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It’s ready! Shipping today apparently, so we’ll see if it arrives before Christmas 🤞 Si

No. One plain number tells very little about the response. Most of the numbers seem to be about marketing than real life. I would like to see something like this, although this is mostly wishful thinking: Response: 60 - 4000 Hz (±6 dB) Wattage: 500 W @ 8 ohm Sensitivity: >100 dB / 1 m / 1 W (previous numbers tell me that the cab is capable of pushing at least 127 dB, and 8 ohm means that it is pretty easy load to any amp, 60 Hz equals good response even with a 5 string bass) (Adjustable) Tweeter 2 Speakons Weight: <45 lbs (means Nd elements) 1x12" / 1x15" / 2x10" / 2x12"

As I said, the 15 minute turnaround ones are generally fine. The ones I'm complaining about I'm talking from the perspective of a punter as much as a player.

As @Bill Fitzmaurice has said I did a blind shootout of six speakers ranging from 6" to 15" at a couple of bass bashes this year. All eq's flat and diven at the same volume by identical PA amps so no tone shaping taking place. Even when I told them what they were listening too people couldn't reliably list them from smallest to largest. The favourite was an 8" cab which a number of BassChatters are now building but all had some admirers. If I did the same next year with different drivers I'm pretty sure the favourite would be a different cab. After the demo I had the 15 out so I used it at a couple of rehearsals, with a TE Elf it sounded great but not special, with a Warwick Gnome it sounded special. Neither amp is flat (and we've measured them) and the speaker certainly isn't flat but the Eminence Deltalite 15 suits the Warwick Gnome and the high efficiency of the Deltalite and limited top end suit the Gnome. I am a scientist and can use measuremnts to understand what is going on but using your ears is still the only test that really matters. We all percieve sound differently so personal taste is what matters in the end and if you are enjoying your sound you will play more and ultimately better. It just isn't the 15'ness of the speaker that's doing it

Flats on a stingray are glorious 👍 But then flats on any decent bass are glorious 🙂

When you see a cabinet frequency range stated does it mean the lower the stated HZ will sound deeper in tone ? As a pick player using 10’s I often wonder if using 15’s would add more low end or can handle lower HZ more efficiently? I tried an older MarkBass 15” cab and didn’t like it as it was so dark sounding

Preference requires no inference 👍

Me too. I appreciate the science and concede it's more psychological than factual, but it's been 15s for me for the last 50 years.

Interesting. I will try that in my next gig

It's always a potential issue. I recommended a drummer for the last UK tour of Greg Douglass, the Steve Miller guitarist. The day before the tour started, he confessed he couldn't play one of the drum parts. We got through it, but I felt terrible that his last trip here was not what it should have been.

Can’t get link to work…

Irrespective of the science, I prefer 15s also 👍

I bought a Warwick Star Bass from Andy. The bass is outstanding, as described, really well setup, and love the research into it's history as well. Andy was really helpful and thoughtful the whole way through with great comms. It was an absolute pleasure spending some time with him talking music, basses, and gear. Would definitely deal with him again in the future.

The band was out of commission. I gave my resignation but the guitar player who was to take over guitar duties so the guitarist could play bass no showed the afternoon of the big restart in fancy expensive rehearsal space. As the band can't function without bass I agreed to bring my gear as well as the charts. I enjoyed it so much I rescinded my resignation. The guitar player was only the reluctant bassist so new guitar boy misses out and I kept the charts.

Clearly you need to play a better class of gig. I worked a lot of festivals where 15 minutes was the standard turnaround time between acts. A festival patch and good communication makes it pretty easy with just a line check and quick monitor mixes setup.

I like those Ovation acoustics. Daryl

Our drummer has turned down seven good 2026 gigs in a row. We don't know why. BL called me for input on how we move forward. There's no easy answer, he was great with backing vocals and a great " pocket" drummer.. I guess he didn't like playing with us. We have two dep drummers to cover all the bookings. I know that finding a full time permanent replacement would be too much of a challenge. I suggest we find another dep drummer we can put in rotation. I know a guy that I think would be good, but I don't really know him. I think he does a lot of depping. We can offer good gigs with good pay. I'm afraid to reach out to him. I keep thinking, what if we bring him in and he turns out to be a " flake ". That would be on me. Daryl

When EQ'd for the same frequency response you cannot tell the driver size. You can have a dozen drivers of the same size with a dozen different frequency responses. When cabs have the same cone displacement, be it from one larger driver or more than one smaller drivers, they have the same maximum output. The only factor that's attributable to cone size alone is the dispersion angle, it grows narrower as the cone grows larger. Even that can be tweaked, and for that matter a pair of tens placed horizontal will have narrower dispersion than a single eighteen. In the end one factor, be it cone size or any of the more than a dozen factors that sum to give the end result, doesn't determine said result. It's that sum total.

Bridget (Riley) The Midget — Ray Stevens