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That's the trouble with topic titles that just consist of a name...

Antoniotsais. I'd like another 5-string Ritter Roya influenced one to defret.

The owners love them so much that they hang on to them for ever.

No just a bass player who I’d forgotten until today

Sounds plausible. I've seen various photos of Ritchie Blackmore playing Strats with sheared off headstocks. ...or Hendrix.

Has he died then?

One Of These Dace - Floyd

I have got a Red Muck which is great but was just thinking about another option as well, thank you- any suggestions re:Muff?

Sole Man - Sam & Dave

Ooops! It is smaller than I expected... My compressor as comparison...

What exactly is it in the active sound you want ? An active Fender Jazz and something like a Spector with EMG humbuckers will sound very different.

Simple Salmon Says - 1910 Fruitgum Co

Worth holding out for an early one with the Bill Lawrence Blades, IMHO. I have two with blades and a much later Artisan with Kent Armstrongs. I like the Armstrongs a lot and the Artisan is a fine bass, but the blades are by some distance the best passive humbucker I've ever used.

A used Yamaha 1024/X isn't active but it's within your budget if you can find one and it sounds modern, not much like a Fender at all. It really does have the thickness of tone that the best active basses have, too. It will certainly challenge something like an SB1000 for that in-your-face upfront bass sound that was so popular at one time. I suppose nowadays when bass players refer to "modern" basses it's a bit complicated because what that mainly means is what used to be modern back in the old days, that being the late 1970's to the late 1990's. I've been getting into that sound again recently. It's long overdue a revival. In modern times ie post millennium traditional "retro"style basses and tones have dominated. Modern basses have been considered old-fashioned, if that makes sense.

Just got home from a Spacewasters rehearsal. We only rehearse when we’ve a gig looming (2 in fact, in the next couple of weeks, both at The Water Rats in Kings Cross) just to refresh a bit. Our new guitarist is fitting in well, both guitarists working this eve on sounds and who does which lead bit etc. Plus me and both guitarists now doing backing vocals so a lot stronger in that dept which is good. Bass was JMJ Mustang into the studios - I think - Laney stack of amp/410/115, sounded great. In this band I tend to go for a more traditional supporting bass sound which I prefer to the up front/listen to me sounds I’ve had previously.

This was the album version of Angel Eyes from the same album, which has a far more grunty bass line, almost like the producer said 'Play it how JJB would sound....?'

I was tempted to pile up loads of pedals on top of the qc and take a photo. I mean, fair enough though.

Secondhand, Ibanez SR Premiums come in at the top end of your budget, but are a lot of bass for your money.

Carrier pigeon?