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  2. If you go into amazon and search Kinsman wooden guitar stand, you'll find it.
  3. I've been on a quest for a chorus for some time. I moved from stand lone to a multi for modulation, but regretted it. I've been through a lot of chorus pedal over the years and just had an urge to try something different - something that doesnt go with my usual needs. This video convinced me: I've been playing with it for a few hours and it's insanely musical. On both bass and synth (I have a Moog Sub 25) it's honestly stunning.
  4. Really hoping I can make it this year! Diary is clear at present, but will have to confirm closer to the time. May bring eldest son too, as he is now also a bass player!
  5. I got the Mvave today but not sure I'll keep it. For one im now used to not using a cab sim with headphones, the EBS has a pretty good tone on its own, but another reason is the IR's I like seem to have a slight phase issue. They seem to have a very subtle hollowness about them. Also there is quite a big drop in high freqs. I will have a play with the EQ section (and the Hi Cut is full up/off), but the sparkle is gone. Still great value and I might keep it just incase I need it at some point, as the cost was pretty much nothing.
  6. niceeeee. I'ld love to try some of his pedals! (His being Horrothia's, though Pantherairsoft you've probably got some nice ones too!)
  7. As well as my PA (see separate ad), I need to dispose of my lighting rig. It's fairly basic but it does do the job. As with the PA, it'll need to be collected. This should all go in a car, though. Here's what's on offer: Two Behringer Eurolight LC2412 lighting desks. One is mounted in a flight case, the other currently lives in an original box which unfortunately has lost its packing inserts. Gooseneck lamp included. Lighting stands consisting of two tripods, two T bars each having four Lanta Fireball DMX par cans. Two spare T-bars Spare set of bolts Trusses and connectors to join the tripods to make a lighting bridge. Ideal for DJ work. 20-metre and 5-metre DMX cables Two DMX terminators. Lighting desk: The other desk is still boxed and is identical to this one. I don't have a PCMCIA card, but you can pick these up on Amazon or fleabay. You don't need the card for normal use - it's provided to let you back up settings and chases. The DMX cables live in the flight case. Lighting bars: They're both cabled up and just need to be linked and connected to the desk. As mentioned above, DMX cables are included. Stands and trusses: This is what it looks like fully assembled. I never used the bridge, as I lit the band from the front, but this set-up would be fine for DJ work. Two spare T-bars and a spare set of bolts are included, as well as all the connectors. Any questions, please ask.
  8. Wow that's really got my interest. Who is the manufacturer please?
  9. How does that Stinger pick up sound?
  10. I'm less than chuffed at having to dispose of this, but long story short, my band commitments and financial circumstances have recently changed and I can no longer justify paying to store equipment that is now only being used about twice a year. I started putting this together during the pandemic, with most items being bought from folks on here, and although it saw a bit of use when things opened up again, it's now just taking up expensive space. To be clear up-front, delivery is not an option - it'll need to be collected in a van. Here are the specs: Two Hughes & Kettner 210 tops, 500 watts each Two Hughes & Kettner 212 subs, 600 watts each Matrix power amp, 600 watts per side, used to power the subs Matrix power amp, 500 watts per side, used to power the tops Citronic crossover Furman power conditioner The amps, crossover and power conditioner are all housed in a Gear4Music rack unit and internally wired to a patch panel at the back. Peavey PA20 mixer in new Swan flight case Two Wharfedale powered wedge monitors, each with EQ. XLR and jack inputs. Eight-way XLR stage box, new, never used All cables to connect mixer and speakers. The gear is in fair condition, although the speaker cab coverings have some scuffs and marks. However, everything is working as it should. Apologies for the quality of some of the pics, but I had to drag everything out of storage to photo them. Any questions, please ask. Mixer: Amps, crossover and power conditioner (front and back lids included, naturally): Cabs: Scuff marks and handles: Stage box: Monitors:
  11. Hi. Thank you for looking. I'm selling my LM IV as I no longer use it. I have only used a couple of times for practices. It's in immaculate condition having been housed in a flight case. Ideally would prefer collection but can post at buyers expense Description below copied from Markbass LITTLE MARK IV The new Little Mark IV amps add some amazing features to our flagship Markbass Little Mark III amplifier, an industry standard for tone, portability and value. The new bi-band limiter featured on this amp responds faster and more dynamically to your playing. Its paired with a 500 watt power amp providing impeccable bass frequency reproduction thanks to our MPT proprietary amp specifically designed for bass. In addition the Little Mark IV features a mute switch, and the 3 way switch that that includes the options of a Flat, Scooped or FSW (Footswitchable) EQ options. KEY POINTS > Little Mark’s legacy Since our beginning 20 years ago, Markbass pioneered small amp design with its "Little Mark" series creating an industry standard thanks to their amp's compact size, light weight, along with its signature warm and natural sound. That legacy has been preserved with the Little Mark IV, and has evolved to include the addition of new features requested by many of our artists and customers. > Updated 4 band EQ, Old School filter, 3 way switch Our updated 4 band EQ section features very effective controls allowing you to easily find the sound you want, boosting or cutting up to 16dB for each of the 4 bands to cover all the tonal nuances needed in any genre of music. Additionally the Old School filter cuts your high frequencies and gives a round and smooth tone. The 3 way rotary-switch allows you to choose between a super-balanced flat tone, a scooped preset that drops the mids while boosting the lows and highs - giving a superb slap sound, or lastly the 'FSW' option to control both mute and the Scooped EQ on demand by connecting an optional dual footswitch. > Bi-band limiter Our new bi-band limiter responds faster and more dynamically to your playing than traditional limiters do and lets your high end "breathe" for a more natural sound. It makes our amp heads the best choice for anyone who enjoys a quick, punchy attack at high volumes. > MUTE / LINE OUT LEVEL CONTROL / PRE-POST EQ switch Featured on the front panel of the Little Mark IV series amps are a convenient mute switch, along with the Line Out level control knob that allows for precise control of the signal sent to the mixer/ PA. On the rear panel is a Pre-Post EQ switch allowing you to set the XLR output's routing to before or after your EQ as required. > MPT - MARK PROPRIETARY TECHNOLOGY Many other bass amps on the market use power amps that are not specifically designed for bass. At Markbass, Marco De Virgiliis invested heavily in R&D to develop proprietary power amp technology in house. Our MPT power amp was built from the ground up to respect and elevate the inherent tone of your instrument.
  12. You have a pm
  13. Look up frequency slotting. At the very least, put an hpf on the keys around 80-100hz. The low notes will still be there, they just won't have as much energy and keep them out of the subs, if there are any.
  14. Photo from yesterday evening's guest spot
  15. Ooooooooooh yeah!
  16. Cant think of a festival in recent years which was any different. This boom and bust mixing thing is the pits. Times I've sidled over to the desk, pint in hand but then thought better of it. But yes totally agree the vast majority of "sound guys" haven't a clue.
  17. FS/T - in gold (right handed) .. just swapped for some Gotoh black tuners so now surplus .. £25 posted https://www.thomann.co.uk/harley_benton_parts_locking_tuners_6l_gold.htm
  18. Today
  19. Sorry I'm late, but what a fantastic interview... more of a chat, really. How can he be so humble?! An inspiration to us all, I think. I need a Barbie flesh StingRay 5 now, if anyone's selling one?
  20. Another one from the same band/bass player, this is tune called 'Jesahel' from the 1997 Dirotta Su Cuba album, 'E’ Andata Così'. An Italian Miami Sound Machine! https://bilbosbassbites.co.uk/jesahel-dirotta-su-cuba/
  21. Thanks for all the tips. The keyboard player and bass are going to work on both their arrangements and tones to give each other more space and work together better.
  22. That's a very naughty looking corner! 😁
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