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  2. Me, @rumblefish and another BC'er did an a/b comparison with a TT-800 the other evening. Both superb amps and they weren't radically different in sound. The majority decision was in favour of the TT but that's not any sleight on the 800D. The TT just had some indefinable 'more' to it. Either way, incredible amps with that Mesa dna running through them.
  3. Tracks Of My Tears - The Miracles
  4. I received a message telling me week 8 this morning
  5. Today
  6. Right On Track - Breakfast Club
  7. Exactly what a 60’s bass should look like 👍
  8. I don’t think the fret lacquer cracking is uncommon, I had it on my old Streamline. Never got any worse or peeled. GLWTS.
  9. Non-standard by whose standards? The primitives of the USA? As this is an entirely rational prejudice I suppose it shouldn't be in here, but metric is a far superior measuring system to imperial (and which imperial are you using as the standard?), and the UK has been metric for 60 years, so why the f*ck do people still want o use imperial? I will make certain exemptions - tyres, loudspeakers, and televisions have become standardised as measured in inches. Nothing else should be. I'm just off to play my 865mm scale bass.
  10. As you say, there's no locating hole - I assume that they butt up against a stop to locate them, can't remember if the screw itself held the reed in place or if there was a metal clamping piece. In fact, looking back (at around 5:30 onwards) it seems they go into a narrow slot and are held by one screw per reed, but I did wonder if there's a pair of overall clamping screws which clamp up that narrow slot so the actual sounding part is the part that emerges from the clamping piece. Aha! just gone back again - at 5:17 and 5:26 you can see that a bit further back from the row of screws that hold the reeds, there's a couple of countersunk holes which are rather beefier than the reed-holding screws - I think those would be the ones to clamp the top and bottom of the reed holding strips together.
  11. Rig of choice for last nights regular Friday/Saturday studio session. It's something budget friendly I put together recently, and so far it's been working really well when I don't need a bigger amp and my Silverstone II. The amp is an Ashdown little giant 350 from 2008. It's very quiet for studio work and the DI is clean and records really well. The cab is a Hartke 210 TP sealed box affair with those aluminium cone drivers. It's super compact and weighs in at 15kg, mainly because the speakers have enormous ceramic magnets and make up two thirds of the cab weight. They sound quite good, and seem to have a sort of naturally bright scooped tone that works well with an active bass. Should be able to do pub gigs with the rig. We shall see.
  12. What an interesting project! Are you chasing stability, weight reduction, tone, or all of the above? Cool Games
  13. Valeton Dapper Bass all in one gig fly rig. Switchable Compressor, auto wah, preamp, octave and chorus with onboard tuner, FX loop, DI. metal case. Some very small marks from live use but well looked after. Should still have the box for it kicking around. £50
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  14. Hi everyone. The speaker cone sounds like it has spilt on my TC BG250 112 combo. I'm getting a rasping sound on various EQ settings at low and high volumes. Does this sound like I need a new speaker? Can this be done by a novice DIYer and if so, can anybody recommend a suitable replacement that will fit the existing cab? Cheers.
  15. He had the first Schecter delivered during their US tour last year I think. I’m in Vegas for their show tomorrow so will report back 🤓
  16. Boss DM-2W analog delay pedal in excellent condition with original box - £200 Now £170 plus p&p (collection welcome too). I’d also trade for an Aguilar Tone Hammer V1 pedal plus cash my way. The pedal has been modified by Time Travel Audio. It is a momentary oscillation mod. The new switch is the bypass switch and the original switch momentarily ramps up the feedback. The side mounted knob 'tunes' how much the feedback happens. The link below is a video of what the modification was based on:
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  17. Yesterday
  18. For sale is a my hand-built custom Precision-style bass with quality components throughout. Built as a one-off to explore a few design ideas and hardware combinations. Supplied with Fender gig bag. Specifications: Body: Sapele, poly finish Neck: Wenge, custom headstock shape. Fret levelled, dressed and polished. Tuners: Hipshot USA Ultralight Bridge: Gotoh Pickup: Tonerider Precision Plus Wiring: Bloodstone Guitarworks loom Strings: D’Addario XL (recently fitted) Pickguard: Custom shape (plastic still on) The bass plays very well with a comfortable neck feel, good balance and strong, punchy P-style tone. Set up and ready to play. Condition (please read): There are some cosmetic issues which are reflected in the price: A visible shim around the neck pocket A filled drill-through repair on the headstock (solid and stable) A few minor knocks and imperfections in the finish All are cosmetic only and do not affect playability, tuning stability or structural integrity. Close-up photos provided for transparency. Price: £500 ONO Location: Fleet, Hampshire Collection - happy for buyer to try it and if it’s not for you then no obligation to buy. I want you to love it as much as I do. Any questions welcome.
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  19. I wholeheartedly concur with @Silky999 - this is a spectacular little bass with a rich and full sound - We even tuned the pickup angles between us, so it sounds perfectly even between each string. If I hadn't taken a 5-string Maruszczyk Mr.Tee Shortscale in P/X last week, I'd be having this myself! The engraved 'MGCS Basses' logo on the body is next level cool, too.
  20. Runaway train - Soul Asylum
  21. Fender Jazz Bass 1965 Original L series Fender Jazz Bass from 1965 with an old nitro refinish. Possibly the original color was olympic white, as I can’t find a trace of another color in the cavities. The bass is all original, apart from the refinish. The decal is original too, though there has been some sanding around it, it seems. Probably to remove the dirt around it. All electronics and hardware function like they should. The neck is straight with a good functioning truss rod. The pickups are the original grey bottoms, which are undated. The pots date to week 12 1965. Overall condition is very good. There are small damages and usermarks around, but nothing shocking. Soundwise it’s one of the (if not the) best jazzes I’ve owned. The sound is warm, deep, clear, punchy… very nice. Thomastik flats are fitted; which are a perfect match. Especially through a nice tube amp; just lush. Playability is great too, a low action is not a problem. The neck has a nice worn in feel too it. Weight is 3,95kg on my kitchen scales. The original case is included, and it’s still sturdy and totally functional, though the toplayer of the logo is missinh. The original chrome pickup covers are included as well. This bass will possibly be withdrawn for sale if my '70 Competition Mustang sells first. Price for straight sale €7.000 Partial trades (lower value basses, guitars) are negotiable though. I'm not after anything specific at the moment.
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  22. Does it have to be rack mount? looked at Sushibox effects? something like the underground accelerator is a orange/fender style preamp and can be driven, or he has Ampeg type or fender bossman - all running at proper plate voltages. Or the Two notes revolt https://www.two-notes.com/en/revolt-bass/ or older Le Bass will have tubes and overdrive in (though can't promise how the tube is used in the circuits)
  23. Catch Us If You Can - Dave Clark Five
  24. Very quick first impressions after a 10 minute play around are that it might be really good. It’s still not the most attractive pedal but miles better than the bigger one. Patch handling is clearly far superior to the MXR. Better info on the pedal with screen and input level lights. Tracking seems to be at least as good, my gut feeling is better but not had long enough a play to say for sure. Patches are a weak point currently, too many silly ones, not enough (or maybe just too spread out) useable ones for playing actual bass lines. But the 4.5 update could push this miles in front of the MXR I’d say, particularly if the DX7 stuff tracks as well as the current patches.
  25. I picked one of these up once. I actually laughed out loud it was so light. And it seriously delivered.
  26. Not tried it yet lol, I’ll have a play over the weekend 👍🏻
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