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Very decent piece of rack gear, equally suitable for studio or live use (I've used it both ways). The two multi-way cable clips on top are there by self-adhesive stuff and will remove. I found them useful enough to choose to leave them there for the new owner. The original box is present, as seen in the photos, but not the polystyrene inserts. I'll use bubble wrap for postage. Original spec: https://www.behringer.com/product.html?modelCode=0602-AAI
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Gator 6U rolling rack case
Happy Jack replied to Happy Jack's topic in Accessories & Other Musically Related Items For Sale
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Ovation Magnum II Fretless with Graphic EQ
HeadlessBassist replied to Happy Jack's topic in Basses For Sale
My eye (yes, I have two. Don't worry...) was caught by the cool looking lever at the top of the bridge - does this amazingly manly bass have a lever that deploys the string mutes? Bet MusicMan wish they'd thought of that before adding those fiddly tiny metal round screws under the bridges of Classic Stingrays. Seriously impressed by the intonation calibration markings on the bridge as well. If Bang & Olufsen made basses, they would make basses like this. -
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Richard R started following It came from the black lagoon...
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Mickeyboro started following Bass Collection Bruce Thomas
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Paddy777 started following FEEDBACK FOR BEN TUNNICLIFFE
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Bought an Aguilar Tone Hammer DI off Ben - couldn’t have been more helpful and even tho I didn’t pay for it till after 4pm he still managed to get it sent out for me so I received it before 1pm the next day as I needed it - deal with him in total confidence
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MJJS started following Ibanez SRF700 Fretless
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Ritsugamesh started following Feedback for Walshy
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Purchased a set of Lindy Fralin pickups from Walshy the past week. Great comms, super prompt, and no fuss to deal with at all. When a small issue cropped up, he was quick to help and provide a fair solution. Credit to the community as you'd expect. Thanks mate!
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For Sale: Pete Skjold Greyling 5 – Impeccable Condition, Handcrafted Luxury Up for grabs is my stunning Pete Skjold Greyling 5, in the best, near-mint condition. This exquisite instrument combines exceptional craftsmanship with versatile sound options, making it a perfect choice for serious musicians. Key Features & Highlights: Beautiful, Warm Tone: The bass offers a very pleasant playing experience with a rich, warm sound that sits perfectly in any band mix. Flexible Sound Shaping: Equipped with a 4-way pickup switch (Reverse P, Series, Parallel, or P), allowing for a wide range of tonal options. New Thomastik JF 345 Flats: Recently fitted with these high-quality strings, the bass sounds fantastic and plays buttery smooth. Comfort & Playability: 33-inch scale length with a lightweight body (only 3.85 kg) and a superb H string, making it comfortable for extended playing. Premium Construction: 4-piece body crafted from fine Mahogany Symmetrical roasted quartersawn Maple neck, a true feel-good neck Indian Rosewood fretboard Evo gold frets Controls: Volume and tone blend for easy sound shaping Finish: Special satin finish that feels great and looks elegant Extras: Comes with a very high-quality, sturdy Skjold gig bag for safe transport Price & Details: Original price: $4,400 USD (plus shipping, taxes, and fees) This beautiful instrument is offered at a very attractive price, as I am currently having a custom 5-string built. Don’t miss this opportunity to own a top-tier, handcrafted bass that combines stunning aesthetics with incredible sound and playability. Feel free to contact me for more details or to arrange a viewing!
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Bass of the bass joined the community
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Warwick streamer double buck 5 string bass
Eli of the T replied to patrikmarky's topic in Basses For Sale
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As well as the thundering bass line, the demo versions (or at least the stuff they did before getting signed) also feature exactly what you’re referencing. The droning open D, whilst playing a melody on the G - akin to Hooky, Gallup - is all in there…
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Dood started following Mega P bass tone
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I definitely favoured those raspy mids and punch low end. I’d love to find this P bass again. Fullerton ‘62 neck on a 70’s body, dimarzio P pup and a pair of 15’s delivered some warm lows too. My secret weapon (not pictured) was a converted HiFi preamplifier with a “loudness” control on it which paired very well with the punchy mids for a BIG tone@
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You don't think it fits right the tabs in the pfd i shared?
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PatrickJ started following Ibanez SRF700 Fretless
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Since developing arthritis in my fingers I’m playing a lot less guitar and thus am moving on much of my bass collection, keeping just a few essentials. Now I’m selling my Ibanez SRF700 fretless, I love this bass but I just don’t play it often enough to keep it any more. Full details here: https://www.ibanez.com/na/products/detail/srf700_1p_07.html It’s in great condition, other than a few marks around the jack socket. Also worth noting that the volume pot is a little loose but just needs tightening back up against the body. The bass is currently string with rounds, I may have the original Chromes it came fitted with. Collection from Watford, Herts preferred, but delivery can be organised at buyers expense.
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Everyone has gone against what I was going to say, be drastic! That mid control is like a Mini Moog, those amps have a lovely smooth treble so I used to engage ultra hi even if treble is at noon. I owned a mk1 SVT for a while but preferred the v4b ( late 70s), for me even though they're brand siblings that share an active switchable mid with massive boost, making each anp work to it's strengths was completely different, I found anyway. I never got to try the old v4b through an 8x10 so I guess the cabs being used would have caused the difference maybe.
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Definitely, in my first proper band much of the bass work was on the D & G, with a sly bit of chorus added in of course.
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It's a brilliant bass part. It's a shame the album version of the track had synth bass instead of a proper bass guitar track. It also reminds me of how many people were influenced by the whole post-punk/goth thing - the P-with-a-pick midrangey tone, the melodicism, the high-register fills, etc - straight from the Hooky and Gallup school of bass.