivers, cabs, whatever...) deliver sound. Watts is a unit of power, not volume; decibels is a unit of volume. The more efficient the speaker (driver, cab, whatever...), the more volume (decibels...) it can deliver for a given power (watts...). This would be referred to as its 'efficiency'. Soooooo... A low-powered amp into an efficient cab can produce more volume than a high-powered amp into an inefficient cab. Watts, in themselves, are a very poor unit for expressing volume. What's the solution..? If volume is required, look for an efficient cab, then match an amp to that cab. Turn the volume down at home. There is no contradiction; a good amp/cab combination can be used on stage and at home with no issues. If arena volumes are required, the PA will do the 'heavy lifting', anyway, and an IEM system will keep the stage volume at decent levels, whatever the amp/cab. Any quality amp and/or cab will be fine for both purposes (but a less imposing version may be preferred for home practice, to avoid carting stuff around...) There's a lot of advertising spiel surrounding the selling of music gear in general; don't be taken in by claims of 20/200/500/1000 watts or whatever, and ask your peers for their experience of 'real-life' usage. Hope this helps.
  23. I think the whole bass synth thing is interesting. Remember, the Deep Impact, the former holy grail, ended up being a discontinued bargain bin buy because literally no-one was buying them. Interest is clearly higher now, but I'm sure a lot of it is hype, and without big/influential names using it (Chris Wolstenholm for the DI, Ian for the MXR) they're just not going to take off.
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