Jump to content
Why become a member? ×

All Activity

This stream auto-updates

  1. Past hour
  2. Withdrawn for now, will be on loan to a friend.
  3. Any offers? Be good to get those gone…
  4. Special in more ways than one.
  5. When we first started learning Hanging on the telephone it was at a time when we had no drummer, so was using a drum only backing track. We, more or rather the bass player, kept getting the gap wrong between the first and second verses. He insisted he had been practicing it all week and no way was he wrong. Started to have a go at the backing track being wrong. Even after i pointed out the drum track was actually the drum stem off the record, and it was Clem playing it he wouldn’t have it, although he did start to back track a bit. 🙄
  6. Love To Love You Baby - Donna Summer
  7. Great, welcome to Basschat!
  8. That’s a vision of loveliness! Beautiful bass. GLWTS.
  9. I'm gettiing there... SLOWLY!
  10. I remember us getting stuck in Maria once. Came out of a chorus, did a verse, then the bridge, then instead of going into the chorus again, Mrs Zero went back to the verse, then the bridge, then a verse again. Realising that we were in a death loop, I started singing the chorus after the bridge came round again and so we managed to finish it, otherwise we'd still be there. It is a bit of an odd arrangement though, the bridge can either precede or follow the verse.
  11. I bought a pedal and he sent it out quickly and it arrived the next morning. Thanks Mark!
  12. Did the old desk have wireless control, and if so, did they have a look round the congregation to see if someone had hacked into it?
  13. It sounds like if you find a musical partner you will rule over these things quite easily.
  14. If you can assemble a reasonable core unit, cover a few musical styles that appeal to a diverse audience with some obvious crowd pleasers and maybe a few listenable 'not so well known tracks', you might hit a potential goldmine for a venue. Sounds like the location is crying out for something decent. Best of luck!
  15. I had one of these once in a lovely gig-skinz case. It was stolen on 23rd january 2015 in a house burglary - along with a car! I miss it.
  16. Looked nice in my living room , great bass
  17. Where in Scotland pal ?
  18. As a happy Basschat 110T user (and with a sheet of 12mm ply left over) I’ve been reading this thread with great interest. @Phil Starr I know you mentioned early on that this works well without a tweeter because the Fane has a decent high (for bass) frequency response and has better dispersion than a bigger driver might - but still I’m wondering whether a HF unit/horn (like the Celestion in the 1x10”) would help make it not just an even better bass cab but also something that could be used elsewhere for keys,foldback etc. if needed , a bit like a Crazy 8 maybe. I realise that for all sorts of reasons it’s not just a case of bolting on the tweeter/horn/crossover from the 1x10” design so would need someone who (unlike me) knows what are doing to make it work right. What do you think , is this worth doing or should I just go any buy a PA speaker ?
  19. what's stopping you? https://www.superbooth.com/en/tickets.html
  20. Today
  21. I use Status Hotwires strings on both of my Status Graphite headless basses, and all but the G-string are tapered. I can't offer a good comparison because the graphite neck on both is very snappy and gives a wonderfully quick attack, but it definitely feels like the strings contribute to this. They sound tight and clear, with none of the muddiness I get from the B-strings on some of the other 5-strings I have owned and with a well-defined "space" between notes when I've had trouble distinguishing the notes on the first 3 frets of the B-string with some other, more rigid strings when I played in a full band mix. When I still had my Yamaha TRB5II I used Elixirs with a taperwound low B and had a similar experience: quicker response, fast attack. I think @Kev is onto something with the cleaner break angle explanation.
  22. I'll be in Riga in the next few weeks. Did you find a jam? If not, is there a venue with a house backline (I'm not traveling with any gear beyond an SM58 and maybe a lead) where we could pull something together? Folkklubs Ala Paggrabs used to run a great jam once a month; looks like that was a covid casualty.
  23. Here we have my Spector NS Pulse 5 string bass, just arrived back from Jacks in Manchester where its had a full service and set up, fret dress, new nut, and a transplant of an Aguillar system OBP 2 pre amp and pick ups, for a more rounded sound. Only selling as a Eurobolt 5 arrived to take its place, great sounding and great condition. Grab yourself a bargain. The NS Pulse represents the core of Spector's iconic design. The three-dimensionally carved body is a trademark of the Spector brand and provides a uniquely comfortable playing experience for all bassists. This NS Pulse model features a solid Swamp Ash body paired with a three-piece Roasted Maple bolt-on neck, complete with a Macassar Ebony fingerboard. The roasting process results in a neck that provides enhanced stability & resonance, while the Macassar Ebony fingerboard ensures clear note definition and projection. Perhaps the most striking feature of this bass is the sandblasted finish which highlights the unique grain pattern of each instrument. When paired with our Cinder Red or Charcoal Grey stain, the result is nothing short of stunning. Solid Swamp Ash Body Three-piece Roasted Maple Neck; Macassar Ebony Fingerboard Locking Bridge; Die-cast Tuners; Graphite Nut Sandblasted Charcoal Grey Matte Finish
      • 5
      • Like
  1. Load more activity
×
×
  • Create New...