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1. What's under the screw-on lid? Pre? Battery? Stash? 2. What's the logic on the pickup spacing? 3. Who did all the graffiti on the Limelight one? Is it replica gráffiti?
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Canadian Dingwall Super P4 Fiesta Red/Wenge Fretboard Now £2300
1Kay replied to Tripehound's topic in Basses For Sale
For sure, I own this exact bass in the PJ scheme. Absolutely kills!! -
Palm Mute with index plucking finger as plectrum substitute (?) very good
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I have until Thursday to consider this Wonderlove mk1 I have a Proton mk 3 but thought it might be nice to try another 3Leaf Audio product I prefer the SGFX Bi-Filter to the Proton , but I'm running 2 boards due to pedal addiction
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Barefaced One10 - What head do you use with it?
Dan Dare replied to jackreacher193's topic in Amps and Cabs
Anything reasonably decent will do the job. A pal uses an Elf with a BF110 and it works well. Why not take the 110 shopping and try a few? It weighs little, so no great effort required in carrying it. If you already have a higher powered lightweight head, there's nothing wrong with using it with the 110 and keeping the volume level sensible. -
Where can I get some decent bass sized straight edges?
Richard R replied to Marc S's topic in Repairs and Technical
https://www.hellfiretools.com/product-page/sawfish-bass-33-5-34-35 I'd get this one, just for the money back guarantee at the end of the sales pitch! -
In my experience, IEMs just won't ever feel like a stage sound (if you're lucky enough to have an incredible monitor engineer you might get close!) BUT they do help you monitor your playing and the rest of the band in a more isolated and precise way. I think it often sounds worse for the players. I guess compared to stage monitor, you're missing out on: The sound of your EBS cab, how the speakers colour and compress your sound The ambient sound of everything else on stage and from the audience The reverb of the room, even if it's very subtle, and the sense of space and distance that comes from that Instead, you're getting a DI signal from your bass, and all the other inputs, delivered directly to your eardrum, whilst muting the outside world. It makes sense that rolling off your tone a bit sounds better in your IEMs, as the high-frequencies that would normally get attenuated by your speakers and soaked up by stuff in the room, instead gets pushed point-blank into your ears. The honesty of it can feel kind of brutal. Pretty much every singer I know hates IEMs, because the directness is a bit uncanny. Anyway things that have helped me make an IEM mix feel more natural are: If you can process your bass monitor feed separately to FOH, add some compression and roll-off some high-frequencies Have a stereo mix and pan the band to match their position to you on stage Blend in ambient mics to get some of the room sound back (obvs not FOH!) Try adding some short reverb to things like vocals/guitar where there's a bunch of high frequency. Helps it feel a bit less direct. If you don't need to look cool, using over-ear headphones like DT770s or something, gives your ears a bit more breathing space and helps you feel a bit less isolated.
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What a great thread 👌 Thanks for sharing! -
that's a tidy board , well done
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If you want exact ones the Grover Titan is exactly the same tuner, just has Grover on it....
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Boss Brown Bass Limiter LM-2B Boss Brown Bass Parametric EQ PQ-3B probably cheating with the time frame but I got the Limiter ( my third one) less than 12 months ago IIRC
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very cool I would certainly like a go on the Transmission , it may inspire me to dance dance dance to the radio nice to see Hook as an influence the now discontinued Tech21 Bass Boost Chorus had a "Hook setting" which was bang on for me The EHX is "built noisy" yes sadly
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While looking through the code (which is slow, I am not an expert on javascript, nor do I ever want to be), I did find out where the cookie was heading and made, but while looking at other things, I noticed that if you go to your notification menu, on the top right of the notification menu is a section marked 'notification settings', in that page, at the bottom in the middle there is a section for push notifications. The second option of which says "Stop all push notifications". Does pressing this fix the issue? But in answer to your actual question of 'which cookie controls the notification'. its 'ips4_browserNotificationDismiss' which on my machine has a date sometime in the past (23rd Jan),
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I understand your curiosity ! but I'd rather not do it myself since the ramp seems to be securely attached to the body. I mean I don't think there's any problem removing it but perhaps during a routine visit to a luthier ? Thanks for your comment! -
As the title says, I'm after a super small and lightweight rig for an acoustic trio (no drums). Thinking of getting a BF One10, and wondering what head you use with it? Was thinking of a tonehammer 350 or a Warwick Gnome I Pro?
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The Tobias Classic 6 bass with serial number 2105 dates to the period immediately following Gibson's acquisition of Tobias, dating to late 1992 or early 1993. Production Period Details Gibson Transition: Michael Tobias sold the company to Gibson in 1990. Basses with serial numbers up to 2044 are considered the last "California" models (made in Burbank, Los Angeles). Nashville Production: Serial number 2105 follows the last California production serial number, indicating that this particular instrument was one of the first produced at Gibson's new facility in Nashville, Tennessee. The entire original luthiers did not relocate to Nashville, leading to differences in the production process compared to previous models. Features: Despite the change of location, the first basses produced in Nashville retained many of the original design features. This 6-string bass likely still features the asymmetrical neck and original Bartolini pickups/preamps. In short, your Tobias Classic 6 is a historic example that marks the transition from Michael Tobias' original ownership to Gibson's, making it an interesting piece for collectors and enthusiasts. -
I am selling a beautiful bass from the Italian Liuteria Claire Basses&Guitars, model Etna 5, with a Black Korina body, flamed maple neck, ebony fingerboard, spalted wood pickguard, PKV Pickups and electronics.-
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Mono bass sleeve bass gig bag in excellent condition with only light use - the lightest gig bag in Mono’s range so easy to lug around but still great protection. Photos to follow ASAP Need to source a box if postage is required Info from mono- The Bass Sleeve® Case is designed to be a minimalist solution for traveling light and simple, and it is where MONO's innovative protection and high quality construction standards are merged into a super slim and stylish design. 360° PROTECTION Like the Vertigo™, the Bass Sleeve® Case is Top-Loading® for quick, stand-up access. Its design allows you to quickly unzip the case and pull your bass out from the top. This is enabled by a hidden diagonal hinge on the front panel of the case. Once unzipped, the case naturally opens out and to the right. No need to lay the case down on the floor. Easy access. The Bass Sleeve® Case features a slimmer variation of the Headlock® — MONO's patented neck suspension system. This slimmer Headlock® is molded from solid, shock-absorbing EVA rubber to protect the neck and headstock from impact during falls. When your bass is zipped-in, its neck is automatically secured inside the Headlock®'s contoured groove. At the bottom, the case features a super slim EVA insole to keep the body off the ground and protect the strap pin from bottoming-out when the case is put down too hard. SMART STORAGE The Bass Sleeve® Case features a messenger bag style storage pouch that's perfect for small laptops, tablets, notebooks, cables and other extras that you might need when traveling light. A small interior mesh pocket keeps those little, critical items close at hand. BUILT TO LAST WEAR IT OUT MONO cases are built to military specs, using only high-test materials with extreme resistance to abrasion and the elements. Inside, the plush lining protects delicate custom finishes. Outside, the water-resistant shell keeps you on the move, rain or shine. 100% animal free. RIVETED HANDLE & CUSTOM STEEL BUCKLE Rock solid, industrial webbing handles come standard on MONO cases. Bar-tack stitching and steel rivets reinforce for strength, while high grade webbing provides a super comfortable grip. A custom steel buckle is used to secure the storage pouch with industrial seatbelt webbing. Simple and secure with a nice touch of style. DIMENSIONS & FITTING LIKE A GLOVE Internal Dimensions: 48" x 15.5" x 3" (122cm x 39.4cm x 7.6cm) External Dimensions: 50.5" x 17" x 2.5" (128.3cm x 43.2cm x 6.4cm) External Pocket Dimensions: 10.5" (Short) / 17" (Tall) x 14" x 2" (26.7cm / 43.2cm x 35.6cm x 5.1cm) Weight: 5lbs (2.3kg) -
I have a Baby Blue II. The 1x10“ with a horn which have contemplated moving on many times, but have never gotten around to it.
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Awesome... What a quality mini gig rig
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I would suggest that rather than using actual noise (antisocial and not necessarily easily reproduced), a better approach would be to create a dummy load that would emulate a speaker and measure the voltage across that to establish output power. A crucial point would be a means of measuring THD and maybe have two sets of measurements, one at 1% THD and one at 10% THD. Then do four plots, two with tone controls set at 12 o'clock at 1% and 10% THD respectively, and another two with tone controls set where they give the flattest frequency response (and document those settings), again at 1% and 10% THD. This is just off the top of my head, I'm sure there are lots of holes that can be picked in it.
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...I grabbed the C4 😁 Insane power and low end for something so diddy, and it works so well with the QC's amp models due to its frequency response. Marvelous thing.
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Holiday - Mad Donna
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V7/5 is amazing
